If you’ve read any of my previous posts about vampires, you know how I feel. And, it’s complicated. I am absolutely obsessed with them and have spent a lot of my life reading about them, learning as much as I can about them in folklore and literature, as well as how they are perceived in popular culture. On the one hand, I think vampires are sexy and interesting and they are some of my favorite fictional characters. On the other hand, I have some concerns about how vampires are depicted in paranormal romance in relation to the acceptance of violence against female protagonists. You can find my 4-part blog series, “With This Ring, You’ll Be Dead: Violence Against Female Protagonists in Romantic Vampire Fiction” over at Speculatve Chic, as well as my thoughts on vampires and white privilege. Sexy yes, but monsters nonetheless.
Edward Cullen is a monster. This may come as a shock to some of you. Or, maybe not. Some of you automatically assign him to that category because he is a vampire. Vampires are monsters. But some of you many not think of vampires that way because of the way they have been portrayed in popular fiction, and particularly in paranormal romance. Traditionally, and by tradition I mean folklore and myths, vampires were undead creatures who rose from the grave to feast on the living and thereby create more of their kind. They infect the living with their disease of undeath and cause villagers to panic and perform strange rituals when burying their dead. Vampires or vampire-like creatures appear in some guise or manifestation in almost every culture worldwide. So, if you think vampires are something Anne Rice invented in the mid-70s, you’re off by a couple thousand years.
Speaking of Anne Rice, her vampires were monstrous at times, but they were still attractive, well-dressed, wealthy and powerful. They led interesting lives, fell in love, felt remorse and loneliness, befriended humans, and even became rockstars. But she still made a point of making them visibly different from humans and capable of unspeakable acts of violence and murder. While there were guidelines in place to limit exposure to humans, vampires were still expected to drink blood and kill humans at least occasionally. Vampires are pretty and interesting, but don’t get too close if you value your life.
I’m not sure why, but many folks who haven’t read the Twilight Saga assume that because the vampires sparkle in sunlight they are somehow less dangerous than other monsters. In fact, I would argue that many people don’t even think about the vampires in the Twilight Saga as being monsters at all. To be fair, some of the doubt around Edward Cullen’s monstrousness comes from how Stephenie Meyer wrote him in the narrative and the way he is portrayed on film. Just because he refrains from drinking human blood and tries not to kill people doesn’t mean he doesn’t want to do what comes naturally to him. In fact, Edward makes it clear that he is dangerous and could easily slip back into his natural vampire habits if given the right amount of temptation. Edward and his family choose not to feed on humans. And, much like a freshman who decides to become vegetarian at college, they must fight the urge to take a bite of turkey or ham when they come home for Thanksgiving. Every day is Thanksgiving for a vampire and humans are the buffet.
His human love interest, Bella Swan, could be played by a lemming in a wig given how desperate she is to die in the arms of a vampire. Technically, Twilight is a love story. But it is the story of an unhealthy love, in which a teenage girl falls in love with a literal monster and continually puts her own life at risk in order to maintain their relationship.
Stephenie Meyer has this to say in the dedication of Midnight Sun, which is an alternate perspective on the Twilight Saga told from Edward’s POV:
This book is dedicated to all the readers who have been such a happy part of my life for the last fifteen years. When we first met, many of you were young teenagers with bright beautiful eyes full of dreams for the future. I hope that in the years that have passed you’ve all found your dreams and that the reality of them was even better than you’d hoped.
Given the fact that Meyer’s narrative romanticizes the idea of willingly dying in order to be with the one you love, and that stalking is okay as long as you really care about the person, and the best way to live your life is to live in denial of your true nature, then I hope her young impressionable readers were able to find healthy relationships that didn’t put their lives at risk out of a sense of loyalty to a handsome partner with extremely controlling behaviors.
One of my good friends recently used my blog series in her classroom, and after several of the young women read the articles, they were shocked to realize that they didn’t actually think of vampires as being monsters. They viewed them as they had been written by some of their favorite authors: ideal partners. When my friend shared that with me, my emotions were all over the place. First, I felt a sense of validation because I realized that what I had written wasn’t just me ranting into the void. And second, I almost hated to be right. What I had proposed in those blog posts was that there was a certain level of danger in normalizing romantic relationships with monsters, but vampires specifically, because they are essentially serial killers. In Meyer’s Twilight Saga and Deborah Harkness’ Discovery of Witches series, vampires are portrayed as being the ideal sexual and life partners, to the extent that they also normalize violence against female protagonists and make excuses for abusive and predatory behavior.
Again, just to be clear, I am fascinated by vampires and I find them sexually appealing in many ways. However, as an adult woman who has been in several abusive relationships and have learned from those mistakes after finding the courage to walk away, it deeply concerns me that none of the female protagonists walk away from these abusive relationships. Even when the vampire warns the protagonist about the dangers of being close to them, this somehow encourages the protagonist to go against all of her instincts telling her she should be afraid and to run, and instead, insist on becoming that monster’s main squeeze.
So, when I read Midnight Sun, I was confused by the fact that I actually began to like Edward. And then, it dawned me; I liked him because he was honest about being a monster. His perspective is wonderfully unsettling. When we finally get to see what is going on inside Edward’s head, we get a real horror story. Think about all the novels you’ve read that are told from the POV of a serial killer. Some of the most horrific stuff you’ve read, right? Okay, now put an extremely handsome face on that serial killer and have him fall in love with one of his potential victims. By his own admission, humans are drawn to him because of his physical attractiveness, and since he is able to hear the thoughts of the people around him, he is disgusted by how often women and some men lust after him. Mainly because he thinks they are stupid for not being afraid. He feels relief whenever people feel uncomfortable around him, especially when he wants to control them. Edward is quite manipulative and makes use of his attractiveness as tool to essentially do as he pleases and come and go as he likes while attending Forks High School.
One of the most iconic scenes in the Twilight novel and movie, is when Bella has to share a lab table with Edward in their biology classroom. He spends most of the class covering his mouth and nose, not breathing, giving her dirty looks, and staring at her like she has a second head. When that scene is told from Bella’s POV, we get a lot of internal dialogue about the fact that she thinks Edward hates her on sight and is confused by what she could have possibly done to earn his hatred. Well, she wasn’t entirely wrong about his first impression of her. We learn that Edward’s weird reaction is due to the fact that Bella smells like the most delicious thing he’s ever wanted to eat. Even after Edward eventually tells Bella that his initial attraction to her was because of how delicious she smelled, she writes off his craving for her blood as a character flaw, and convinces herself that he would never really hurt her.
If she could have heard what was going on inside Edward’s head during that class period, she might not have been so quick to think about forming a lasting bond with him. And, it is this interal dialogue he has during biology class that made me fall madly in love with this handsome predator. In the first chapter of Midnight Sun, Meyer allows us to peer behind the curtain and witness Edward Cullen’s thought process the first time he meets Bella Swan. It is terrifying, and I love it.
I desperately want to share the entire scene with you word for word, but then I’d be robbing you of the opportunity to read the internal thoughts of a vampire –a monster– in the throes of bloodlust. I will however share some of my favorite lines with you, and you can judge for yourself if Edward Cullen is a monster or not:
I knew what had to happen now. The girl would have to come sit beside me, and I would have to kill her.
The innocent bystanders in this classroom, eighteen other children and one man, could not be allowed to leave, having seen what they would soon see.
I flinched at the thought of what I must do. Even at my very worst, I had never committed this kind of atrocity. I had never killed innocents. And now I planned to kill twenty of them at once. (p. 11-12)
Does that sound like the beginnings of a romantic relationship to you? It shouldn’t because during the first encounter Edward has with the girl who will eventually become his wife, he has a murder fantasy about her, calculating step-by-step how he would need to kill everyone else in the room first so he would be able to savor killing her and drinking her blood.
Let’s examine this scene again, but with Edward’s thoughts in mind.
I’d like to point out that the title of this video clip, that was most likley uploaded to YouTube by a fan of the series, implies that they think this is a romantic first meeting of people who are obviously destined to be soul mates and live happily ever after. As I’ve mentioned before in other posts, in order to have a happily ever after with a vampire, they will eventually have to murder you. Perhaps it will be the sexiest murder ever, but you will nevertheless be dead in some fashion or other.
If you’re a weirdo like me, and if you decide to read the novel, you will probably share my hope that Edward will somehow invert the narrative and live out his fantasy, embracing the true monster he really is. Each time he admitted his desire to kill and how easy it is for him to literally crush the humans around him, I liked him more. As much as I love paranormal romance featuring sexy vampires who are smoking hot and excellent lovers, it was just as thrilling to see the deviant inner workings of a monster with the face of a young man who would easily be at home on the covers of teen heartthrob magazines.
Edward Cullen is so monstrous at times in this retelling of the “love story” between himself and Bella, that I can almost forgive him for sparkling in the sun.
February is Women in Horror Month (#WiHM) and Black History Month, so I decided to feature Women of Color and Black women for a month-long series of posts about horror writing and the love of horror. Fact: Black girls love horror. This month I will feature some amazing horror and dark speculative fiction writers who started out as fans and turned their love of the genre into amazing stories that you should add to your TBR pile.
But first, let’s talk to die-hard horror fan, Dimi Horror (aka Diamond Rae Cruikshank), who has created a social media presence and podcast series examining horror and other speculative genres from the POV of a Black woman, Black Girls Love Horror Too. Her often unique and humorous approach to reviewing horror media provides a perspective that has traditionally been marginalized or completely invisible.
Dimi Horror’s Origin Story
I have been a fan of Horror since elementary school and a fan of the mysterious since I was atoddler. As a toddler, I found myself climbing into my Dad’s friend’s piranha fish tank and nothing happened to me. Not even one scratch was on me once I got out of that tank. I just wanted to swim with the pretty fishes, lol . My love for all things Horror came from watching A Nightmare On Elm Street numerous times with my older cousins during our cousin sleepovers. I loved me some Freddy Krueger played by the handsome and iconic Robert E. Englund. I even once dubbed Freddy my Horror husband until I recently got married in real life. I didn’t think it was respectable to call someone else my husband even if he was just a Horror husband, lol . Jaws is also a film that made me fall in love with the Horror world, and alongside that, finding my everlasting love for Sharks all at once. I had always been one to be creative and be inspired by amazing things that would leave an impression on me in my life, so blogging, posting, editing, creating content, photography, and podcasting is not new to me. In a previous relationship, before my marriage, I was inspired to create my Horror blog, it was a goal I always wanted to bring to fruition that finally happened during the process of that relationship ending. I needed an avenue to express myself. I’d normally keep behind closed doors due to my upbringing and being on my P’s & Q’s all the time. I also wanted to make a blog where people like me could come and feel seen, heard, loved, welcomed and respected. I wanted people to know that in this world we exist…the Akward Black Girls, the Family Black Sheep, and anyone who feels like they are categorized under “other”, or living in a society that always tried to force them into boxes to fit in with mainstream culture. That doesn’t work for everyone because we are all unique and different in our own ways. We live in this life while continuing to learn to be who we are as people. Horror and Nerd Culture brings all of us together. I also wanted people to know that being a Black woman doesn’t mean we only love the legendary and beautiful Beyoncé but we love our Horror too, there are levels to us.
I work most days so getting to post and create Horror content for my CreepSKWAD/My Horror Familia (Family) is something I look forward to be able to do as consistently as I can. I will be getting back to making more podcast content and starting my Youtube channel soon, but until then I’m always so elated and open to collab with my CreepSKWAD/My Horror Familia (Family) whenever they invite me to be a part of their creative journey and projects.
GMM: Welcome to Girl Meets Monster, Dimi. Happy February 1! And, thank you for helping me kick off Women in Horror Month. In your bio you mentioned that A Nightmare On Elm Street and Jaws were the first horror movies that grabbed your attention. Would you say that you are mostly interested in horror movies from the 1970s – 1990s, or do you also enjoy the classic black and white Universal monster movies? What are some of your other favorite horror movies?
DH: Thank you, Michelle, happy to have been invited to Girl Meets Monster, such a cool name by the way! Happy February 1st, I can’t believe we are in February already! Sheesh time flies. It’s an awesome honor to be able to collab with awesome people in the Horror community and to be a part of this Horror month is amazing, so thanks for having me. I honestly love Horror movies from the 1970s -1990s but I also love older classic Horror films such as James Whale’s Bride of Frankenstein as well as the newer Horror films like Jordan Peele’s Get Out. I definitely love all the many different spectrums of Horror for sure, I feel I’d be a lame Horror fan if I didn’t enjoy and get to know all the variety of Horror that’s out there. Thirteen Ghosts is one of my favorite films that’s highly underrated in my opinion. I love that film and all the different ghosts’ histories and background stories. One of my favorite Horror film intros is Steve Beck’s Ghost Ship where everyone is having a splendid, dashing time and dancing then get cut into halves and the only one left standing is the little girl who was dancing with the Captain of the ship. However, Ghost Ship overall tanked like an anchor to the bottom of the sea. It had great potential with that intro, but it just ended up being mediocre. Bernard Rose’s Candyman is a terrifying favorite and I can’t wait for Nia DaCosta’s Candyman to finally come to theaters or streaming networks …looking forward to that and Scott Cooper’s Antlers as well. A few notable mentions (favorite Horror films wise) Halloween, Scream, I Still Know What You Did Last Summer, and It Follows was an absolute game changer story telling wise. The film was a totally different way of making Horror so creepy and nothing is scarier than an unseen villain that possibly never dies.
GMM: Who are your favorite movie monsters, and why? Are they the scariest in your opinion, or do really scary monsters fall into a different category?
DH: Jaws is one of my favorite movie monsters because I am a shark and Shark Week fanatic! Jaws ruled those waters and the Summer. No one was getting in that water without Jaws’ permission. To this day there has been no shark film in Horror to beat Jaws, close but no cigar when it comes to other shark films. Deep Blue Sea, The Meg and Open Water are the best shark films able to compete with a classic film like Jaws.
In Creepshow 2, “The Raft” (Lake Blob) creature/monster was terrifying and pretty awesome. You couldn’t escape the “Lake Blob”, it was gonna take your friends out while hearing their screams as they disintegrated in front of you one by one. Then on top of that it saves you for last as you try swimming to the shore thinking you would survive, and it eats you alive anyway. Deep sea creatures are the best because we have only explored like 5 percent of the oceans on our planet and the possibilities of discovering dangerous yet beautiful never before seen species/creatures/monsters are endless. Mirror creatures like in the film Oculus and Mirrors are also my favorite because it’s terrifying when your normal perception of life becomes an illusion that leads you to your fatal end. Straight up mindfuck. You have the typical great classic Witches, Vampires, Werewolves, Zombies, lab experiment creatures that went terribly wrong, Spiders, Sirens, Ghosts, Demons, and Aliens that all have their own categories and I love those monsters/creatures, too, but it’s the unusual ones that scare me even more than those do. In It Follows, the creature/monster was a walking paranormal STD, like you had no clue what the hell that thing is or its origins as to where it even came from. Similar to Jeepers Creepers, “The Creeper” who wanted to eat your peepers was so horrid because it has wings, sharp teeth, can smell you in an animalistic way (forever knowing your human scent and if it liked your scent he was going to do whatever it took to find you and there is nothing you can do about it), it can regrow its limbs and is scarily intelligent, and also weirdly human like. The fact that “The Creeper” was based on a real-life serial killer gave it even more chilling vibes. It’s the unknown and never before seen elements to a creature/monster that gets anyone to shake in their boots.
