Women in Horror Month: Black Girls Love Horror, Too

February is Women in Horror Month (#WiHM) and Black History Month, so I decided to feature Women of Color and Black women for a month-long series of posts about horror writing and the love of horror. Fact: Black girls love horror. This month I will feature some amazing horror and dark speculative fiction writers who started out as fans and turned their love of the genre into amazing stories that you should add to your TBR pile.

But first, let’s talk to die-hard horror fan, Dimi Horror (aka Diamond Rae Cruikshank), who has created a social media presence and podcast series examining horror and other speculative genres from the POV of a Black woman, Black Girls Love Horror Too. Her often unique and humorous approach to reviewing horror media provides a perspective that has traditionally been marginalized or completely invisible.

Dimi Horror’s Origin Story

I have been a fan of Horror since elementary school and a fan of the mysterious since I was atoddler. As a toddler, I found myself climbing into my Dad’s friend’s piranha fish tank and nothing happened to me. Not even one scratch was on me once I got out of that tank. I just wanted to swim with the pretty fishes, lol . My love for all things Horror came from watching A Nightmare On Elm Street numerous times with my older cousins during our cousin sleepovers. I loved me some Freddy Krueger played by the handsome and iconic Robert E. Englund. I even once dubbed Freddy my Horror husband until I recently got married in real life. I didn’t think it was respectable to call someone else my husband even if he was just a Horror husband, lol . Jaws is also a film that made me fall in love with the Horror world, and alongside that, finding my everlasting love for Sharks all at once. I had always been one to be creative and be inspired by amazing things that would leave an impression on me in my life, so blogging, posting, editing, creating content, photography, and podcasting is not new to me. In a previous relationship, before my marriage, I was inspired to create my Horror blog, it was a goal I always wanted to bring to fruition that finally happened during the process of that relationship ending. I needed an avenue to express myself. I’d normally keep behind closed doors due to my upbringing and being on my P’s & Q’s all the time. I also wanted to make a blog where people like me could come and feel seen, heard, loved, welcomed and respected. I wanted people to know that in this world we exist…the Akward Black Girls, the Family Black Sheep, and anyone who feels like they are categorized under “other”, or living in a society that always tried to force them into boxes to fit in with mainstream culture. That doesn’t work for everyone because we are all unique and different in our own ways. We live in this life while continuing to learn to be who we are as people. Horror and Nerd Culture brings all of us together. I also wanted people to know that being a Black woman doesn’t mean we only love the legendary and beautiful Beyoncé but we love our Horror too, there are levels to us.

I work most days so getting to post and create Horror content for my CreepSKWAD/My Horror Familia (Family) is something I look forward to be able to do as consistently as I can. I will be getting back to making more podcast content and starting my Youtube channel soon, but until then I’m always so elated and open to collab with my CreepSKWAD/My Horror Familia (Family) whenever they invite me to be a part of their creative journey and projects.

Five Questions

GMM: Welcome to Girl Meets Monster, Dimi. Happy February 1! And, thank you for helping me kick off Women in Horror Month. In your bio you mentioned that A Nightmare On Elm Street and Jaws were the first horror movies that grabbed your attention. Would you say that you are mostly interested in horror movies from the 1970s – 1990s, or do you also enjoy the classic black and white Universal monster movies? What are some of your other favorite horror movies?