GMM: I love your cosplay pictures. Do you attend cons or other events where you cosplay? What characters have you cosplayed as in the past? What characters would you like to cosplay as the most?
DH: Thank you! Once things open back up, I would definitely love to attend my first Horror related Con, first Comic Con, and other Con events. I haven’t attended any Cons as yet, but in the future, I definitely will experience more than a few of the Cons. I did the Pink (Soulful) Power Ranger, Melanin Eleven from Stranger Things, Regina King’s Watchmen character Angela Abar/Sister Night, Bride of Frankenstein, and Teen Wolf’s Were Jaguar just to name a few, and definitely more to come in the future. Some of the cosplays I’d love to do is a female version of the gray suited Gary Oldman in Dracula. I’d love to cosplay as the villains from MTV’s Teen Wolf: Kanima, Oni, and Nogitsune, all female versions of them. And, it would be fun to recreate Backstreet Boys’ “Everybody,” inspired by classic Horror creatures, with a female twist to it. I love Cosplay but I’ll always put my own twist to it, and it will never be an accurate version of that Cosplay character. It’s more fun adding my own twist to my Cosplay character of choice. So many Cosplays to choose from and so little time. I’d try all of them if I could.
GMM: What does your family think of your interests? Were you discouraged from watching horror movies or participating in “nerd culture” while you were growing up? Does your husband share your interests?
DH: I feel that I’m definitely the Black Sheep in my family, and I’m honestly proud of that now. It took some time to really own, honor, and understand why I am the Black Sheep in my family. I’ve decided that being a Black Sheep is my own inner superpower and my path in life is my own path. No one could ever take that away from me. No one in my family really likes Horror, with the exception of my dad, and no one in my family understands nerd culture and cosplaying. I believe for some time they really didn’t understand me and would try to change the fact I that I do love Horror and things connected to nerd culture. I was told by my grandma (my mom’s mom) that liking Horror means something is messed up in my head and only serial killers like Horror. My grandma is the diamond of my heart and she grew up in Trinidad and Tobago with a Catholic upbringing, so honestly our mindsets are very different from one another understandably, and the same goes with the majority of my family, including my mom. My dad’s mom, whom I am also super close to, has always been super accepting of my nerdiness and my love for Horror. She’s not a fan of Horror but she absolutely supports my love for Horror and the things I’m passionate about. It’s because of her that I love listening to scary stories on audiobook to peacefully fall asleep to, especially during rainy weather.
My love for Star Wars, Jaws, and films in general, comes from my childhood experiences with my dad and grandma (Dad’s mom). I watched Jaws as a child with my dad and fell in love with sharks from that point on. Everyone else in my family was terrified by sharks, and I was absolutely fascinated by them and any deep-sea creatures like the Kraken/The Giant Squid.
Nowadays, I’m far too grown to be told what I can and can’t do. However, back in the day, I’d get scolded and into trouble for doing what I wanted to do while growing up. Some of that helped me stay out of serious trouble and some of that blocked my growth, which also blocked my understanding that it is okay to be my own person even if I stand out in my family or elsewhere. To really learn about myself, I had to “crash into the wall headfirst” and give myself my own crash collision course to understand myself and what I’m about…what’s for me and what’s not. Growing up, I got into a lot of arguments because I wouldn’t allow someone in my family to have the last word over what I was going to do. Then, I learned how to pick and choose my battles and also learned that not everything had to be an argument or a battle. I usually went against the norm, and was always curious as to why I couldn’t do something. The whole parental authority attitude/mindset of “because I said so” and “I’m the adult you have to listen to me” or “when you get your own house and pay rent then you can do whatever you want to do” thing did not agree with me. Between family and some teachers, I had major beef growing up, but all were valuable life lessons. My husband, Cole, and I got together because of our similar passions, interests, hobbies, creative natures, and he loves Horror just as much as I do. Honestly, he’s the only man that I’ve ever been romantically linked to, who has loved Horror and films just as much as me. He’s a brilliant, rare, special, vibrant, and endlessly talented soul, and I love him so infinitely. We come from very different cultural backgrounds and upbringings, but Horror is definitely a major factor in our union/marriage. Plus, he’s hot AF! He’s really tall, has gorgeous eyes and is beautiful on the inside as well as the outside. He’s also tough/brave and served in the military. I am truly so grateful to God/the Universe/my Spiritual Family for bringing this union together because our bond is so mystical and out of this world. That’s enough mush for now.
GMM: What horror movies are you looking forward to the most in 2021 and beyond? What is your dream cast for a remake of one of your favorite movies?
DH: Horror films I’m excited to see are Candyman, Antlers, Halloween Kills, A Quiet Place 2, and Spiral. The non-Horror films I am excited to see are Batman, Sinister 6, and Suicide Squad 2. I’m excited to see The Conjuring world expand and the old-school Universal monster movies reboot and expand. The Invisible Man was an awesome start to that thus far. I am excited to see the new Blade and (my guilty pleasure) Fast and Furious (future) films. I heard that Jordan Peele is remaking The People Under the Stairs, and I’m excited because that’s also one of my favorite films and Jordan Peele is an amazing director/producer. I’m undecidedly excited for the rumored Gremlins remake and I’m PISSSED about the rumored Jaws remake. It can’t be done. It just can’t. Leave perfection at peace. As much as I’m a sucker for the Jaws film franchise, the Jaws sequels, should have taught people that Jaws doesn’t need to be remade because not all Jaws films were created equally, or skillfully made as the first Jaws (I still love all the Jaws films though, lol). It’s best to leave a film like Jaws perfect as is. Some remakes are awesome, but I feel that once a movie is already great it doesn’t need a remake, but if an original film version is crappy, it could possibly use a remake but it’s gotta be done well. It’s very risky making a remake or reboot. Even though I enjoyed The Meg, I really would have loved for Eli Roth to direct the movie like he was originally supposed to, with one scene directed by Quentin Tarantino like he did with Robert Rodriguez for Frank Miller’s Sin City. The Meg was a cutesy action-packed film. I WANT THE GORE AND HORROR on a similar level as the first Jaws and they can cast Samuel L. Jackson, Naomie Harris, Zoe Saldana, Angela Basset, Taraji P. Henson, Regina King, Yahya Abdul-Mateen (based of their chemistry in Watchmen), The Rock (Dwayne Johnson), Idris Elba, and Kevin Hart for comical relief. Plus, Kevin and Dwayne are bffs in real life. It’s a perfect cast! A slightly comical, horrifying, and gory shark film, but with an almost all Black cast. No one has seen that in a shark Horror film. I would also remake Scary Stories to Tell in the Dark from top to bottom. Guillermo Del Toro would be the director and costume director/creator because that film was absolute TRASH! I wish that was a copycat version of the film and not the actual film…(however there are plenty of copycat films that are even better than the original, but not in this case AT ALL). The books are super scary and though it was introduced to me in my elementary school years, doesn’t mean the film needed to be directed at children. If anything, the children who grew up reading those books are all grown up now, and they needed to direct the film to the adults who grew up with the stories as kids. It was too cutesy. Those stories are still scary even though I’m an adult. However, great costuming done by Guillermo Del Toro as always.
GMM: Thanks again for stopping by, Dimi.
DH: Thank you for having me, it was lovely to do this Horror interview, wonderful and great questions.
Back in March, when we first went into quarantine and I wasn’t sleeping and my anxiety put me on an all junkfood diet, I allowed myself to be pulled into a very deep rabbit hole. By which I mean, I started watching Shonda Rhimes’ hit TV show, Scandal (2012-2018). I had just finished watching all five seasons of How to Get Away with Murder (HTGAWM) that were available on Netflix (you can now watch all six seasons), so I was excited to watch another Rhimes show with a woman of color protagonist in a position of power. I mean, there aren’t exactly a ton of those to choose from, so I decided to invest some downtime during quarantine to what I thought would be mind candy. To be fair, both shows provide equal measures of suspense, stimulating romantic intrigue, and lots of violence and murder. I was hooked after watching the first episode of HTGAWM, but I gotta be honest, even though I enjoyed watching the first few episodes of Scandal, it didn’t really get interesting for me until Jake Ballard showed up and became my new TV boyfriend. Buckle up, this is a long post.
Warning: Spoilers, Sweetie
Jake shows up in S2: Ep. 14: “Whiskey Tango Foxtrot,” and meets Olivia Pope at a coffee shop in a seemingly random situation, in which both of them lie to each other about what they do for a living. His timing couldn’t be better, since Olivia has been on a relationship break from her main squeeze, President Fitzgerald Grant. There was a spark of hope for me that Jake would become enough of a love interest for Olivia that she would stop seeing Fitz, but let’s face it, you’d need a goddamned firehouse to separate those two. No matter how many times each of them say things are over between them, we all know better.
Things start to get interesting in the next episode when Olivia goes to the Pentagon to talk to Jake Ballard while investigating the murder of a young woman who slept with important men in DC to gain information that she sold to the press. Her friend, David Rosen, is being accused of killing her. Turns out, Captain Jake Ballard works in military intelligence. While Olivia questions him as if he is guilty of something, Jake turns on the charm and asks her out two times during her visit. They both have professions that prevent them from sharing certain details about what they know or don’t know. While he’s concerned about her questions, you also get the sense that he sees her as a much needed challenge.
While making plans for a date with Olivia over the phone, we learn that Captain Jake Ballard is full of secrets, because he has surveillance cameras in Olivia’s apartment and is watching her from the comfort of his living room on an enormous flat screen TV. This super shady behavior puts him in the villain category. However, his directness, take-charge attitude, flirtatiousness, and dark sense of humor make him very sexy. I mean, beyond his tall, dark and handsome appearance.
Their first date doesn’t go as well as Jake planned, because first, Olivia is late, second, he hates the restaurant she chose, and refers to it as “a place where dates go to die.” Third, Olivia refers to their date as a meeting, which he corrects her about, and fourth, she leaves before the end of the date when she gets a call from her team of super spooky problem solvers.
Jake’s next big secret is that he’s friends with Fitz. Old friends. They were in the navy together. In fact, Fitz hired Jake to watch/stalk Olivia, but I get the sense that Fitz doesn’t know that Jake is also spending time with her in person. And, Fitz hasn’t told Jake that his relationship with Olivia has essentially been business up front, party in the…well, you get the idea.
Jake continues to watch Olivia, and his interest quickly becomes more than the assignment Fitz gave him. To say that Jake becomes obsessed with Olivia would be an understatement. And, much like the handsome and charming stalker/serial killer, Joe Goldberg, in Netflix’s You, Jake’s inappropriate behavior started plucking at my heart strings. Don’t judge me. Stalker or not, Jake Ballard is a super sexy man with a high profile job in the government. Each detail we learn about him makes him more and more appealing. At least, up to a point.
There’s a scene in which he’s watching Olivia while she’s crying in her bedroom. While watching her, he’s concerned about her well being, and calls her to ask her out on a second date. Which she turns down, most likely due to her feelings for Fitz after their latest encounter. Olivia is in her bathrobe sitting on the edge of her bed. After she hangs up with Jake, she goes to her closet and starts getting dressed. Jake has the opportunity to watch her undress, but turns off his TV instead. Placing him in the not-so-sure category. I mean, he is watching her without her consent as a favor to her emotionally unstable lover, but he sets boundaries based on the feelings he’s developing for her.
Is Jake a villain? It’s too soon to decide. Should Olivia has sex with him? Absolutely.
Olivia keeps making plans and then canceling on Jake. However, it is clear that his interest in her is strong enough that he is willing to be patient. Also, Fitz suspects that Olivia is seeing someone new, because he witnesses her laughing while on the phone with Jake. When Jake checks in with the President, Fitz demands to know who Olivia is dating, which puts Jake in an awkward position. Not only has Fitz essentially confessed to his relationships with Olivia, but Jake is the guy Olivia is technically dating. So, he lies to Fitz, and tells him she isn’t dating anyone. Which isn’t a complete lie, given the fact that Jake’s attempts to date Olivia keep failing.
Slowly, Jake earns Olivia’s trust, which is complicated by the fact that we still don’t know if we can trust Jake. But, he also allows himself to trust her. After they work together to bring American hostages home safely, their professional relationship begins, opening the door for their personal relationship as well. After Olivia stands him up for the third or fourth time, Jake shows up at her apartment and asks her to take a chance on him. She tells him she isn’t ready to date, because she can’t stop thinking about another man (Fitz). He tells her to close her eyes, and then kisses her. After kissing her, he leaves, which is brilliant because now, she’ll be thinking about him, too.
If you think things are complicated now, oh Honey, you haven’t seen anything yet. The next complication is that Jake is having secret meetings with a shadowy character who asked him to murder the Director of the CIA and make it look like a suicide. Then, when Jake realizes that Olivia is looking into the possible murder of the CIA director, the shadowy character tells Jake to “take care of Olivia Pope.” We can only assume that he wants Jake to kill her. Soon after, Jake and Olivia have sex for the first time. Confused? You should be.
That same night, while Jake is asleep, Olivia gets out of bed to get a glass of water. She looks around his place and picks up the remote control to his TV, which is when she discovers that he’s been spying on her. Obviously, she freaks out and tries to run. Jake tells her it isn’t what she thinks. They fight and he tackles her. She hits her head hard enough to get a concussion and Jake takes her to the hospital. Before she passes out, he explains that he is watching her to keep her safe, and about that time, a man in a black balaclava enters Olivia’s apartment, which they can see on Jake’s TV. So, I guess it’s a good thing he’s been spying on her, right? Maybe, but stalking is still a crime and is often a sign of more terrible things to come. It’s a red flag and not the ideal way to begin a relationship. Stalking is a trope in horror/paranormal romance for a reason. It is the behavior of monsters, or at the very least, dangerous men.
When she wakes up in the hospital, Jake is there and feeds her a story about being attacked at her apartment and that he saved her. He asks her to stick to that story if anyone asks. Moments later, the President shows up. That’s right, the President is so high on his white privilege that he sees nothing wrong with visiting his mistress in the hospital and putting a secret service detail outside her room to keep her safe.
This is when Olivia learns that Jake not only knows him, but has been watching her at Fitz’s request. Talk about awkward. So, not one, but both men she is romantically involved with have been lying to her. Together. And…too each other. Yeah, like I said, it’s complicated. And now, uncomfortably weird, because Jake sees Fitz embracing Olivia while she’s in her hospital bed, and realizes that Fitz is the man Olivia is pining for. Fitz apologizes to Olivia for hurting her, but she refuses to accept his apology and tells him to leave her alone. He leaves, but tells Jake to keep watching her. And suddenly, Jake realizes he’s the other man.
Before Olivia leaves the hospital, Fitz tries to get Olivia back. Again. He “demands a second chance,” and in a moment of weakness, she kisses him. But, sticks to her guns and refuses to take him back. At this point, I got excited. Because I started to believe that Jake had a real chance with Olivia. The shadowy figure asks Jake to deal with Olivia again, and Jake asks to have someone else assigned, because he feels there’s a conflict of interest. When the shadowy character asks if he means because of his relationship with the President, Jake lies and says yes. But we know it’s because of his feelings for Olivia. But Jake is reminded that he doesn’t have any choice in the matter and we begin to understand that Jake isn’t just in military intelligence, he truly is a spy. And, as it turns out, he works for a secret agency within the government that the government doesn’t even know about.