DH: Thank you, Michelle, happy to have been invited to Girl Meets Monster, such a cool name by the way! Happy February 1st, I can’t believe we are in February already! Sheesh time flies. It’s an awesome honor to be able to collab with awesome people in the Horror community and to be a part of this Horror month is amazing, so thanks for having me. I honestly love Horror movies from the 1970s -1990s but I also love older classic Horror films such as James Whale’s Bride of Frankenstein as well as the newer Horror films like Jordan Peele’s Get Out. I definitely love all the many different spectrums of Horror for sure, I feel I’d be a lame Horror fan if I didn’t enjoy and get to know all the variety of Horror that’s out there. Thirteen Ghosts is one of my favorite films that’s highly underrated in my opinion.  I love that film and all the different ghosts’ histories and background stories. One of my favorite Horror film intros is Steve Beck’s Ghost Ship where everyone is having a splendid, dashing time and dancing then get cut into halves and the only one left standing is the little girl who was dancing with the Captain of the ship. However, Ghost Ship overall tanked like an anchor to the bottom of the sea. It had great potential with that intro, but it just ended up being mediocre. Bernard Rose’s Candyman is a terrifying favorite and I can’t wait for Nia DaCosta’s Candyman to finally come to theaters or streaming networks …looking forward to that and Scott Cooper’s Antlers as well. A few notable mentions (favorite Horror films wise) Halloween, Scream, I Still Know What You Did Last Summer, and It Follows was an absolute game changer story telling wise. The film was a totally different way of making Horror so creepy and nothing is scarier than an unseen villain that possibly never dies.

GMM: Who are your favorite movie monsters, and why? Are they the scariest in your opinion, or do really scary monsters fall into a different category?

DH: Jaws is one of my favorite movie monsters because I am a shark and Shark Week fanatic! Jaws ruled those waters and the Summer. No one was getting in that water without Jaws’ permission. To this day there has been no shark film in Horror to beat Jaws, close but no cigar when it comes to other shark films. Deep Blue Sea,  The Meg and Open Water are the best shark films able to compete with a classic film like Jaws.

In Creepshow 2, “The Raft” (Lake Blob) creature/monster was terrifying and pretty awesome. You couldn’t escape the “Lake Blob”, it was gonna take your friends out while hearing their screams as they disintegrated in front of you one by one. Then on top of that it saves you for last as you try swimming to the shore thinking you would survive, and it eats you alive anyway. Deep sea creatures are the best because we have only explored like 5 percent of the oceans on our planet and the possibilities of discovering dangerous yet beautiful never before seen species/creatures/monsters are endless. Mirror creatures like in the film Oculus and Mirrors are also my favorite because it’s terrifying when your normal perception of life becomes an illusion that leads you to your fatal end. Straight up mindfuck. You have the typical great classic Witches, Vampires, Werewolves, Zombies, lab experiment creatures that went terribly wrong, Spiders, Sirens, Ghosts, Demons, and Aliens that all have their own categories and I love those monsters/creatures, too, but it’s the unusual ones that scare me even more than those do. In It Follows, the creature/monster was a walking paranormal STD, like you had no clue what the hell that thing is or its origins as to where it even came from. Similar to Jeepers Creepers, “The Creeper” who wanted to eat your peepers  was so horrid because it has wings, sharp teeth, can smell you in an animalistic way (forever knowing your human scent and if it liked your scent he was going to do whatever it took to find you and there is nothing you can do about it), it can regrow its limbs and is scarily intelligent, and also weirdly human like. The fact that “The Creeper” was based on a real-life serial killer gave it even more chilling vibes. It’s the unknown and never before seen elements to a creature/monster that gets anyone to shake in their boots.

GMM: I love your cosplay pictures. Do you attend cons or other events where you cosplay? What characters have you cosplayed as in the past? What characters would you like to cosplay as the most?

DH: Thank you! Once things open back up, I would definitely love to attend my first Horror related Con, first Comic Con, and other Con events. I haven’t attended any Cons as yet, but in the future, I definitely will experience more than a few of the Cons. I did the Pink (Soulful) Power Ranger, Melanin Eleven from Stranger Things, Regina King’s Watchmen character Angela Abar/Sister Night, Bride of Frankenstein, and Teen Wolf’s Were Jaguar just to name a few, and definitely more to come in the future. Some of the cosplays I’d love to do is a female version of the gray suited Gary Oldman in Dracula. I’d love to cosplay as the villains from MTV’s Teen Wolf: Kanima, Oni, and Nogitsune, all female versions of them. And, it would be fun to recreate Backstreet Boys’ “Everybody,” inspired by classic Horror creatures, with a female twist to it. I love Cosplay but I’ll always put my own twist to it, and it will never be an accurate version of that Cosplay character. It’s more fun adding my own twist to my Cosplay character of choice. So many Cosplays to choose from and so little time. I’d try all of them if I could.