So, not only is Jake’s life complicated by the fact that he’s falling in love with the woman he’s supposed to he stalking for his friend, and killing for his boss, but now that Olivia knows that Jake has been spying on her, she puts her walls back in place to protect her feelings again. Despite the fact that Olivia keeps pushing Jake away by venting her anger at him, he refuses to give up on her. Which is good, because when Olivia’s life is in danger, Jake repeatedly saves her at the risk of losing his on life.
The second time he saves her life, Olivia learns that 1) Jake is part of B613, the secret agency she knows about because one of her team members used to work for them, and 2) Jake explains that the reason someone is trying to kill her is because she is dating the President. At this point, Olivia’s perception of Jake changes because she knows he is risking his life to keep her safe.
After saving her life this time, Jake comes clean with Olivia and tells her that sleeping with her was his mission (B613), and says goodbye to her. Before he leaves, she tells him to close his eyes, and kisses him the same way he did to her when she was trying to forget Fitz. By telling her the truth, he believes that his chances with her have ended, but in reality, he is now more appealing to Olivia because she knows he cares about her. Concerned about Olivia’s process of decision making? You should be.
Jake disobeyed a direct order from Command, killed another B613 agent, and now his life is in danger unless he figures out a way to make up for this huge mistake or run. Running really isn’t an option. Oh, and I almost forgot. While Jake was stalking Olivia, he had surveillance cameras in his own apartment and captured the two of them having sex in pretty much every room of his apartment. Unfortunately, someone else sees the video and uses it against Olivia. Well, tries to anyway, because Fitz has a worse secret and he forgives Olivia for sleeping with Jake. Fitz keeps up the fantasy of divorcing his wife and marrying Olivia to make her his First Lady. But, Olivia breaks things off with Fitz.
Meanwhile, Jake ends up in the hole — an extreme version of solitary confinement for B613 agents who misbehave. Simultaneously, someone leaked to the press that Olivia is the President’s mistress. And, we discover that the shadowy character who was commanding Jake to kill Olivia, is in fact, Olivia’s father. No shit. For real.
Her father makes arrangements for her to board a plane and leave the country so that she can disappear. But after having a conversation with the Chief of Staff, she decides to stay. Which further enrages her father, who is disappointed in her for aspiring to only become a first lady, a role he believes to be beneath her. He wants more for her, and thinks she should want more for herself. He’s not 100% wrong.
As we learn more about Olivia’s father, Eli Pope/Rowan/Command, it becomes clear that he wields more power than most high-ranking officials in government. He’s also scary as hell. The most unsettling thing is that he is able to control Olivia by holding whether Jake lives or dies over her head. While Jake is gone, Olivia visits the morgue each time someone matching his description shows up, because she has no way of knowing what has really happened to him. Olivia finally gets her father to release Jake and he doesn’t look so good when he’s dropped off at Olivia’s apartment.
After Jake has a chance to heal for a few days, Olivia decides to kick him out of her apartment. She does so, because she doesn’t want to be caught up in whatever her father is involved in, and she still isn’t 100% sure that Jake hasn’t been sent to continue spying on her even though he emphatically says otherwise.
So, rather than staying under the radar, Jake decides to team up with another B613 spy, Olivia’s employee, Huck, to try to take down Olivia’s father. Which, is really dangerous for everyone involved. Did I mention that we’re only in season 3 at this point? Jake is doing his best to maintain distance, or at least respect Olivia’s boundaries, but it is clear he still has strong feelings for her. So, I got really excited (again) when Olivia invited him to be her date to the White House Correspondents’ Dinner.
So, at the very least, they’re friends at this point, right? Except that Jake isn’t stupid and understands Olivia only invited him so that she could see Fitz at the event. He makes it clear that his feelings are hurt and rather than the two of them going back to one of their apartments at the end of the night, Jake simply tells her the evening is over and that he’s upset about how she has treated him.
I’m not going to lie. Each time Jake shows up to save, protect, or comfort Olivia, I would say out loud, “Olivia, you need to forget about Fitz and make Jake your main squeeze.” Sadly, she didn’t listen. I mean, she continues to see both of them, which is admirable on her part, because they are both smoking hot in my opinion, but clearly, Jake is the better option. At least, he is until he gets pushed away too many times. But, we’re not there yet.
At this point in the narrative, Jake has discovered that when Fitz was in the Navy, he shot down a commercial flight that Olivia’s mother was on. It’s a complicated series of events that I won’t delve into too deeply, but essentially Olivia believes that her father is responsible for her mother’s death, and the man she loves shot down the plane. Again, she doesn’t know who to trust. Her heart is broken. But, because Jake is one of the few people trying to help her, I assumed that he would become the best option for Olivia.
One of my favorite lines in the series, is Olivia’s response to Fitz when he says he loves her after she finds out that he shot down the plane her mother died on. When he says, “I love you,” she says, “so what?” That is an excellent response to a man who has hurt you over and over and over. Especially when he tells you to stay away from his rival. Would you stay away from this man?
Yeah, me neither.
But, things become increasingly complicated when Jake takes Olivia’s father’s position as the head of B613. He becomes Command with the help of Fitz. Before he takes the position, he goes to see Olivia. He kisses her, and tells her, “Whatever happens next, I wanna make sure you know that I loved you.” Why does he say goodbye? Because he knows that as Command, he will be expected to do terrible things that she might not forgive him for in the future. Although, telling someone you love them before saying goodbye is a smidge manipulative.
All right. It’s a bit more complex than that, but at this point in the series, Jake really is the best boyfriend option for Olivia. In fact, in order for Olivia to maintain the ruse that she is not Fitz’s mistress, she asks Jake to be her fake boyfriend. That’s right. This sexy hunk who could have any woman he wanted, chooses to be second best in Olivia’s life because he is in love with her. Does this handsome devil really agree to be Olivia’s “beard” (his word, by the way) to maintain the illusion that she isn’t the President’s mistress? Sure he does.
As terrible as it sounds, Jake’s role as Olivia’s beard allows him to be his wonderfully sarcastic self, while brushing up on his passive aggressive skills. To say that he’s frustrated is an understatement. I mean, he’s maintaining the pretense of being Olivia’s boyfriend, but without the benefits. After he leaves his super goddamned important job early because she needs to talk to him about something, he finally snaps and says:
“Stock. Your. Damn. Fridge. If I’m going to be your fake boyfriend all day, I’m going to come home at the end of it and drink a beer and eat real food. Wine is not beer and popcorn is not food.”
After which, he begins undressing and Olivia asks him what he’s doing. He tells her he’s going to take a shower and go to bed after having pretend sex with her.
Of course, this is all happening while he is given the highest level clearance in the government with access to all the skeletons in everybody’s closets. Jake is on the path to becoming an extremely powerful man. The problem with that is, power corrupts. And, in his new role as Command, he’s finding it very hard to be all things to all people. Not only is he responsible for protecting the Republic, while being Olivia’s beard and maintaining enough distance from her at the same time so the President doesn’t get jealous, he also has to deal with the ridiculously inappropriate demands Olivia sets for him as she tries to take down her father.
The fact that Jake hasn’t gone batshit crazy yet is a miracle. But, he’s a tough guy and can take a lot of punishment. Which is good, because a lot more is coming his way. Did I mention that we’re still in season 3? As we learn more about Jake through his role in B613, we soon discover that he is one of the nicest serial killers you could ever hope for in a fake boyfriend.
All of the terrible things Jake has to do in his secret serial killer role (I mean, I guess since he gets paid that makes himan assassin) begin weighing on him. Just because he does terrible things doesn’t necessarily make him a terrible person. Right? In fact, he keeps asking Olivia to save him.
At the end of S3, Olivia finally comes to her senses and runs away with Jake. And they stand in the sun together. I’m not ashamed to say that I cried like a baby because I was so happy that they were finally going to be together. She FINALLY chose Jake. They spend two months standing in the sun together. Apparently, standing in the sun means having sex on the beach with a smoking hot man who worships the ground you walk on.
And then, in S4: Ep. 1, Olivia decides to return to Washington, D.C. after finding out that one of her team, Harrison, was found murdered, despite the fact that she and Jake were happy on the island. Alone. Together. When they get back to the city, Jake tells her that they will only be in town for a few days. She seems non-committal when she agrees. Jake’s fears are starting to come true. He knows that if Olivia becomes reconnected to the life she left behind, it will be impossible to get her to leave again. But more specifically, he knows that if she sees Fitz she will choose the President over him.
Olivia is in denial about the fact that being back in D.C. will jeopardize the happiness they shared on the island. An island located somewhere off the coast of Zanzibar, that doesn’t exist on any maps. You know, a deserted island away from all their troubles. An island where she gets to spend every day with a smoking hot sex machine. Fortunately, Jake is clear-headed enough to help her see the reality of their situation.
Olivia is back for less than a day and already has a new case. She slips right back into her routine like she never left. She plans Harrison’s funeral and intends to go back to the island, but…as it turns out, feeling important is more valuable to Olivia than running away with a man who could easily be the love of her life.
So, instead of getting on a plane and heading back to the island with Jake, she decides to stay and pick up where she left off. And, as soon as she sees Fitz, you know it’s game on for them and their ridiculously dysfunctional relationship. Jake tells Olivia that he got a hotel suite close to her apartment for booty calls. When she questions his statement, he explains that since they are back in D.C. he also has business to take care of, and he doesn’t have time to live in her apartment and wait around to “service her.” She has the nerve to take offense. Again, Jake is the only one in touch with reality.
But, she hasn’t completely lost her mind. She still has enough sense to make a booty call to Jake’s hotel room. And bonus, she shows up wearing her coat, boots and nothing else.
Maybe they aren’t standing in the sun anymore, but they still seem to be happy. At least for the moment. The longer they stay in the shadow of 1600 Pennsylvania Avenue, their chances of riding off into the sunset together get smaller and smaller. But it doesn’t look like Olivia is going to stop riding Jake any time soon.
Despite the fact that Olivia and Jake are maintaining a sexual relationship, he keeps making the distinction that he is not her boyfriend. Not because he doesn’t want to be, but because she has never officially recognized him as her boyfriend even though they spent two months alone on a tropical island banging each other’s brains out.
I mean, I understand that it isn’t always necessary to define roles in a sexual relationship between consenting adults. However, the only reason Olivia refuses to define her relationship with Jake is because she’s hoping for something, or rather someone better. And, he knows that (and who she wants instead). So, he keeps making it clear that she is the one who defined those boundaries within their relationship and refuses to pretend to be her fake boyfriend anymore. He deserves better. Of course, he’s still interested in having sex with her on the regular though.
I’d clear my whole schedule to find out what that thing might be. I mean, she knows what that thing is, obviously enjoys it, and yet they are sleeping in separate beds most evenings. If a man as fucking spectacular as Jake Ballard wanted my undivided attention, not only would I clear my schedule for him to do that thing nightly, but I’d find time first thing in the morning, plan a few nooners during the week, and I don’t know, the moment he walked in the door, whatever time that might be.
Olivia doesn’t share my point of view and is more than happy to piss away really good sex with a smoking hot man who is willing to call her on her bullshit. Which is exactly what she needs. He genuinely loves her. Would do almost anything she asked. Except, be her pretend boyfriend. He needs her to acknowledge her feelings for him. He needs her to choose him first. But he also doesn’t ever expect her to choose him. And yet, he continues to protect her. Even though that means putting his own life at risk.
I know I’ve been painting a rosy picture of Jake, but the more we learn about him, the more that comes into question. I mean, he is a Black Ops spy. We know he’s killed people, but at this point, we have no idea how many people. Admittedly, if my fake boyfriend killed people for a living, I might have some misgivings about making him my real boyfriend.
Who am I kidding? He looks amazing when he’s killing people.
I mean, he even looks good when he’s digging an unmarked grave to hide the bodies.
At the beginning of S4, Jake keeps trying to get people to listen to him about what is happening around them now that Olivia’s father is Command again. He keeps trying to tell Olivia that her father has put a hit out on him, and he tries to tell Fitz that Rowan is responsible for assassinating his son. But no one has time to listen to Jake, and then all of a sudden Jake is accused of killing the President’s son. And, since Fitz is already jealous of Jake for running away with Olivia, he can’t wait to make Jake’s life a living hell.
And, when Olivia doesn’t hear from Jake, she assumes that he’s avoiding her. Which is crazy given the fact that he wants to spend all of his time with her if she would allow it. Oh, and it would be great if she publicly recognized him as her ACTUAL boyfriend. It takes her a while to figure out something is really wrong.
The good news is that Jake’s training has prepared him to deal with interrogation and extreme methods of torture. So Fitz’s efforts to get Jake to admit that he killed his son aren’t going well. In fact, Jake manages to push all of Fitz’s buttons instead.
Fitz allows his jealousy to cloud his judgement and refuses to hear the truth about who really killed his son. Then Jake makes the mistake of saying the thing that no one else is able to say out loud–he tells Fitz that Olivia loves both of them. Which makes them both good guys, because she wouldn’t love them if they weren’t wearing white hats. Even though it’s obvious that Olivia loves both men, Jake is the only one who can say it out loud without having icky feelings about it.
Everyone is out to get Jake and Olivia’s father continues to lie to and manipulate her so that she believes that Jake actually killed the President’s son. So, not only does the President not believe him, but Olivia begins to question the facts. And, after Jake gives up on the notion of proving his innocence, he tries to comfort Olivia even though he knows he will never be her first choice.
Olivia figures out a way to prove that Jake didn’t kill Fitz’s son. But, instead of releasing Jake right away he is kept at the Pentagon so that Olivia can prove that her father was behind the assassination. Jake uses this opportunity to take additional digs at Fitz. He especially likes to remind Fitz that Olivia chose to run away with him and that they are still seeing each other.
Despite Jake’s posturing, he still doesn’t believe that Olivia cares about him as much as he cares about her, and after Fitz leaves the room, Jake tells her he knows that she’d rather be standing in the sun with Fitz. She gets upset that he keeps talking about himself as if she doesn’t care about him.
When Jake is finally released, things get more complicated as he attempts to find and potentially kill Olivia’s father. He’s a bit stressed, so when he arrives at Olivia’s, he’s surprised to see how happy and carefree she’s acting. She has food, beer for Jake, wine for her, and there is music playing. Stevie Wonder’s “Don’t You Worry ’Bout a Thing” to be exact. And, she’s dancing. He tries to tell her about the danger they need to be concerned about, at least the one he’s aware of, and she refuses to talk about anything serious.
Just to keep things interesting, Olivia is kidnapped by mercenaries that same night, leaving Jake with the most terrifying case of blue balls in history. He’s about to get kinky with his sorta kinda girlfriend. He takes off his clothes, prepares to make her fantasy come true, and then she disappears. Because he’s a highly trained spy, he jumps into action and begins looking for her immediately. But the men who took her are professionals and no one can track her down.
She’s gone for weeks, put up for auction to the highest bidder on the Dark Web, and the President is forced to go to war by the Vice President in order to get Olivia back. Yeah, the Vice President had the President’s mistress kidnapped to make him go to war. This show is not boring. A little over-the-top at times, but never boring.
Neither Jake or Fitz are able to rescue Olivia. An old friend who has connections with the Russian mob through Interpol is able to make the highest bid and rescue her. When she finally gets back to D.C., and after she is interviewed by the FBI to determine if she let any government secrets leak to her kidnappers, Jake and her team take her home and make sure she’s okay. Jake offers to spend the night, but Olivia declines, confusing Jake. Then, Fitz arrives on Jake’s heels, and Olivia throws him out after telling him that he wasn’t the one who rescued her.
Olivia is clearly suffering from PTSD, but she isn’t seeking help. She jumps back into her work and pretends that everything is fine, but when she isn’t working, she’s hiding in her apartment with a gun. She avoids Jake and Fitz, but at least she takes Jake’s calls when he checks on her.
I guess because neither of them are currently sleeping with Olivia, Jake and Fitz slip back into business as usual, and Jake continues his part-time job of stalking Olivia so he can keep tabs on her for Fitz. Confused? Don’t be. Olivia has always been an assignment for Jake, whether he’s watching her for Fitz or her father, his job is to stalk her and report back to whomever is paying him to watch her. The problem is, Jake can’t separate his job duties from his attraction to Olivia. Even though doing the job you love is good advice, in this case, maybe not so much. If your job is to stalk someone, you should try not to fall in love with them. To be fair though, that is an obvious danger of voyeurism.
B613 is in danger of being exposed by former agents and the District Attorney. Jake has warned them to stop because they are all in danger of being murdered. Jake bugs David’s office and finds out that he is planning to trap Jake into testifying, but Jake has other plans that involve killing off agents that are willing to testify against him.
Backed into a corner, we begin to see Jake’s true colors and his mercenary is showing. Olivia has abandoned him for Fitz. Well, actually, she’s been sleeping with another guy who just happens to be a B613 agent, too. Surprise! But we don’t know that yet.
Jake’s in danger or being exposed as a Black Ops spy who has killed a lot of people. No, really. A lot. He is finally pushed to what appears to be his limit, and takes up residence in the apartment across the hall from Olivia without her knowledge. Olivia’s team decides to kill Jake and when they come looking for him, he threatens to kill Olivia if they don’t leave him alone. Would he kill Olivia? Maybe. But it seems unlikely since he’s still in love with her.
Because they can’t guarantee Olivia’s safety, and honestly, because they are a little terrified of Jake, they back off and give up on exposing B613. Jake is now officially a villain. And, as we all know, any villain of note should have an interesting, and often heartbreaking backstory. Jake has that in spades.
Is he really a villain? Not yet. At best, he’s an intriguing antihero who is doing his damnedest to be the hero. And, if he’s really lucky, he’ll win the heart of the woman he loves. In fact, he agrees to testify and bring B613 down with Olivia and her team. Once again, Jake risks his own safety to wear a white hat and stand in the sun with Olivia.
And then, Olivia’s father reappears and begins threatening everyone Olivia cares about unless she puts a stop to exposing B613. Eli Pope is an actual villain, and he’s been grooming Olivia to become just like him some day. And, they both use Jake to do their dirty work. Jake is loyal to a fault. He has been a gun for hire, a convenient boyfriend, and a champion for the causes Olivia insists on upholding no matter how insanely dangerous. Even when he has seriously important work to do, he always seems to be on call whenever Olivia needs him. How long do you think someone can do that without receiving the love and respect they deserve? My guess is not long. Especially when you consistantly give the person you love opportunities to step up and treat you better.
Jake has several part-time jobs, and one of them is wooing a woman who should have chosen him already. As the date of the trial to expose B613 gets closer, Jake stops by Olivia’s office to remind her that he’s got her back, and if she’s scared or needs someone to talk to, his strong, broad shoulders are available for her to cry on. He doesn’t make any sexual innuendos. He doesn’t remind her of how badly she’s treated him. He simply tells her he’s there for her if she needs him. And she seems to be adamantly opposed to accepting his help.
This man is hopelessly in love.
And what does he get for his trouble? He gets mortally wounded by the guy who’s been banging Olivia and almost dies after being stabbed many, many times.
As you might imagine, I had a lot of feelings about this. When the character you care about the most is in danger of dying, and if you’re anything like me and live vicariously through fictional characters, it’s going to hit you pretty hard. When Olivia’s team find him the next morning barely hanging on to life, I was a mess. It takes a very long time to get Jake the medical attention he needs, and because there’s a price on his head, they can’t take him to the hospital. They have to rely on a back-alley Russian doctor who most likely makes a living attending to bullet and stab wounds for the criminal underworld.
So, not only is Jake in danger of dying because of his many, many stab wounds, but then the person who tried to kill him insinuates himself into the situation enabling him to try to kill Jake again. Let’s just say that it’s an exciting episode. Olivia obviously cares about Jake, because she’s terrified of him dying. But her feelings for him are still unclear. She loves him, but she isn’t in love with him. It takes him almost dying for her to admit that she never should have left the island. Well, no duh.
After figuring out that the guy she’s been banging is actually a B613 agent and working for her father, Olivia has her team torture him for information while Jake recuperates in her bed. He has wanted to be back in her bed for a while, but this isn’t what he had in mind.
But hey, he’s still alive.
Jake’s a smart guy. He figures out that Olivia has the B613 agent, Russell, in the apartment across the hall and explains to her that it doesn’t matter how much she tortures him, he won’t talk. Jake tells her he won’t talk because Russell is like him. She gets defensive and says that Jake is nothing like Russell. He says that they were both trained to get close to her, and that they both have a PhD in Olivia Pope, but there’s one difference between Russell and Jake.
He then goes on to say that Command would consider his feelings for her a defect. When he shares with her that essentially she is his greatest weakness, she opens up and finally talks to him about what happened to her when she was kidnapped. Something she hasn’t talked to anyone else about. Instead of using this connection as a way to get closer to Jake, she lets him know that she isn’t going to stop trying to get information out of Russell because she wants to get her father.
Jake’s curiosity gets the better of him and he goes across the hall to meet Russell, have a beer and compare stories about what it is like to be trained by Rowan, Olivia’s father. They bond over the fact that they are both unique among B613 agents. And, Jake explains to Russell Olivia’s role in Rowan’s weird game of control. Proving that Jake definitely has a PhD in Olivia. No one knows her better. Which would be more romantic if he wasn’t her stalker and a serial murderer. And yet, I still want him to have a happily ever after with Olivia.
Jake testifies before the grand jury about B613. And minutes later, all of the jurors are brutally murdered. Rowan/Eli Pope blackmailed the First Lady who is also a senator into giving him the list of names so that he can kill them. So, everyone who listened to Jake’s testimony is dead except Jake and the District Attorney.
Jake once again offers Olivia the option to run away and she turns him down because she’d rather keep trying to take her father down which makes everyone around her potential victims. So, when Olivia decides to involve the CIA, shit gets real. She and Jake are thrown into prison, because the head of the CIA is too afraid to arrest Rowan. How many times is Jake going to take a bullet for Olivia — literally and figuratively?
At the end of S4, Jake tells Olivia his mission is over. B613 no longer exists. He has delivered her home safely. Once again, he tells her that he is in love with her, but she’s in love with Fitz. He walks away and she is confused. She thinks of their time on the island. But instead of running after him and telling him that she loves him, too. She lets him walk away and goes to the White House to see Fitz that night.
To say the least, I was disappointed. I mean, I wouldn’t kick Fitz out of bed for eating crackers, but Jake Ballard is far more interesting. And WAY more murdery without being a vampire, werewolf, or the Devil himself. In fact, Jake Ballard is the first non-supernatural character I’ve been interested in to this degree in a long time. Come to think of it, the last human I obsessed over was also a murdery secret agent.
At the beginning of S5, Olivia is outed as the President’s mistress and decides to run instead of dealing with the fallout. She takes a case and dives into work rather than dealing with reality. Who comes to help her? Why, Jake Ballard, of course. Although he told her his mission was over, he can’t seem to stay away from Olivia. He wants to help her and always wants to come to her rescue in the hopes that she will see him as a hero and accept him as her main squeeze.
While Olivia is working a case/running away from her life, she is emotionally distraught over her relationship with Fitz, but asks Jake to spoon her on the filthy motel room bed they share. In fact, when Jake returns from his beer run, he climbs onto the bed next to Olivia as if it is the most normal thing in the world, and she doesn’t question it. They are lying together like a couple. A couple who has faced a lot of obstacles and trauma, but are still there for each other. Olivia got Jake out of prison. And Jake runs to Olivia’s side when she’s in trouble. Is it just me, or should they run off to Vegas and get hitched? I mean, Jake is Olivia’s lover and in many ways, her best friend. But she doesn’t treat him as well as she should. Without hesitation, Jake comforts her and they spend the night together with him holding her. He doesn’t think twice about doing it. Because, as he’s said to her time and again, he loves her.
With the case solved, Jake returns Olivia to her apartment in D.C. and asks if she’s going to be alright. She says yes and gets out of the car into a throng of reporters asking if she is the President’s mistress. She turns to the camera, and says yes. I wanted her to say no. I wanted her to get back in the car and go somewhere with Jake. But that didn’t happen.
Jake’s response to Olivia’s “truth” is to go to her office where her team is trying to put out the fire Olivia started and “help” her. He tells them that she doesn’t need help, because she finally did the thing she tells everyone else to do, “do not lie.” When the teams asks Jake what the plan is, he says, while opening a plain brown paper bag, “My plan is to sit here and drink the majority of this vodka. Get remarkably wasted, and watch the world end. Anyone care to join me?”
And then, while Olivia is in the White House, after making out with the President in the Oval Office and pissing off everyone else around her, she calls Jake to tell him that she thinks she made a mistake and he says, “Just say the word, Liv, and I’m on my way.” She tells him she’s good, there’s some awkward silence on the phone, and then she tells him to have a drink for her. His response is, “Done.”
Unpopular opinion: Olivia Pope is a monster. There, I said it.
When Jake sees the news report that the Louvre is on fire, he goes to visit Eli Pope in prison. Jake asks Eli if he is responsible for the Louvre, which is part of a plan called Lazarus 1. Which seems to mean that Jake has never left B613 and that B613 isn’t really gone, just on temporary hiatus. Jake accuses Eli of trying to regain power and threatens to kill whomever Eli is working with on the outside.
While the media is pulling Olivia’s life apart and trying to make her look like a power-hungry harlot, and the writers use this as an opportunity to highlight the use of racially coded language or dog whistle politics in the media for the audience, Jake heads to Paris to follow the trail of clues leading to who is kicking off the plan Eli pretends to know nothing about. And, while in Paris, Jake runs into someone he never thought he’d see again: his wife.
Jake thought his wife, Elise, was dead. Surprise! They were supposed to meet at Grand Central Station and she was an hour late, and he assumed that she had been murdered. He tells her he grieved for her and that he loved being married to her. So, of course, I was hopeful that Jake might get a little happiness. He’s reunited with a woman he loved and they are obviously happy to see each other.
But, Jake Ballard isn’t allowed to have long-term happiness. First, Elise gets shot in Paris, and when Jake visits her in the hospital, she admits that she didn’t meet him at Grand Central Station because they are both spies. He asks her to come back to the States with him.
Olivia randomly drops by Jake’s for a visit and meets Elise, but he doesn’t tell her she’s his wife. Olivia goes to him for advice about her relationship with another man. When she is scared about what is going to happen next in her life, she goes to Jake. And, because he seems to know her better than anyone else, I mean he did stalk her for a long time, he always tells her what she should do and he’s almost always right.
Jake should be getting his happily ever after, right? Wrong. Elise is the person on the outside who has been helping Eli Pope regain power. When Jake finds out, he’s less than thrilled.
Olivia finds herself in a situation where she might have to marry the President, and who does she call? Jake. She asks him what she should do about whether or not to marry Fitz, and he points out how ridiculous that is, given their history. She says that she’s sorry and that he’s the person she talks to when she needs a friend, and then he hangs up on her after saying he’s hanging up.
Then she calls him again to tell him that she’s going to marry Fitz. She says that she wanted to tell him before he heard about it on TV, and his response is “whatever.” She starts to say that she needs him to feel a certain way, and he tells her that she’s not allowed to need him for anything, or ask him for anything, because that’s Fitz’s job now. And, he hangs up on her again.
He decides to leave with Elise, and they plan to meet the next day at the train station. But when he shows up, she’s already dead. Why? Because Olivia arranged for her father to be freed from prison. There is an amazing scene in which Olivia comes home to find Jake in her living room sitting in the dark drinking bad wine, which he complains about when she asks why he’s there. He tells her to sit down, she ignores him and then he shouts at her to sit down.
Typically, when Jake is with Olivia, he is there to keep her safe, but she has found herself on the wrong side of Jake Ballard and he can be quite scary. As always, he points out to her that he knows her better than anyone, including herself. He calls her a hypocrite because her story about wearing a “dumb white hat” is bullshit since she just left a mass murderer out of prison to serve her own agenda. He points out that the President isn’t impeached and she doesn’t have a wedding ring on, two things that she needed to make happen at any cost. Jake tells her that Elise is dead and Rowan killed her, then he corrects himself and says, that she killed her, because she let Rowan out of prison. Then he says this wonderful line, “The woman I love killed the woman I used to love, or the woman I used to love killed the woman I love. I can’t figure it out.” He yells at her some more, she tries to justify her bullshit and then he stands in front of her menacingly before kissing her and leaving.
The President asks Jake to hunt for Rowan, and Jake let’s her know that when he finds him he’s “going to look him in the eye and put a bullet in his head.” Apparently, Jake can hold a grudge and when people fuck him over, his solution is to start killing people.
Of course, Olivia doesn’t believe that Jake’s serious about hunting Rowan. And when her father comes to see her to tell her that someone is trying to kill him and that he’s a victim, she decides to call Jake. Actually, she summons him to the Oval Office. After Olivia tries to convince Jake that her father is in danger, he lets her know that he isn’t down for any more of her bullshit.
“What did you think? That I’d come here and spoon you? Give you a shoulder to cry on, listen to you talk about all the dark places Rowan built inside of you? That train has left the station and you do not get to ride this (he means himself) anymore. If you want someone to talk to, tell your boyfriend that you just let his son’s killer out of prison. See how that works out.”
Olivia gets vindictive and accuses Jake of being petty and jealous because she chose Fitz instead of him. But their argument, that I hoped would come to fisticuffs, was interrupted when Fitz comes into the office and they pretend they aren’t having a lover’s spat. Is it a lover’s spat when you fantasize about killing the other person?
Soon after, we discover that Olivia has a secret. While Fitz is waiting for her at a state dinner that she helped to plan, she is at Planned Parenthood getting an abortion that she won’t be able to tell anyone about. There is no one she can turn to for support because she has essentially burned her bridge with Jake and is a prisoner in the White House.
And, when Fitz asks her where she was? She can’t tell him the truth, so they have a fight about all the terrible things that are wrong with their relationship. They both air their feelings of resentment, and Olivia admits that she preferred Fitz when he was unavailable. Fitz tells her he hates that she’s always right and that they tried. But their current situation makes it impossible for Olivia to continue to be his girlfriend.
So, as a completely unexpected turn of events, Jake moves in with Olivia’s father because he finds out that he wasn’t Lazarus and honestly he has nowhere to go. Or does he? Six months after Olivia and Fitz break up we find out that Olivia has started having dinner with her father again. She tells him she doesn’t want to come by the house since Jake is there. Which is funny, because when she gets home, Jake is waiting outside her apartment and tells her she’s late. And then Olivia pretends that she wants him to leave and then they jump each other’s bones and have epic foreplay before heading to her bedroom. I guess Olivia is allowed to ride that train again. Ride, Olivia, ride.
The President asks Jake to investigate leaked information from the NSA. While they’re catching up, Fitz asks Jake if he talks to Olivia, to which Jake says no. But he has a smirk on his face. He isn’t exactly lying. He’s having sex with her, but they aren’t having a relationship. They are friends with benefits without the friendship. Like, she acts disgusted when Jake tries to show her actual affection. Not only are they not friends, but they are also working against each other on the same case.