GMM: What does your family think of your interests? Were you discouraged from watching horror movies or participating in “nerd culture” while you were growing up? Does your husband share your interests?

DH: I feel that I’m definitely the Black Sheep in my family, and I’m honestly proud of that now. It took some time to really own, honor, and understand why I am the Black Sheep in my family. I’ve decided that being a Black Sheep is my own inner superpower and my path in life is my own path. No one could ever take that away from me.  No one in my family really likes Horror, with the exception of my dad, and no one in my family understands nerd culture and cosplaying. I believe for some time they really didn’t understand me and would try to change the fact I that I do love Horror and things connected to nerd culture. I was told by my grandma (my mom’s mom) that liking Horror means something is messed up in my head and only serial killers like Horror. My grandma is the diamond of my heart and she grew up in Trinidad and Tobago with a Catholic upbringing, so honestly our mindsets are very different from one another understandably, and the same goes with the majority of my family, including my mom. My dad’s mom, whom I am also super close to, has always been super accepting of my nerdiness and my love for Horror. She’s not a fan of Horror but she absolutely supports my love for Horror and the things I’m passionate about. It’s because of her that I love listening to scary stories on audiobook to peacefully fall asleep to, especially during rainy weather.

My love for Star Wars, Jaws, and films in general, comes from my childhood experiences with my dad and grandma (Dad’s mom). I watched Jaws as a child with my dad and fell in love with sharks from that point on. Everyone else in my family was terrified by sharks, and I was absolutely fascinated by them and any deep-sea creatures like the Kraken/The Giant Squid.

Nowadays, I’m far too grown to be told what I can and can’t do. However, back in the day, I’d get scolded and into trouble for doing what I wanted to do while growing up. Some of that helped me stay out of serious trouble and some of that blocked my growth, which also blocked my understanding that it is okay to be my own person even if I stand out in my family or elsewhere. To really learn about myself, I had to “crash into the wall headfirst” and give myself my own crash collision course to understand myself and what I’m about…what’s for me and what’s not. Growing up, I got into a lot of arguments because I wouldn’t allow someone in my family to have the last word over what I was going to do. Then, I learned how to pick and choose my battles and also learned that not everything had to be an argument or a battle. I usually went against the norm, and was always curious as to why I couldn’t do something. The whole parental authority attitude/mindset of “because I said so” and “I’m the adult you have to listen to me” or “when you get your own house and pay rent then you can do whatever you want to do” thing did not agree with me. Between family and some teachers, I had major beef growing up, but all were valuable life lessons. My husband, Cole, and I got together because of our similar passions, interests, hobbies, creative natures, and he loves Horror just as much as I do. Honestly, he’s the only man that I’ve ever been romantically linked to, who has loved Horror and films just as much as me. He’s a brilliant, rare, special, vibrant, and endlessly talented soul, and I love him so infinitely. We come from very different cultural backgrounds and upbringings, but Horror is definitely a major factor in our union/marriage. Plus, he’s hot AF! He’s really tall, has gorgeous eyes and is beautiful on the inside as well as the outside. He’s also tough/brave and served in the military. I am truly so grateful to God/the Universe/my Spiritual Family for bringing this union together because our bond is so mystical and out of this world. That’s enough mush for now.

GMM: What horror movies are you looking forward to the most in 2021 and beyond? What is your dream cast for a remake of one of your favorite movies?