Jake loves Olivia. Well, at the moment he loves to fuck her. But, he can’t just sit around waiting for Olivia to come to her senses and fall in love with him. He has aspirations and he’s worked hard to get to where he is in his career in the military and government. He needs a day job beyond secret agent, mercenary, and Olivia’s doormat. So, what does a super spy with lots of bloodstains on his resume do when he’s looking for a new job? He kills the competition. Literally. Jake essentially murders his way to the top. He’s not afraid of hard work or getting his hands dirty. And, by getting his hands dirty, I mean blood and soil from unmarked graves.
After the suspect Olivia is looking for turns up dead, and they figure out Jake killed him, Olivia gets a little upset. Especially when Fitz appoints Jake as the Head of the NSA. Which Jake knew about and didn’t tell Olivia. While he’s still living at her father’s house. Potentially shady? Yeah, totally. I guess Jake is accepting his role as a villain. And, he looks effing stunning doing it.
Olivia confronts Jake. And her father dresses her down, telling her to follow their example and get some real power, and refers to Jake as his son. Which always makes me a little uncomfortable given his relationship with Olivia, and that is going to get even weirder in the coming seasons. Like really weird. Like Cesare and Lucrezia Borgia weird.
As much as I would love to keep yammering at you about Jake Ballard and his insanely dysfunctional relationship with Olivia Pope, I think I’m going to leave it up to you to discover Jake’s fate. Will Olivia pull her head out of her ass long enough to realize that Jake Ballard, regardless of his many murdery flaws, is an ideal partner as she continues punching her way through glass ceilings? Or, will Jake continue to make terrible mistakes in the hopes of winning Olivia’s love only to be disappointed again? With the Winter holidays just around the corner, and since we’re all stuck in our houses anyway, why not devote roughly 5 days and 4 hours of your holiday break to binge watching Scandal. It is delightfully entertaining, with a cast of characters so frustrating that you’ll talk to your TV. So, find a warm blanket, make some popcorn, pour yourself a nice big glass of wine, and get ready to fall in love with Jake Ballard. Scandal originally aired on ABC and is currently streaming on Hulu.
About a year ago, while thrift shopping, I picked up three paperbacks with smoking hot half-naked men on the cover. Technically, that would have been enough to grab my interest, especially with this warning on the back of the books:
WARNING! This is a REALLY HOT book. (Sexually Explicit)
I don’t know about you, but as a writer of dark speculative fiction who dips her toes in erotica/paranormal romance, that is a goal worth attaining. It is my dream to have that kind of warning on the back of my books. Honestly, having someone feel embarrassed to be caught reading one of my books is something I am working hard to achieve. While I personally feel no shame in being caught reading Elizabeth Amber’s books, she did her damnedest to make me blush.
Like I said, smoking hot dudes on the covers and the promise of unspeakable perversions would have been enough, but with the added bonus of mythological creatures who worship Bacchus, the original Lord of Kink, how could I not read this series of books?
Ancient Grecian Erotica
The series examines the romantic lives of nine male characters, all satyrs, and the struggles they face living among humans undetected, threats to their power from both humans (EarthWorld) and non-humans (ElseWorld), while falling in love with their female partners (human and non-human) while the female partners try to thwart the efforts of the smoking hot satyrs to mate and marry them.
The novels are set in Italy, both Tuscany and Rome, with stopovers in Paris, Venice, and of course, ElseWorld. There is a stunning array of villains, all of which would lead you to believe that a certain percentage of the Italian population are sadistic perverts who thrive on enslaving others for their basest desires, and who aren’t above incest.
The female characters, almost all of which are virgins, carry the weight of the world on their shoulders and keep their darkest secrets away from the men who want to rescue them. In each book, the main story arc deals with miscommunication, one of the satyrs saving a damsel in distress after discovering all the sordid details of their pasts that they have almost no control over, and then we get a happy ending. Okay, lots of happy endings, if you know what I mean. So, essentially Elizabeth Amber has written several novels that are at their most basic level a comedy of errors, but you know, with huge satyr penises.
In fact, Elizabeth Amber never wants us to forget just how huge those satyr penises are. And, if that isn’t interesting enough, once a month at the full moon, the satyrs grow a second huge penis that disappears after the first mating during the full moon. In case you’re wondering how that extra appendage gets used during the full moon, think double penetration, but with only one partner. I’ll give you a few moments to let that sink in, pun intended.
Fun Facts About Satyr Lords
So many satyrs to choose from: There are two main satyr clans, one in Tuscany (Nicholas, Raine and Lyon) and one in Rome (Dane, Bastian, Sevin and Lucien); however, there is a satyr from ElseWorld, Dominic, who is super duper hot as well.
Magical semen: Satyrs can control the potency of their semen, and are only able to conceive with their partners on the full moon. But only if they DECIDE to impregnate their partner. Their semen also technically has healing properties and enhances their protective magic to keep their partners safe.
Blue balls = death: If the satyrs do not ejaculate within their partner at least once during the full moon, they will die. No, seriously. One of them almost dies because the woman he is trying to woo keeps refusing his sexual advances. Satyrs use this excuse on a regular basis to get laid, and it totally works.
Satyrs are heteroflexible: Two of the satyrs have relationships with somewhat unusual partners. One is involved with a hermaphrodite who has both male and female genitalia that are fully functional. And another is involved with a creature called an Ephemeral, who must inhabit the bodies of people who are about to die in order to have a tangible physical body in EarthWorld. Occasionally, she has to put on a male skin suit. Body snatchers can’t be choosers. Two of the hottest sex scenes in the novels are technically homoerotic and blur the lines between sexuality.
Virgins are irresistible: In almost every case, the love interests of the satyrs are virgins before they mate with them. Which, in most cases, causes some anxiety for these women when they see the size of the satyr penises for the first time. Not to mention the appearance of a second penis. I mean, almost invariably, the women compare the satyr penises to size of their forearms. Again, let that sink in. If you can.
Satyrs can last all night long: As you might imagine, satyrs have high sex drives and are notoriously good lovers. During full moon, they MUST have sex over and over until the dawn and take every precaution not to injure their partners. They use an elixir to essentially drug their partners, which I suppose is akin to magical Rohypnol. They employ other methods, beyond four play and lube, to make their partners’ experiences pleasurable.
I’m not going to give away anymore of their secrets and spoil all the fun, I’ll let you find out some of the other…interesting methods the satyrs use to prevent chafing. I can’t recommend this series enough. If you enjoy super hot paranormal romance. If you love huge satyr penises. If you love sexy, tall, dark and handsome romantic heroes. If you like kinky sex. If you are looking for an escape from your daily routine to the Italian countryside. These are the books for you.
Seriously, smoking hot paranormal lovers with not one, but two huge penises. What’s not to like?
Happy Beltane! I’m sending you virtual hugs, kisses, and maybe an inappropriate grope or two. After this week, Fiction Fragments will be taking a short hiatus until July. But, look for other posts here at Girl Meets Monster in the meantime, and contact me if you’d like to be featured in Fiction Fragments.
Last week, I spoke with Bram Stoker Award winner, Sarah Read, about writing a first novel and productivity under quarantine. This week, Girl Meets Monster welcomes Pittsburgh writer and voice actor, Nelson W. Pyles.
Nelson is a writer and voice actor living in Pittsburgh PA. His latest novel, Spiders in the Daffodils, is available from Burning Bulb Publishing. His first novel, Demons Dolls and Milkshakes, was re-released in 2019, and the sequel is in progress. He is the creator and original host of the Wicked Library and has stayed on as an executive producer and voice of “The Librarian.” He has written and performed on The Wicked Library, The Lift, The Private Collector, and Wicked Fairy Tales podcasts. He is a member of the HWA.
GMM: Hello, Nelson! Welcome to Girl Meets Monster. We’ve only interacted in person once I believe, at an HWA Pittsburgh Chapter meeting, but I’ve slowly gotten to know you through social media. Tell me about The Wicked Library. How did it get started, and what was your role as The Librarian? Also, how did you get started as a voice actor for the multiple projects you’ve worked on? What advice would you give someone who is interested in pursuing projects like The Wicked Library?
NWP: Hello, Michelle! Yes, that was the first time we had met. You and Stephanie Wytovich had a live reading together which I absolutely regret missing. I’m hopeful to see both of you at the next meeting! And yes, we share a lot of the same interests like excellent 80’s new wave. It also prompted me to get your book Invisible Chains, which if you pardon the fanboy moment, is absolutely amazing.
The idea for The Wicked Library really came out of a desire to help independent authors promote their work with an audio version of their short stories. Having a background in theatre and performing I thought I could do a decent job with narration. I solicited everyone I had appeared with in an anthology and asked them for permission to read their work. In turn they could download the story and even sell it as I wasn’t making anything off of the work.
The Librarian began as an homage to the Crypt Keeper from the old DC comic books from the fifties. Eventually he got a life of his own (so to speak) and became his own character with a background story and several spin off shows. All my voice work really came as a result of narrating the show from the early days and then moving on to narrating a few books and voicework on other podcasts. It all just kind of happened out of necessity and then boom!
The advice I would give for anyone looking to start their own podcast of their own is to research as much as you can, find something that you bring to the table that no one else has and make sure it’s one hundred percent fun otherwise it gets old really fast.
GMM: I absolutely lovethe title, Demons, Dolls and Milkshakes. What inspired the title of your first novel, and without too many spoilers, can you give us a synopsis of the book? Is this the first novel you’ve written, or just the first novel you published? What motivated you to finish writing the novel and what was your experience with getting it published?
NWP: The title wound up being the very last piece of the puzzle as it really summed up everything in the story. A woman in the Shadyside section of Pittsburgh prepares to get snowed in by a blizzard, so she gets movies, snacks, and a huge milkshake before it starts. She gets home to find a creepy doll in her bag from the movie store. She thinks it’s a gift from her friend at the store, but it turns out to be a demon who is trapped in the doll looking for a new body. One of my beta readers suggested the title as a goof, but the more I thought about it, the more I liked it. The tone of the novel is very tongue in cheek although it does deliver on the spooky when it arises. It was the first full length novel I had written and the first one published as well.
The book took forever to write because it was also around the time I started having kids which as you know, tends to make what we do interesting if not challenging. I actually sat on the first twenty pages of it for about six years and they decided it was time to put up or shut up. I sent the book to a metric ton of publishers and agents all of whom shot it down. Finally a groovy small press which I’m sad to say isn’t around anymore published. What was great is that I was able to get my current publisher Burning Bulb Publishing to release a really nice second edition with bitching new art.
Getting published isn’t easy but it’s not impossible either. I think there is a certain amount of tenaciousness and thick skin needed. When I got it published it was because I had a good relationship with the publisher whom I had worked with on a few anthologies. Relationships aren’t a guarantee, but they do help in good ways especially for getting feedback.
GMM: Holy shit! I need to read the rest of “Muerte Con Sabor a Fresa” (Strawberry Flavored Death) STAT. I’m dying to know what happens. As a former resident of Pittsburgh, I love any story, especially horror stories, set there. It feels like coming home. Although I lived there for sixteen years, and love reading about fictional Pittsburgh, not a lot of my own fiction is set there. How do you decide on setting? Do most of your stories take place in and around Pittsburgh, or have you done some creative world-building and invented places? Who are some of your favorite Pittsburgh writers, past and present?
NWP: For “Muerte,” it seemed destined to be set somewhere in Pittsburgh and I drew a lot of inspiration from friends of mine. The doctor in the story is named directly for my friend Phoebe because, who doesn’t want to know an actual Phoebe? And the title came out of boredom; I thought it was funny in English, but it sounded ominous and in Spanish.
I am a Pittsburgh transplant by way of New Jersey. I’ve lived here for almost twenty years now and it’s really a great area. I love it a lot and certainly it does show up in my work quite a bit, but not always. My second novel Spiders in the Daffodils, is set in mostly East Texas and is apparently in a genre called “Splatter Punk Western”: which is kinda cool. I’ve really taken to my adopted city and I guess I’m a pseudo-yinzer. I created a couple of false Pittsburgh locations for an upcoming book set in the universe of Demons Dolls and Milkshakes — sort of Fox Chapel and Squirrel Hill-esque but I tried to keep the actual locations as real as possible.
I had read a few Pittsburgh penned works when I was in high school and college from John Irving and some plays from August Wilson. Also, I was very aware of the history of horror in Pittsburgh which made it much easier to move here to be honest. The current Pittsburgh writers I read actually includes you and the other amazing writers in our HWA chapter which really, is very much a who’s who in horror! Stephanie Wytovich, Sara Tantlinger, Gwendolyn Kiste, Mike Arnzen…seriously, it’s very much the coolest. I’m very fortunate to not only know all of you folks, but to also be fans of your works as well. In some cases I already knew some folks like Stephanie. But there’s something really enviable having access to such an amazing and talented pool of writers. It’s one of the few times that an introverted person like me can talk to other people where we all speak the same language if that makes sense. It’s been the least dysfunctional kinship I have ever had.
Thank you so much for having me on Girl Meets Monster! Hope to see you soon!
(This is an excerpt from the story “Muerte Con Sabor a Fresa” (Strawberry Flavored Death) in THE WICKED LIBRARY PRESENTS: 13 WICKED TALES from 9th Story Publishing 2019)
The most unusual part of the paramedic rescue call for Priyanka Choudhry wasn’t what the victim looked like, although that in and of itself would trigger future nightmares for the foreseeable future. It was just how much the victim weighed.
The general statistics about the victim, Daryl Madison, were that he was five feet six and roughly about a hundred pounds. However, it took three paramedics and two firemen a tremendous effort to get Madison onto the gurney, and even then, they had to roll him onto it. They never raised it up; they had to shuffle it out of the apartment requiring additional help to load him into the ambulance, which nearly buckled under the weight.
Rolling the man onto the gurney proved to be nearly impossible. Madison was nearly flat. Most of his bones were broken in the most unusual ways, as if he had been crushed under something. How he was still alive and breathing was nothing short of miraculous.
Pri had determined from the amount of excrement around the body that he had been on the floor of his bedroom for nearly a week. The woman who had called nine-one-one had said that Madison had been missing about eight days. By rights, due to the injuries and the excrement, Madison should have died from dehydration at the very least.
In looking around the apartment, for anything vaguely resembling a clue as to what could have happened to him was nonexistent. The woman, Ms. Turner, said that she hadn’t seen anything out of the ordinary at all. From her description, the apartment was dark, and she had heard Madison crying out softly from the bedroom.
It seemed to be the only thing that made sense.
Pri sat on the edge of her bed and shuddered. She closed her eyes and saw Madison’s tear-streaked face. His expression hadn’t changed; of course, how could it? The bones in his face had all been crushed, and he’d looked like a rubber Halloween mask without a head inside it. A deflated head that was still alive and suffering in a most unimaginable way.
She had left the hospital once they had managed to find a room (and a bed) that could hold him. There was another call she and her partner had gone to from there, but she knew that she wasn’t going to stop thinking about Daryl Madison for quite some time.
She crawled into bed and shut off her light. She waited a long time for sleep to come.
The research and development lab in Pentacorp’s own industrial park was tucked away in a large facility in Eastern Pittsburgh. It was a half hour from Monroeville and quite a lot of the employees lived there, game for the heavy commute. Truth be told, the job was challenging and difficult but, most would say, rewarding, especially financially.
Georgie opted to not live in Monroeville, however, and lived in a semi-quiet complex in Penn Hills. The town was full of “yinzers” who got good and liquored up on the weekends and most weeknights. But the rent was inexpensive, and there was a guard at the door to keep the riff-raff out…and some of it in, so to speak.
So, because of her proximity to the R&D facility, she had no trouble getting there before anyone in the department, and simply waited for whoever the first person was to arrive.
And unfortunately for Phoebe Armstrong, it happened to be her.
“Well, good morning, Dr. Armstrong.”
Phoebe gasped and dropped her coffee. It splashed onto her beige pants, and she yelped as the coffee poured onto the white tile floor. Her face went from shock to quick anger as she saw Georgie, feet propped up on the lab table. Next to her feet was a familiar-looking plastic container.
“Jesus H tap-dancing Christ, what are you doing here?”
“I’m here to ask you some questions, and you had better have some really good answers for me.” Georgie took a foot and kicked the plastic container off the table and onto the floor. “For question number one, why the fuck was this in one of our employees’ apartment?”
Armstrong looked at the container and her eyes narrowed.
“Daryl,” she muttered through her teeth.
“Oh, don’t you mean ‘Big D?’”
Armstrong blinked and glared at Georgie. There had been a long-standing animosity between the two women, but it absolutely was about to get to worse.
“First of all, fuck you. That’s first. Just want to get that out of the way.” Phoebe folded her arms and leaned to one side. “Secondly, we were authorized to start human testing. You authorized human testing, so what do you think human testing means?”
“Human testing means finding volunteers or college students to sign waivers and giving them a few bucks here and there. You know, so if something bad happens they can’t sue us and aren’t attached to the corporation. Daryl was a fucking employee.”
“Daryl is still alive, apparently, and he’s also an adult who also happened to sign the aforementioned waivers. I’m not stupid, Georgie. All of the bases were covered.”
Georgie kicked her feet off the lab table and stood up. She walked slowly towards Phoebe. “Except, of course, for the base where the subject stays in the goddamn testing facility to be monitored and not massively overdose on the test drug because it’s a goddamn test drug.”
Phoebe sank slightly. “Well, okay. You got me there.”
“When I found Daryl, he looked like a deflated balloon.” Georgie pulled out her cell phone and showed Phoebe a picture.
“Oh, balls,” Armstrong said.
“Indeed. But it took several people to get him onto a gurney. He was unbelievably heavy.”
“Like, how heavy?”
“It took five men to get him into the ambulance. Why?” Georgie asked.
“That’s pretty heavy, yeah.” Phoebe said, and turned away. She whirled back around to Georgie. “We have a problem.”
“I would love to hit you right now,” Georgie said quietly.
Phoebe ignored it. “We need to get Daryl here to the lab ASAP.”
“Is this something you can fix?”
Phoebe looked at her and frowned.
“I’m just hoping it’s something that can be contained.”
Do you have a fiction fragment? How about your friends? Would you like to recommend someone to me aside from yourself? Drop me a line at firstname.lastname@example.org. See you next week!
Guidelines: Submit 500-1000 words of fiction, up to 5 poems, a short bio, and a recent author photo to the e-mail above.
Last week, I spoke with Gabriela Vargas about feminism, poetry, and why you should submit your work for publication. And this week, I am happy to welcome comic book aficionado and speculative fiction writer, Michael Burke.
Michael Burke was born and raised in Massachusetts. His love of books was sparked by finding his father’s stash of pulp hero novels at a young age. The lurid, frenetic art of Frank Frazetta captivated his imagination and he needed to know what was happening to the characters behind those covers.
A Spider-Man comic book purchased for him by his father was his steady companion as he taught himself to read. This effort was not only rewarded by finally discovering what happened to those pulp heroes but also with a lifelong love of the comic book medium.
He co-founded the comic book store, Comicazi in 2000. It has won several Best Of Boston awards and in 2017, won the prestigious Eisner Spirit Of Retail award. Michael is also a licensed pharmacy technician. He has had all manner of jobs in his life ranging from painter to photographer to bouncer to roadie to office work to construction. He still does not know what he wants to be when he grows up but he’s enjoying the ride. Through it all, he has written and told stories. He lives in Massachusetts with his wife, the best story he’s ever been a part of.
GMM: Welcome to Girl Meets Monster, Michael. Comic books have a reputation of being one of the first forms of fiction children become connected with as readers. Comics have obviously had a positive impact on your life, how have they influenced your writing? What titles would you recommend to kids who are reluctant to pick up a book?
MB: Hi Michelle. Thank you for having me. Comic books have definitely impacted my life in a positive way. My dad saw my interest at a very young age. I had found a shoebox full of his paperbacks. Conan, Tarzan, Executioner, Doc Savage. In the late 60s, lots of those pulp-era characters had been reprinted by publishers. The covers captivated me. He fostered that interest and got me a Spider-Man comic book. He and my mom helped teach me to read when they could but I was ravenous and forged ahead on my own.
That early exposure to comics helped my reading comprehension at an early age and propelled my interest in seeking out all manner of reading material. My formative years were spent with my head buried in books and comics. I’ve loved the comic medium my whole life. I started writing my own stories in third grade; they were very much influenced by the comic characters I was reading. When I was ten-years-old I even created my own superhero complete with origin and costume design and mailed it off to Marvel Comics. I never made a copy of that, darn it! On some level, I feel that I’ve always written with that certain measure of bombast inherent in comics. Well, super-hero comics. As I got older and my tastes expanded, I saw that comics could tell even more stories.
One of the reasons comics are great is that they’re unique in that they have always both influenced and reflected popular culture. I daresay that I would not have read half as many of the books that I have if it weren’t for comics. And, of course, my passion for comics lead me to co-founding a comic book store. We focus our efforts on building and maintaining community and welcoming all with open arms. Some of my favorite recollections of time in the shop are of speaking with new fans of the medium and of talking with kids.
There are scores of comic titles to recommend to kids today. Far more choices than there were for me as a kid. Our shop has a large all-ages section we keep well-stocked. Lots of families come in and kids from pre-school to teenage come in. I’d recommend the Amulet series by Kazu Kabuishi; any of the books by Raina Telgemeier (Guts; Smile; Sisters; Drama; Ghosts); Nimona by Noelle Stevenson; Bone by Jeff Smith. There are plenty of Star Wars Adventures digests for younger readers because, let’s face it, most kids like Star Wars at some point. There’s always an audience for the standby titles like Disney characters and Archie and Classics Illustrated. There’s really no shortage of comic titles that a kid can get started reading.
GMM: Tell me about your fragment. Who is Ahanu, and where will his journey lead him? Can you share a synopsis of the story without giving away too many spoilers? What inspired this story?
MB: My excerpt is from a novella that I’m writing. It’s called A Parliament of Owls. It’s a sword-and-sorcery tale with horror elements and influenced by Native American folklore. I struck upon the idea last year and wrote it as a short story for my writing group. I got tons of constructive feedback and with that, plus the notes I took, I realized that this was a longer story. I’ve been sitting on it for a bit, letting it simmer in the back of my head, as I worked on other things. But it’s ready to come out now.
The inspiration for the story is very much from my love of Robert E. Howard’s Conan stories. My dad’s old paperbacks were definitely the fuel for this. Sword-and-sorcery is a subset of fantasy; it has elements of the supernatural present and the tales are often fast-paced, placing the protagonist in a personal struggle. They’re often set in a semi-mythic realm, although there can sometimes be some historical aspects present. The stories do not deal with earth-shattering problems and epic dangers like Lord of the Rings and other high fantasy sagas.
Ahanu Foxcloud is a young man, barely twenty, and an orphan. His mother was a powerful witch with a mysterious past. This fact put her at odds with the elders of her tribe. Ahanu wants to know more about his mother but feels stymied by the village council. He also feels like an outcast among his own people. There may be a reason for that and some of that may be his own insecurities. There’s a young girl in the village, Halyn, that he sees as a sister. She keeps him on an even keel. Ahanu often butts heads with authority and is frustrated by the traditions his people follow when he imagines a larger world beyond his own.
The world makes itself known as even larger than he could have imagined when Halyn and other children go missing. Ahanu scoffs at the explanation given to him for this and sets out on his own to discover what happened. That confrontation will expand his horizons and teach him a thing or two about growing up.
I plan on writing several short stories about Ahanu and his adventures. I’m starting to flesh out the world I want to have him populate and having fun doing so. Looking into more Native American mythology to help influence further adventures has been very interesting and I look forward to adding more of these components. As I move forward with Ahanu, I plan on teasing out facts of his mother’s past and how that ties in with the character that I want him to become.
GMM: You write speculative fiction, but what genre is your favorite to read? Write? Why do you feel drawn to that genre? Is there a genre you enjoy reading but haven’t written in, and why?
MB: Oh gosh, that’s tough. I’ve followed a general pattern through my life. It started with my dad’s Conan and Tarzan books. Those lead me to other books by those authors, of course, but after that, I read other fantasy and adventure books. From there, I moved into science fiction, then horror. Back to fantasy in the nineties when there was no end to those multi-book high fantasy series. Then it was urban fantasy and science fiction. Then mystery and horror. Those were the big beats and I tried other things that struck my fancy at the time. I’d have to say science fiction is probably my favorite to read. It’s a sprawling genre that hits many of my buttons. What I like about science fiction is that element of social commentary. When I was younger and reading works by Ursula K. LeGuin and watching Star Trek reruns and didn’t know the term “social commentary”. I liked thinking about the lesson it put forth.
My favorite genre to write is the first one I was exposed to. I’m having fun with Ahanu’s sword-and-sorcery tale. It just came a lot easier to me than other pieces I’ve written. Maybe because it’s been with me for so long. I love horror and science fiction, too, but I think I struggle a bit more with those genres.
I’ve read a lot of detective/mystery stuff. Parker’s Spenser; the Burke series from Andrew Vacchs; the classic authors of the genre: Chandler, Hammett. Sherlock Holmes and Agatha Christie’s Poirot. I’m really digging Walter Mosley’s Leonid McGill character right now. I like a lot of it but I’ve never attempted to write a mystery. As I travel along my writing path, I’m beginning to find the value in outlining my stories. Typically, I imagine a scene/idea and just write. A friend of mine calls it “discovery writing”. I know there are writers who do it that way and there are writers who outline and there’s probably a number who fall somewhere in between. There’s no right or wrong way to write your tale. But I don’t think I’ve tried my hand at a mystery because I feel that it would require more of an outline style than my discovery method. Perhaps as I settle into a writing method that works best for me, I’ll give a mystery tale a shot one day.
Excerpt from PARLIAMENT OF OWLS
A gibbous moon filled the sky, its eerie half-light falling between the canopy of branches above Ahanu’s campsite. The air had only cast off some of the day’s humidity; the night was close and thick. Low sounds echoed throughout the forest as nocturnal creatures stalked. The campfire sputtered low. Ahanu sat with his back to a big stump and gazed into the dying flames, worry gnawing at his gut. The past day filled his mind. Anger and fear continued their hold on him as images of Moki and the elders sneered at him. His mother had always been at odds with Moki and he knew, just knew, that they had it in for him.
Dim remembrances of his long-gone mother replaced the angry visages of the tribal leaders. Feelings, more truly. A sense of comfort. He was so young when she was taken, it was all he could do to keep her face in his memory.
That melancholy flowed into the reason he was out here in the woods. He had to find Halyn. She had been gone too long. And she was little older than he was when he lost his mother. She was as a sister.
Grim thoughts stayed with him as his head lolled. His eyes drifted shut and the fire sparked its last.
An indeterminate time passed. The moon kept its counsel. All was tranquil.
A feminine trill whispered through the darkness. The night fell quiet. Ahanu breathed deeper but did not stir.
Again, that soft sound. Kijiru awoke and snorted, head and tail high.
“Easy, girl,” Ahanu opened his eyes. “What is it?” he clambered to his feet, grabbing his axe from the ground as he rose. He walked to the mare, all the while his amber eyes darted. He whispered reassuringly to the horse but she was uneasy.
The fire had died but the high moon cast more than enough light, albeit the effect through the trees made it appear some manner of spectral plane. The heavy, humid night air leant a certain lethargy to Ahanu’s movements. His head was still fogged with sleep. He stood beside Kijiru, slowly brushing his hand through her brown mane.
A long, low rasp sounded. It sounded very much like a sharp blade being dragged across a stone. Ahanu started, tightening his grip on the axe handle. Kijiru shuffled her feet. He moved from the horse, looking about. That sound worried at the edges of his memory but he could not recall the context. He moved about the site in a slow circle, eyes trained into the dark.
A short, vibratory song called next, almost as if a caged bird were nearby. Ahanu saw nothing. The fine hairs on his arm stood straight and he felt a cold tickle at the base of his neck.
“I bid thee greetings, O man” a soft voice came from the dark. It seemed to come from all directions at once.
Ahanu whipped his head about left and right, trying to ascertain the voice’s origin. “Who goes there?”
“Just a wanderer of the wood. I saw your fire and thought to avail myself of a fellow wayfarer’s kindness,” the voice crooned. It seemed to come from his left.
Ahanu’s thoughts felt sluggish. He stood a moment, determining if this were a dream. He shook cobwebs from his mind and glanced at the ashes of the campfire. It was dead.
“My fire, eh? When was that?”
“Do you not offer hospitality to another traveler, then?” The voice was now behind him.
Ahanu whirled, his knuckles white on his axe handle. “Step forward, woman, if woman, you be, and not some damned forest spirit!”
A slight glimmer of motion rippled in the corner of his eye. He turned to his right and took a step in that direction. Kijiru whinnied nervously. Ahanu’s eyes widened as a face materialized from the dark. Ice-white tresses cascaded in a silvery frame about a beautiful face. Eyes darker than arboreal shadows regarded him coldly. Ahanu stopped, awestruck.
He stared, enrapt, following the bodiless face as it moved about the campsite. He dimly noted that it was odd how the face would sometimes change in height as it moved. Almost as if it were a bird alighting on branches.
“No forest spirit am I, but a woman.” A note of anger sounded deep in her voice. “And you would do well to accord me respect.”
Ahanu retreated a step, superstitious fear driving him back. He considered his next words but held his tongue. The face had not moved. It hovered, ghostly, in the moonlight.
“Well? Boy.” The word dripped from cruel lips.
The tableau held for several moments until Kijiru let loose with a loud snort. Ahanu blinked hard and in a fluid motion, hurled his near-forgotten axe at the apparition.
A horrible hiss sounded and the lovely visage winked out like a blown candle flame. Ahanu heard heavy wings and could swear he glimpsed a dark form take flight. He shook his head in an effort to clear his dazzled vision.
Do you have a fiction fragment? How about your friends? Would you like to recommend someone to me aside from yourself? Drop me a line at email@example.com. See you next week!
Guidelines: Submit 500-1000 words of fiction, up to 5 poems, a short bio, and a recent author photo to the e-mail above.
But, that’s enough about me. Today, I am thrilled to share a fragment by Jeff Carroll with you. I met Jeff Carroll a few years ago at StokerCon, but I didn’t have a chance to pick his brain and talk about his writing. So, I’m excited to have him as my first guest in this second season of Fiction Fragments.