DH: Horror films I’m excited to see are Candyman, Antlers, Halloween Kills, A Quiet Place 2, and Spiral. The non-Horror films I am excited to see are Batman, Sinister 6, and Suicide Squad 2. I’m excited to see The Conjuring world expand and the old-school Universal monster movies reboot and expand. The Invisible Man was an awesome start to that thus far. I am excited to see the new Blade and (my guilty pleasure) Fast and Furious (future) films. I heard that Jordan Peele is remaking The People Under the Stairs, and I’m excited because that’s also one of my favorite films and Jordan Peele is an amazing director/producer. I’m undecidedly excited for the rumored Gremlins remake and I’m PISSSED about the rumored Jaws remake. It can’t be done. It just can’t. Leave perfection at peace. As much as I’m a sucker for the Jaws film franchise, the Jaws sequels, should have taught people that Jaws doesn’t need to be remade because not all Jaws films were created equally, or skillfully made as the first Jaws (I still love all the Jaws films though, lol). It’s best to leave a film like Jaws perfect as is. Some remakes are awesome, but I feel that once a movie is already great it doesn’t need a remake, but if an original film version is crappy, it could possibly use a remake but it’s gotta be done well. It’s very risky making a remake or reboot. Even though I enjoyed The Meg, I really would have loved for Eli Roth to direct the movie like he was originally supposed to, with one scene directed by Quentin Tarantino like he did with Robert Rodriguez for Frank Miller’s Sin City. The Meg was a cutesy action-packed film. I WANT THE GORE AND HORROR on a similar level as the first Jaws and they can cast Samuel L. Jackson,  Naomie Harris, Zoe Saldana, Angela Basset, Taraji P. Henson, Regina King, Yahya Abdul-Mateen (based of their chemistry in Watchmen), The Rock (Dwayne Johnson), Idris Elba, and Kevin Hart for comical relief. Plus, Kevin and Dwayne are bffs in real life. It’s a perfect cast! A slightly comical, horrifying, and gory shark film, but with an almost all Black cast. No one has seen that in a shark Horror film. I would also remake Scary Stories to Tell in the Dark from top to bottom. Guillermo Del Toro would be the director and costume director/creator because that film was absolute TRASH! I wish that was a copycat version of the film and not the actual film…(however there are plenty of copycat films that are even better than the original, but not in this case AT ALL). The books are super scary and though it was introduced to me in my elementary school years, doesn’t mean the film needed to be directed at children. If anything, the children who grew up reading those books are all grown up now, and they needed to direct the film to the adults who grew up with the stories as kids. It was too cutesy. Those stories are still scary even though I’m an adult. However, great costuming done by Guillermo Del Toro as always.

GMM: Thanks again for stopping by, Dimi.

DH: Thank you for having me, it was lovely to do this Horror interview, wonderful and great questions.

Fiction Fragments: Brandon Getz

Last week, Girl Meets Monster fan-girled a little while chatting with Errick Nunnally about his werewolf novel, Blood for the Sun. This week, I’ll be talking about werewolves and vampires with Brandon Getz. You can read my review of his debut novel, Lars Breaxface: Werewolf in Space, over at Speculative Chic.

77016745_631971787633000_7218389553990598656_nBrandon Getz earned an MFA in fiction writing from Eastern Washington University. His work has appeared in F(r)iction, Versal, Flapperhouse, and elsewhere. His debut novel, Lars Breaxface: Werewolf in Space — an irreverent sci-fi monster adventure — was released in October 2019 from Spaceboy Books. He lives in Pittsburgh, PA.

Three Questions

GMM: Hey, Brandon. It was great to meet you on my last trip to Pittsburgh. I am officially a Lars Breaxface fan. Werewolves are some of my favorite monsters, but I don’t ever recall reading about a werewolf in space. It’s funny. It’s main character is a werewolf. And, it’s a space opera to boot. Where does the inspiration for a book like this come from? Aside from the fragment you sent, can we expect more stories about Lars?