Jeff Carroll is a writer and a filmmaker. He is pioneering what he calls Hip Hop horror, Sci-Fi and fantasy. His stories always have lots of action and a social edge. He has written and produced two films, Holla If I Kill You and Gold Digger Killer which won BEST Picture at the International Hip Hop film festival. His short stories have appeared in both The Black Science Fiction Society’s anthology and their magazine. He is also is the Hip Hop dating coach is a leading voice of Hip Hop reform and his book The Hip Hop Dating Guide is used by public schools and community groups nationwide. Jeff Carroll is also the author of the non-fiction book The Hip Hop Dating Guide. When he is not writing Sci-Fi stories he enjoys speaking on Healthy Dating to college and high school students everywhere and goes by Yo Jeff. He writes out of South Florida where he lives with his wife and youngest son.
GMM: Welcome to Girl Meets Monster, Jeff. Tell me about Hip Hop horror, Sci-Fi and fantasy. How do you define these genres? What characterizes them as having a Hip Hop element? And, when did you begin developing these genres?
JC: I started calling my works Hip Hop horror in 2003 when I was promoting my movie Holla If I Kill You. The movie had some basic differences from many of the other films. It wasn’t just Black people in a horror film it was a different type of character behavior. Hip Hop Horror and sci-fi are stories that have the energy of hip hop subculture. They are multicultural, urban and young type of stories. Hip hop horror and sci-fi are based in hip hop culture and not the music only. However, I did write a hip hop story. Rasheeda the Zombie Killer is the closet story I have to a Hip Hop music influenced story.
GMM: Why speculative fiction? What draws you to these genres? What stories influenced your writing?
JC: I was drawn to speculative fiction because I am a big dreamer. I am also a futurist at heart. I love thinking about the future and solutions to the problems of the world. I loved “What if” stories like The Spook Who Sat by the Door and Planet of the Apes. Those stories influenced my Harlem Shake series. Stories like L. A. Banks’ (RIP) Vampire Huntress Legend series motivated my first horror book Thug Angel: Rebirth of a Gargoyle. I enjoyed the urban setting and the real world connection. I remember reading Street Lethal by Steven Barnes and was blow away about the freedom of sci-fi. You could destroy the world and reshape it in any way you want. And finally, my favorite sci-fi book Zuro!: A Tale of Alien Avengers by the late William Simms showed me how revolutionary a Black imagination could be. My book Welcome to Boss Lady’s Planet was more like Star Wars and Serenity than Zuro!: A Tale of Alien Avengers because I thought I needed to lay off the Black story lines to get a publishing deal.
GMM: Do you have any new film projects in the works? Can you tell us about it?
JC: Yes, I have a movie coming out this winter called The Death Pledge. It tells the story of a group of pledgees that have to spend the night excavating an African burial ground. It features my first monster like Jason and Freddy.
Excerpt from The Programmable Man, by Jeff Carroll
Sometime in the not too distant future a girl waited for a booty call. Stacey Maplewood a single independent woman who is the head pharmacist and the only female in charge of a drug store in the city. In her bedroom the smell of jasmine flavored incense filled her candle lit room as Stacey lay in her bed. Her arm dangled off the side of her bed holding a glass of wine. On a well-decorated table not far from her bed was another wine glass, which was empty and next to that was a bottle of 1978 Merlot. The décor was straight out of a Rick James song. On the same table was a plate of scallops wrapped with prosciutto crudo (raw ham) with small cubes of aged cheddar cheese and wheat crackers. Her bedroom was decorated in a dark red and white matching the wine. Inside the wall opposite from her bed a clock said 12:00 a.m. Dressed in a red silk nightgown with a matching red waist clenching garter belt skirt and red net-laced stockings, which came right above her knees Stacey looked like a French can-can dancer. Not wearing any panties on she let her hand slide between her spread open legs and lightly massage her vaginal hairs to the soft tunes of her classic love music mix with all of the import old school singers and groups. She mixed groups like Journey and Foreigner who song Feels like the first time is her favorite. She had singers like the two Barry’s Barry Manilow and Barry White and of course that British singer Maxwell whose album runs from beginning to end with no interruption. She drifts into a semiconscious slumber. She listens to the words of the love from all of the crooners.
“That’s right love me baby” she says under her breath. After being single for so long she had become a skilled pro at pleasing herself and in fact she had gotten so good at it she was scared she had ruined herself. Maxwell’s music had become her regular stimulant. “Damn they don’t write songs like this anymore” Her hand moves with melody and her back starts to arch. Her eyes close and her body temperature increases. As her natural body fluids start to mix with the jasmine incense, she lets out a soft sigh. Her sigh reminds her that no matter how good she is she can only make up half the feeling that a real bedroom partner can give. I can’t believe I have to do this to myself again and whoever said the hand is mightier than the sword never had a good sword she thought.
Stacey is a child of the early years of music, which she refers to as the second golden age 1980’s and 90s. She feels nothing has changed since then. Men are still dogs and it’s still hard for an independent woman. Even though the 80s was decades ago things haven’t changed. To her it was weird how man had solved so many problems with science but still doesn’t have a clue how to deal with man to woman relations. We could create a man for a cell of another man in something as small as a Petri dish but we can make one who knows how to treat a woman. Bullshit future. People in the 80s use to dream about the future flying cars and stuff but with no man who gives a fuck about a flying car. Stacey would rather go back to riding horses when a man only traveled around in his village. Shit of it weren’t for selfsex she would have surely slipped into a permanent depression. She was so close to marriage with her X two years ago. So, close she could taste it.
Damn she thought Martin was going to be the one who was a break from the norm. He was fine. She met him filling a prescription for Vicodin. He was recovering from knee surgery after a basketball accident. He even came to her spinning class with her. For the life of her she could not figure out why he wouldn’t call her when he was running late. She had been dating him for only two weeks and he had given her just about every excuse for coming late to their dates. He had such interesting conversations. He was her African prince. He talked about how his father had three wives and he never wanted to be like him. He had gained her trust. Maybe he was different than American men. She was still willing to give him a try. Waiting for him always made her mind wander. She would not let her head drift into fully out distrust because once she went there breaking up was the next thing to happen. So, she focused back on her handwork to take herself to a place where her thoughts could not penetrate.
“Excuse me ma’am” the voice made Stacey jump interrupting her magic. It was a mechanical voice. One Stacey had gotten used to but in this moment any voice would have startled her. She quickly moved and sat up so fast she spilled her wine. She looked at the clock and it was 1:00 a.m. She covered herself with her gown. A human like robot stood outside her bedroom door and continued “I have finished washing the dinner dishes and bagging the garbage”. Spike’s metallic finish was clean and sparkling like the day she bought him. “May I stand by the door until your date arrives?” he continued.
Damn these men she thought. Turning the music off she says, “Thank you Spike.” Taking a deep breath, she finishes “Sure stand by the door and let Martin in when he arrives.” She rolls over and takes a sip of her wine finishing it.
“As you wish ma’am” Spike says as he turns and walks down the stairs.
Spike was the treat she bought herself after she heard of her X boyfriends wedding. She ordered the male Z200 home protection model. She named him Spike after the bulldog on her favorite old school cartoon Tom and Jerry. Her personal robot made her feel secure guarding her house at night and charging itself during the day. The Z200 is very life like it looks just like a human. The come in male and female versions for the comfort of the owner. In a short time these robots have become a staple in almost every household. They provide both security and assistance replacing both domestic help and home security systems. Many people like Stacey have gotten so comfortable with their laser red eyes that they have allowed them to replace even pets.
Stacey grabs a small remote and pushes a button labeled Digi screen. The entire wall lights up and a woman standing in Times Square in front of a women next to a male robot.
“That’s right We’ve heard from hundreds of satisfied customers. So, why should you be unhappy and lonely. Let The Ultimate Companion fulfill your needs.”
That’s it I quit. Martin is just like every other man. I should have never given him my number. Why do I keep believing Jennifer when she says he’s nice? Stacey thought.
The picture on the wall changes to a man throwing a Frisbee in a park with a dog running to catch it in the air. Then the picture changes to an old man playing chess in the park with a robot man. “There are limits to what your dog give you.”
Paying no attention to the infomercial Stacey turns the channel to a lifetime movie and slowly falls asleep.
Next week, Girl Meets Monster chats with Lucy A. Snyder. Do you have a fiction fragment you’d like to share? Send it to me at firstname.lastname@example.org. See you next week!
Last night I watched an episode from season one of DC’s Legends of Tomorrow that defied all logic. I’m not talking about the fact that the main story arc focuses on a band of lesser-known “heroes” on a mission to defeat an immortal villain with the help of a spaceship that functions as a time machine. No. I’m talking about the fact that the writers of episode 8, “Night of the Hawk,” expected us to suspend our disbelief enough to accept that the characters were completely uninformed about the history of gender, racial, and sexual orientation politics, and therefore, woefully unprepared for the sexism, racism and homophobia lurking in 1958 small town America.
Here’s Netflix’s synopsis of the episode:
In 1950s Oregon, Professor Stein and Sara go undercover at a hospital where Savage is working, suspecting that he’s behind a recent string of murders.
As you might guess, the synopsis does little to prepare anyone for what ACTUALLY happens in the episode. So, here’s my synopsis. And, um, as usual, spoilers, Sweetie.
Michelle’s more realistic synopsis of the episode:
True, Professor Stein and Sara do go undercover at a hospital to track down Vandal Savage. What the synopsis fails to mention is that Sara is shocked and openly annoyed by the fact that a doctor in 1950s Oregon makes sexual advances toward her while dressed as a nurse. Has she never seen an episode of Mad Men?
Later, Sara flirts with another nurse who magically turns out to be a closeted lesbian. Sara tries to convince her to come out of the closet and again is shocked that the other woman has reservations about being out.
Do you expect us to believe that a young, attractive white woman, regardless of the fact that she’s a former member of Ra’s al Ghul’s League of Assassins, has never had unwanted sexual advances from men? She’s never been discriminated against for being a lesbian? She has no knowledge of the Stonewall Riots that are celebrating their 50th anniversary this year? She’s never encountered a discussion of Queer Politics, gender identity, or the history of the LGBTQ+ movement?
While Sara is attempting to seduce Nurse Betty, Professor Stein, who was in college in the 1970s, somehow fails to realize that bringing Firestorm along to investigate the disappearances/murders of locals in the small mainly white town in Oregon might cause some problems.
But, what really confused me was the fact that Firestorm takes it upon himself to sit at the counter of a white-owned restaurant and begin a conversation with a white girl he’s never met before. Equally confusing, is her almost immediate acceptance of the situation as if strange young Negroes talk to her every day.
Do you really expect us to believe that a young black man living in 2016 America has never encountered racism? Never? And, that as a person of color living in the United States, he’s never heard of the history of oppression and racism that stems from slavery, Jim Crow Laws, and the deaths of people seeking freedom during the Civil Rights Movement? He’s never heard or seen people’s disapproval of black men talking to white women in social situations? Horseshit. It is dangerous to be a person of color in America and not be tuned in to your history. I find it highly improbable that his mother, a widowed single parent, never had The Talk with him.
While we’re on the subject of segregation (which was omitted from the episode), let’s take a look at the burgeoning romance between Atom and Hawkgirl. In 2016 interracial relationships are common. But, in 1958 they were illegal. So, when this gorgeous couple shows up to purchase a house together as husband and wife, you can imagine the realtor’s confusion. At least, you should understand it if you have a clue about America’s history of segregation and Jim Crow Laws.
Not only was interracial marriage banned in all 50 states (Anti-Miscegenation Laws), but people of color were not encouraged (that’s an understatement by the way) to move into white neighborhoods. Oddly enough, this didn’t occur to either character. Now, to be fair, this may be Atom’s first interracial relationship. Still, he’s supposed to be an incredibly smart dude. He’s never read a book or seen a film about 1950s America with black characters? I mean, it’s possible, but unlikely.
And, while we’re one the subject, DC also wants us to believe that a woman of color who I assume has dated, or at the very least found herself attracted to other white males, has never experienced racism because of her choice in lovers. DC also wants us to believe she isn’t aware of the fact that interracial marriage was illegal until 1967 when the Supreme Court struck down all state laws banning interracial marriage as violations of the Equal Protection and Due Process Clauses of the Fourteenth Amendment in the landmark case Loving v. Virginia.
While this episode drove me nearly insane, I’m going to keep watching this ridiculous series. Why would I continue to watch a series that negates the realities of people living (and dead) in the United States who deal with racism, sexism, and homophobia? That’s a great question. And here’s my ridiculous answer.
I absolutely adore John Constantine, and was heartbroken when NBC canceled the series starring Matt Ryan. So, when I discovered that one of my favorite DC Comic heroes (portrayed by an actor who is perfect for the role) returned to TV as a recurring character in this series, I signed on to watch.
Is it irresponsible of me to continue watching this absurd series given the unbridled whitewashing and heteronormalizing of the characters? Most likely. Am I going to stop watching the show because it is personally offensive and insults my intelligence? Probably not.
Honestly, if I stopped watching shows for those reasons, I’d have to stop watching A LOT of TV shows. I am almost ashamed to say that I will continue to watch this train wreck simply because John Constantine is back. Will I continue to examine the narratives and be completely aware of how flawed they are in recognizing the struggles of people of color, women, and members of the LGBTQ+ communities? Well, of course I will.
As a woman of color who has had a life-long love affair with speculative fiction, this isn’t the first time I’ve been offended by the absence or misrepresentation of specific identities, including my own. And to be perfectly honest, I doubt that experience will end anytime soon. Occupying certain identities while loving a particular genre can be complicated at times. Writers like the ones creating the narrative of DC’s Legends of Tomorrow aren’t the only voices telling tales about superheroes and other speculative fiction characters. Even if you continue to enjoy the stories that don’t include your lived experience, you can also seek out stories that do.
I recently listened to the audiobook of Glen Duncan’s The Last Werewolf, which is probably one of my favorite books of all time. I own a print copy and have read it twice, but decided to listen to it in my car on my way to work over the course of two weeks. I have a 40-minute drive to and from work Monday – Friday, and when I don’t feel like listening to music I listen to audiobooks that I download for free through an online service provided by my local library.
Over the past several months I listened to two Joe Hill novels, Heart-Shaped Box and NOS4A2, and the first two novels in the Vampire Diaries series by L. J. Smith. I had to stop listening to the Vampire Diaries novels, because I was getting pissed off at the fact that there are no people of color in the stories, and Elena Gilbert is a spoiled rich white girl who doesn’t deserve the love and attention of either Salvatore brother. I prefer the TV series to the novels mainly because of the diversity of characters and well…Damon Salvatore is a beautiful monster.
I would happily listen to more Joe Hill novels in my car, but I’ve either read or listened to all of them and last summer I even listened to Doctor Sleep and got my Charlie Manx fix through the world(s) shared between Joe Hill and Stephen King. I got very excited while listening to NOS4A2 when Charlie Manx talks about the different “inscapes” and the people he’s met that use them — Pennywise’s Circus (IT), the True Knot (Doctor Sleep), Christmasland (NOS4A2), the Treehouse of the Mind (Horns), the Night Road and Craddock McDermott (Heart-Shaped Box). Seriously, NOS4A2 is an Easter egg treasure-trove for readers of King and Hill. Treat yourself!
Reality has been kicking my ass, so my goal when choosing entertainment of any kind is to get as far from reality as possible. I often jokingly tell people that if a TV show, movie, or book doesn’t have vampires, werewolves, demons, witches, ghosts, or other paranormal characters, I’m not interested. But, it’s not really a joke.