BG: Great to meet you too! Werewolves have always been one of my favorite monsters as well – when I was a kid, second grade, I drew comic books with a superhero team based on my friends, and my character was literally a just a werewolf called Wolfman. The inspiration for Lars Breaxface came from so many places – from all the sci-fi and horror movies I watched when I was a kid, cartoons, comic books, all of my favorite things. I thought up the title years ago as a spoof, along with the tagline “In space, there’s always a full moon.” When I was finally ready to sit down and write a novel, I decided to run with the most ridiculous idea I’d ever had, and to infuse it with as much fun as possible – and that turned into this ridiculous novel. You can definitely expect more Lars adventures in the future. In fact, one will be available next month as part of The Future Will Be Written by Robots, from Spaceboy Books, the publisher of Lars Breaxface: Werewolf in Space. Lars fights some zombies.

GMM: We talked a little bit about MFA programs when we spoke, and if I remember correctly, you mentioned that you have a traditional MFA in Writing. My MFA is a bit more specific than that, it’s an MFA in Writing Popular Fiction. As an undergrad and grad student in English, my fiction was often criticized by my professors for mirroring genre fiction, which they didn’t consider “serious” fiction. Did you have a similar experience in your MFA program? What are your thoughts on the belief that genre fiction isn’t considered valid fiction within academia?

BG: Genre fiction was definitely a no-go in my MFA; it was explicitly stated, with the stale cliché that “genre focuses on plot, literary focuses on character.” Which is a way of dismissing whole universes of popular, imaginative fiction as silly raygun bullshit while also saying “In our stories, nothing has to happen and that’s totally cool.” It’s nonsense to think genre fiction doesn’t focus on characters – try reading N.K. Jemisin’s Broken Earth trilogy and believing Essun’s character isn’t at the heart of the story. Any good example of genre fiction – science fiction, horror, mystery, romance – has complex characters and good sentence and story craft, as well as plot. Genre stories just happen to be operating according to certain sets of established parameters; working within them as well as twisting them or directly contradicting them, in order to tell new and interesting tales. I do think that academia is moving past the “genre fiction isn’t literary” mindset – so many “literary” writers have dabbled in genre or gone full-hog, like Margaret Atwood, Michael Chabon, Thomas Pynchon, Haruki Murakami, etc. Literary fiction is just another genre, with its own set of tropes. Here’s hoping more MFAs these days are judging stories by how well crafted they are, not by which sign they would be shelved under in a bookstore.

GMM: As I mentioned, werewolves are some of my favorite monsters. But, I really like vampires. Your take on the space vampires is interesting, especially giving them their own planet. Where do your vampires fit in within the evolution of vampires in fiction? Your female space vampire is a strong character with a serious backstory. Are there other fictional vampires you would compare her to, or is she in a class by herself?

BG: I’m going to admit something here: when I first introduced Jay in chapter 2, I didn’t know she was a vampire! I wrote the first draft of Lars Breaxface as a serial online, posting a chapter more or less each week. After I wrote chapter 2, I realized how vampire-ish the description of her was and decided to develop her as part of an alien-vampire race. I also presented myself with the challenge to include as many alien versions of classic monsters as possible (final tally: werewolf, vampire, gill-man, Frankenstein’s monster, witch, zombie, mummy, kraken, kaiju). I’d like to think Jay is in a class by herself – she’s from a night planet with a nega-sun and moon-drenched shores just like the planet of Transsexual; she’s got blood-magic powers, and she can walk around in UV just fine. As with much of Lars Breaxface, I tried to use tropes and expectations to my advantage but also to subvert them and weird them up as much as possible. My guess is Jay isn’t too far off from some of the imaginings of Guillermo Del Toro, but so far, her particular brand of vamp feels unique to me.

“Lars Breaxface and the Turd Supreme,” by Brandon Getz

By the time Lars stumbled back to Sheila, his trusty starcruiser, the first bottle of Kiraldi moonshine was long empty, a second one left open on the bar, and the slobbering bartender a few credits richer for his trouble. Dragon water was a wild ride. Orbs of light seemed to disco at the edges of his vision. His brain was pickled. He forgot what he’d been drinking to forget, whatever it was, all he could remember was the bartender’s big, scraggly mouth opening wide with a laugh, the moonshine glowing green on his thick tongue, throat looking like the tunnel to hell and suddenly turning a good time sour.