I have been feeding my brain a steady diet of paranormal romance and dark speculative fiction. I binge-watched seasons 12 and 13 of Supernatural recently and now I’m suffering from Winchester withdrawal. Fox decided to cancel Lucifer, so I watched the last two bonus episodes and now that’s over and done. I started rewatching season 2 of Preacher to psyche myself up for season 3, but I’m not 100% sure of the date of its return to AMC. Then, on a whim, I decided to finally watch Lost Girl on Netflix. It has a Buffy vibe that I really enjoy and it is loaded with sexy, interesting, and often hilarious supernatural creatures. I like the dynamics between the Dark and Light Fae, I like the slow unfolding of the long cultural and political histories of this dual society, and I like the relationships that form between the characters. But, I’m not going to lie, the main reason why I’m watching right now is because of a certain werewolf.
In the first season of Lost Girl, Dyson and the main character, Bo Dennis, become lovers. Because he is a werewolf chock full of Id and raging sexual energy, he is the first lover she’s ever had that didn’t die after having sex with her. Which, you know, is kind of a big deal when you’re a succubus.
I mean, imagine if you had spent most of your adult life making love to people you’re attracted to or have strong feelings for, and each time you follow through on your sexual attraction, they end up dead. Sex with you is literally deadly. You are the embodiment of the death of love. Then, one day, you not only discover what you are and why your partners are dying, but you also find a mate who can provide you with what you need — companionship, acceptance, answers to your questions, finger-licking mega-boost sexual energy, and death-free sex. Death-free sex that is totally mind-blowing for both of you. You’d be tempted to think that love might still be in the cards for you.
I mean, love is still in the cards unless the person you love loves you so much that they inadvertently sacrifice their passion for you in an effort to save your life. Hence, the death of love. I mean, what’s more tragic than loving someone so much that you sacrifice everything for them with the consequence of never being able to love them again?
I’ve been on a werewolf kick for a while. Like I said, before I started watching Lost Girl on Netflix roughly a week ago, I listened to Glen Duncan’s The Last Werewolf, read by the late Robin Sachs, who lent his uber-sexy deep British accent to the first-person narrator, Jake Marlowe. Jake is a 200-year-old British werewolf who is facing the certainty of extinction of his species.
For most of the novel, he accepts the fact that death is coming for him. In fact, he welcomes it. After 200 years, 147 of which he’s spent as a monster killing and eating humans, he’s done. He believes he’s seen it all and there are no new mysteries awaiting him. And then, the Universe has a few more laughs at his expense.
I suppose that most werewolf stories are really about love and it’s loss when you examine them closely enough. Lycanthropy is typically viewed as a curse that ruins the lives of the people who contract it. In most cases, lycanthropy is passed from werewolf to human through a bite. Unless lycanthropy is inherited through a family bloodline, or achieved through magical means, like wearing a belt made from a wolf’s pelt with a little black magic for good measure, werewolves are usually the survivors of violent attacks. And, once their physical wounds heal, the psychological ones are usually just beginning. If the werewolf has a conscience, they will most likely experience the early stages of a mental collapse after the first full moon when they turn into a homicidal maniac in wolf form.
Jake Marlowe became a werewolf because he was bitten by one and during his first transformation he killed his wife. After killing and eating her, he read her journal and discovered that she was pregnant. His first act as a werewolf was to literally kill and eat love. For 147 years, he spent his life observing the sacred rites of werewolves: Fuck, Kill, Eat. He never found love again. At least, not until he realizes he’s about to be extinct. The Universe likes to laugh at us, but it seems to be especially jovial where monsters are concerned. At least romantic monsters who cling to their humanity in the midst of an extreme identity crisis. Jake assumes he’s the last living werewolf on Earth until he meets his female counterpart, Tallula Demetriou. So, not only is Jake no longer the last werewolf on Earth, but now he has a reason to live: Love.
So, what’s the deal with werewolves and romance? Well, who doesn’t want a passionate lover driven by their Id with superhuman strength, stamina, and a biological need to mate for life? A werewolf mate will literally kill people to keep you safe…or as an insane response to their unbridled jealousy.
At the heart of all werewolves is murderous rage and rapacious sexual energy. Left unchecked, they commit atrocities like Jake Marlowe killing his wife and unborn child, and while in human form they are often slaves to their libido. Without love, werewolves are basically fucking, killing, and eating machines.
Typically, werewolves are portrayed as strong, handsome men suffering from some sort of identity crisis, or extreme guilt over becoming a murder once a month, and possibly an unbearable, soul-crushing melancholy brought on by unrequited love.
What I like most about Glen Duncan’s Last Werewolf Trilogy is the fact that we see the lives of werewolves from two perspectives, both male and female. Jake Marlowe’s acceptance of his true werewolf self — the good, the bad, the ugly, and the murderous — makes him an oddly likeable character. He has sex with prostitutes and somehow manages to not be a misogynist. He kills and eats humans once a month and somehow manages to be endearing in his descriptions of his own psychology. He’s a conundrum of horror, repulsion, intellect, cynicism, and raw sex appeal. Werewolves are mythological bad boys and they make excellent romantic characters when making terrible choices is your raison d’etre. I probably mentioned this before, but falling in love with monsters is usually a bad idea, regardless of what popular paranormal romance tells us. Whether you join Team Jacob or Team Edward, you’re essentially signing up for assisted suicide.
But, what if the werewolf is female?
If the 2000 cult horror film Ginger Snaps teaches us nothing else, it teaches us that female werewolves are dangerous monsters (and super-fucking cool). Their danger lies not only in the physical power that comes with their transformations each month, but in the empowerment that comes from shedding all the bullshit societal expectations of femininity. Female werewolves embrace their sexuality and engage in the mental gymnastics required to deal with the implied duality of being vessels for the creation of life and choosing to murder to satisfy the bone-rattling hunger for human flesh.
But hey, don’t most women deal with similar dualities in every day life? Women are expected to be attractive to appease the ever-present male gaze, but only if they maintain the illusion of virginity. Women who ignore the male gaze and express their unique brand of sexuality or lack of interest in sex all together are accused of being sluts or hags. Let’s face it, there’s nothing more monstrous than sex-positive women who take full ownership of their bodies and decide who can and can’t have access to them.
Female werewolves choose their own paths. They embrace their sexuality. They choose multiple partners or mate for life. They become mothers or remain childless. They give the middle finger to societal expectations and rip out the patriarchy’s jugular.
As it turns out, Jake Marlowe is not the last werewolf. Tallula, his lover, his mate, his salvation, the love of his life (no pressure), makes the inevitability of extinction less likely. In fact, he gains strength in knowing that she is a better werewolf than he could ever hope to be. Tallula struggles with internal chorus of right and wrong that developed from her American upbringing and the expectations that women can only occupy certain roles — maiden, mother, and crone. And possibly, harlot. Tallula likes sex and engages in murder with the same ardor. She and Jake kill together and then have sex over the corpse in werewolf form, which ironically brings them closer together as a couple in their human guises. Essentially, their a serial-killing couple. Murder mates. Even monsters need love, right?
So, if female werewolves are more powerful and scarier than male werewolves, that might help explain how male werewolves have become sexually-charged eye candy in a lot of paranormal romantic fiction. I’m just stating that as a fact. It’s not a criticism in the least, because that would make me a hypocrite. There’s nothing I enjoy more than objectifying sexy werewolves…and examining the potentially dangerous ramifications of sexualizing monsters.
Peter Rumancek of Hemlock Grove, the Netflix original series based on Brian McGreevy’s 2012 novel by the same name, is an interesting monster. While he is physically appealing, his real attraction comes from his delightful irreverence and cynicism, and while his Romany upbringing predisposes him to criminal activity, his internal struggles are more geared toward keeping the people he loves safe rather than his guilt over killing and eating people.
Then we have Alcide Herveaux, who could possibly be the sexiest werewolf ever in paranormal fiction. Charlaine Harris has kindly given us countless fuckable fictional characters, but Alcide is in a class all by himself.
In Alan Ball’s adaptation of Harris’ Sookie Stackhouse novels for the HBO series True Blood, Alcide gets a much broader story arc than he does in the novels and his flirtations with Sookie Stackhouse got much further. He’s an interesting character who embodies strength and loyalty to a fault. And jealousy. Let’s not forget jealousy, which is essentially Alcide’s kryptonite.
I have a soft spot in my heart for Alcide because he makes worse relationship decisions than I do. I mean, this guy has TERRIBLE luck with romance and his choice of partners, including Sookie Stackhouse, are pretty much all bad ideas. Plus, there’s the added bonus of him being naked a lot of the time.
So, in the process of writing this blog post I realized that I have a lot more to say about werewolves and this post might be the jumping off point for a short series of posts. I definitely feel like I have more to say about female werewolves vs. male werewolves, and I’d like to talk more about Glen Duncan’s trilogy. But, I need to think about the subject a little more deeply.
Which reminds me, while I was listening to the second audiobook in the trilogy, Tallula Rising, I was able to solve or at least recognize the solution to an issue in my own writing. Tallula talks about her feelings in relation to motherhood and the acceptance of the terrible things she does and that are done to her. It was a moment of clarity that confirms the idea that in order to become a better writer, you need to read more books. I’m not going to talk about that moment of clarity in this post. I’ll save it for a future post. But, I will say that the irony of finding clarity about my own identity, my own writing, and the world I live in through stories about monsters is not lost on me. My own otherness has made me feel connected to monsters since childhood and I have always felt empathy toward characters who have no control of who or what they are. I suppose, I feel a kinship to monsters and the older I get, the more I take pride in that fact.
I’m going to keep up the ongoing process of self-discovery through writing in the hopes of becoming not only a better writer, but hopefully, my best self. And, I’m going to keep thinking about werewolves.
I’m not sure if you noticed, but there seems to be a surplus of inspirational platitudes out there to help us get through everything from bad break-ups to writers block to staying motivated while pursing our personal goals. Don’t believe me? Spend five minutes on Pinterest and let me know what you find. In fact, here’s the board I use to collect inspirational platitudes.
These tired, often recycled quotes that encourage us to keep our chins up and move forward, no matter how bad the reality of our situation might be, are for the most part well-meaning sentiments. However, if you’re a cynic like me, and have a dark sense of humor, or if you’ve simply been through some truly terrible experiences in life, traditional motivational quotes might piss you off. At the very least, they will inspire a need to mock them.
I’ve been going through some rough times lately. And, by lately, I mean for the past several years. As a divorced, middle-aged woman of color who is a single parent living paycheck to paycheck, I can attest to the fact that the struggle is real. This isn’t my first Everything is Going to Shit Rodeo. In fact, I have developed this uncanny ability to remain calm and keep moving forward in the face of every challenge that has come my way.
I have yet to curl up and die, but don’t assume that I’m a superwoman who doesn’t need anybody’s support to get through the tough times. That just isn’t true. I cry. I scream. I write. I cry some more. And, I am blessed with an amazing network of people who want to see me succeed. Friends who want to help if they are able. Family who is always there for me. I’m not fighting these battles alone, but after a while, I get worn out from dealing with these challenges day in and day out. I’d like to be able to put down the plates spinning above my head without letting them shatter on the ground.
You may be asking yourself, “How does she cope?” To be honest, although my struggle is mainly the product of a lack of stability, I still have a roof over my head, enough money to pay most of my bills (my defaulted student loans not included), and as always, I have a back-up plan. Okay, one or two back-up plans.
There are people in this world, in this country, in my neighborhood, who are worse off than I am. Yes, I am struggling for stability, but I won’t have to go live on the street with my son, and I won’t have to do anything seriously demeaning to earn money. Like I said, I have a back-up plan.
As you might imagine, people who want to see me succeed have lots of kind words of support and encouragement, and yes, even platitudes. Again, all given with good intentions. And, I believe that people are sincere when they offer their words of support. But, the darker side of me, my cynical self, needs humor to deal with the struggle. Because, let’s face it, if I’m not laughing, I’m more likely to start shouting obscenities at people which only makes matters worse.
My taste in humor runs from absurdist to gallows. For example, last year around this time I was watching Twin Peaks: The Return and one of the funniest scenes in the series that made me literally laugh out loud, was in episode 11, in which Gordon Cole (David Lynch) makes the following assessment while staring at a man whose head exploded without explanation, leaving only the bottom half of his face: “He’s dead.” I replayed the scene three times and laughed over and over. Sometimes, gaping head wounds can be hilarious. In my opinion, overstatement of the obvious, especially in the context of the finality of death, can be extremely funny.
Around the same time last year, a good friend of mine introduced me to the AI inspirational meme generator, InspiroBot. Initially, I just laughed at the random inappropriateness of the memes. But then I realized that this alternative to insipid, empty platitudes about finding happiness in the worst of times, was exactly what I needed in my life. In fact, I’ve been playing with InspiroBot almost every day since I became aware of it. And, I’m not the only one who’s enjoying the nearly Dadaist memes that range from the absurd to the eerily thought provoking to basic common sense. InspiroBot introduces itself like so:
I am an artificial intelligence dedicated to generating unlimited amounts of unique inspirational quotes for endless enrichment of pointless human existence.
So far, InspiroBot has brought me hours of enjoyment, stimulated my own creativity, and reminded me that laughing at things that make most people uncomfortable is actually soothing to me. The memes it generates are funny enough, but the interface is also humorous in a scary science fiction sort of way. It reminds me of AI in films, like Hal 9000 from 2001: A Space Odyssey, the Skynet Corporation from the Terminator franchise, and David 8 from Alien: Prometheus and Alien: Covenant. The darkly humorous interface inspired Michael Walsh to write an article about InspiroBot suffering from an existential crisis for The Nerdist.
Number 1: InspiroBot reminds us that our fear of dying alone may be the primary force that drives us to seek out romantic relationships. Marriage is the logical conclusion for most people who find love in this life, much like death is the logical conclusion to life itself.
Number 2: Sometimes, you need to start with a clean slate. Which means, you need to learn how to not only accept the fact of change, but embrace it. Starting over can be scary, but it is often necessary to move forward to the next phase of your life. Whether that means quitting a job you hate, leaving a relationship that is sucking the life out of you, or literally setting something you’ve created on fire, like a short story or a painting, so you can begin again with a fresh perspective.
Number 3: It’s okay to be weird. Being weird, especially in the company of fellow weirdoes can be an intense mood elevator. Getting together with like-minded people, whether they’re horror writers, furries, or goths, can really lift your spirits and remind you that you’re not alone in the world, and more importantly, you aren’t completely crazy. Unfurl your freak flag!
Number 4: Life lessons aren’t always happy occasions. In fact, I often believe that the more traumatic the lesson, the greater the learning opportunity. People like to tell us to “move on,” or “suck it up,” or “get over it.” Bullshit. Embrace your bad times and learn from them so that you don’t have to repeat them in the future. In the words of Oscar Wilde, “Experience is simply the name we give our mistakes.”
Number 5: The previous meme reminds us that we can learn from our mistakes. One of life’s lessons I have to keep relearning is to not chase after people who do not have my best interest in mind. I have a terrible habit of finding myself attracted to people who will most likely cause me harm. I mean, honestly, my love of monsters relates to both fictional characters and literal people from my past. The idea of seeking out a partner who will either consciously or unconsciously hurt you due to who they are, their life choices, or a history of bad behavior in romantic relationships is almost always a bad idea. Breaking this habit is an ongoing project for me. At least when it comes to real people. My love of fictional monsters will probably never go away. Vampires, werewolves, and Lucifer just do it for me.
Inspiration can come from unexpected sources. Some people seek enlightenment through religion, others seeks answers in Nature. For now, my answers come from InspiroBot. Laugh if you must, but don’t knock it until you try it.