In the cargo hold of the cruiser, Lars kicked floor trash out of his way and staggered toward the head. His guts churned something wicked. His asshole puckered. A sharp pain zapped his belly, and the wolfman fell against a shipping crate. Holy hell, he thought, steadying himself. This was no joke. Maybe the worst poop pain he’d had, and he’d eaten gas station chimichangas from that dead-end spinner out by Terbius-IX. This was a singular intestinal malevolence, doing cartwheels toward his butthole. He cursed when he saw that the door to the head was shut. The threat in his digestive system was making him weak, but he managed to bang his fist a couple of times on the steel door.

“Fish!” he shouted. “Cut the beauty regimen. Emergency out here. I need to pinch a loaf. Shit, I gotta pinch the whole fucking bakery.”

The door slid open, and the amphibious former dildo salesman stood frowning. Since their interdimensional adventure to and from the vampire planet, Fishman had been bumming a ride on Sheila, hawking homemade lube in the spaceports they docked at, using Lars’s toothbrush, and generally taking up space on the ship. Most of the time it was fine. Right now, Lars wished he’d left the amphibian in the ruins of vamp city.

“Breaxface,” Fish said. “If you must know, I was voiding my bladder.”

“You don’t vacate the facilities in the next half second, I’ll void you and your bladder out the fucking airlock.”

Fish’s big eyes widened, and Lars shouldered past him, sending the fish-man stumbling into the corridor muttering obscenities. The wolfman slammed the door, yanked down his trousers, and slumped onto the cold rim of the shitter, letting loose a massive excremental explosion that splashed back up and still kept spraying. His stomach dropped, lurched, dropped again like some funhouse attraction. He doubled over, ass still spraying. The shit-torrent emptying from his bowels couldn’t be chalked up to regular beer squirts. Maybe this was what the barkeep had meant when he said “riding the dragon.” If so, the dragon was a poop demon, and the space werewolf was rendered prostrate in defecating prayer.

From the door came Fish’s voice, squeaking questions. “Lars? Are you all right? Lars?”

“F-forget it, Fishman,” Lars croaked. “Just dropping a deuce.”

He closed his eyes and pushed. Never again, man. No more weird rando glowing firewater from the armpit of the cosmos. Just beer. Regular-ass beer. Another splash in the bowl, and he opened his eyes to reach back for courtesy flush—only to see that the bowl itself was glowing beneath him, green light silhouetting his hanging meat and marbles. The same radioactive brightness he’d seen in the barkeep’s bottle of moonshine. He felt a tickle on his grundle and reached for some t.p. That fucking bartender. Probably his idea of a joke. Lars started to stand for a wipe—

And then he was wrenched up, tripping on the pants around his ankles, head slamming into the corner of the steel sink. Blood, wet and warm, fell over his eye as Lars reached for leverage to stand up. Fucking hell. Even as his wolf blood worked to heal the gash, he knew it’d leave a scar. He made a note to put some padding on the sink edge. Wasn’t the first time he’d tripped over dropped trousers. As he grabbed the blood-slick sink, the mirror came into view, and the wolfman almost shit himself—might’ve, if there’d been anything in him left to shit. Rising from the brown-spattered toilet bowl was a monster of a thousand worms, a conglomerate of writhing little bodies, all glowing toxic green and shifting in tandem to make one large, swaying worm of death, a vermicular god of the shitter.

“The fuck?” Lars muttered, trying to wrench up his military-surplus dungarees.

The worms making up the head of the monster formed themselves into a gaping mouth and spoke. “We are the dragon.”

Do you have a fiction fragment — with or without werewolves — that you’d like to share? Send it my way at chellane@gmail.com. See you next week!