Fiction Fragments: Sonora Taylor

Last week, Paul Tremblay stopped by Girl Meets Monster and we talked about impostor syndrome and how he deals with it, and he shared an excellent fragment from his short story, “We Will Never Live in the Castle.”

This week, I have the pleasure of speaking with Sonora Taylor. I haven’t had an opportunity to meet her in person, but I’m hoping to change that soon.

Sonora Taylor is the author of Little Paranoias: Stories, Without Condition, The Crow’s Gift and Other Tales, Please Give, and Wither and Other Stories. Her short story, “Hearts are Just ‘Likes,’” was published in Camden Park Press’s Quoth the Raven, an anthology of stories and poems that put a contemporary twist on the works of Edgar Allan Poe.

Taylor’s short stories frequently appear in The Sirens Call. Her work has also appeared in Frozen Wavelets, Mercurial Stories, Tales to Terrify, and the Ladies of Horror fiction podcast. Her latest book, Seeing Things, is now available on Amazon. She lives in Arlington, Virginia, with her husband.

Three Questions

GMM: Welcome to Girl Meets Monster, Sonora. I really enjoyed your fragment, because I love when horror/science fiction blends with humor in a story. There’s something about the humor that makes the horror a bit more unsettling while simultaneously more palatable. Like a cup of tea you drink while watching an alien invasion. Where did this story come from? What inspired it, and do you often include humor in your horror/science fiction?

ST: Thank you! I wrote this in 2016, which was when I’d gotten back into writing short stories and was seeing what forms, themes, and genres stuck with me. I’d been reading Douglas Adams and Terry Pratchett around this time and was definitely influenced by their style of writing. I love absurdist and humorous horror, and I found myself thinking it’d be funny to write in the style of one of those self-care articles, but for how to relax during one of the least relaxing experiences I could think of. I originally considered writing a book of these sorts of essays called Consider This, but I didn’t have enough ideas. Then I started writing my first novel, Please Give; and all my attention went to that.

GMM: You mention the importance of self-care rather ironically in your fragment, but the idea of self-care has become a cultural phenomenon that has social, political and economic relevance, especially at this moment in our history. We obviously aren’t facing an alien invasion (not yet, but 2020 isn’t over), but we are facing a pandemic and an outcry for social change. How do you view self-care in this time of uncertainty, and what do you do to look after yourself on the darker days?

ST: I see self-care as a way to step back and focus your attention on taking care of you, especially in a time where we feel an even more pressing need to look out for each other and be caretakers–for loved ones, for marginalized people, for the greater good. Many of us, especially women, are taught to put ourselves last after we’ve taken care of the kids, the spouse, the world. But to me, this is all backwards because you can’t do those things if you haven’t been tending to yourself! I find I’m a better wife, daughter, dog mom, friend, writer, and activist when I’ve taken a breather and set aside time to reset myself.

I like to decompress with simple beauty rituals, which I can fortunately do at home since I still don’t feel comfortable going to a salon (though I do miss getting pedicures and massages). I love taking baths with nice bath bombs and music. I also like to use face masks and sheet masks to give myself a boost. Drinking tea is one of my self-care practices, but that’s more a daily habit than anything special. I also like to plan and prepare really nice meals. I made a pasta last week with chanterelles and I felt so good serving it and eating it.

GMM: What can we expect from you next? What are you currently working on? Have the events of 2020 had an impact on your writing, either your process or what you’re writing about?

ST: Right now I’m working on my next short story collection. It’s called Someone to Share My Nightmares and will focus on romantic/erotic horror. I’m also formulating my fourth novel, an apocalyptic nature novel called Errant Roots.

I do find that it’s harder to sit and write this year than in previous years. My mind is in a lot of places and it can feel exhausting to sit down and write a whole other reality. I’ve written, but it’s been slower than normal. When I finish a piece, though, it feels fantastic.

Tea Time by Sonora Taylor

You should always take the time to make yourself a cup of tea.

With the stress of the day-to-day, it can often be difficult to remember simple acts of self-care. Or we remember, but choose not to partake because they seem selfish, or mundane, or useless. This could not be farther from the truth. Any act of self-care is worthwhile, and this includes the pouring of hot water onto cold tea leaves.

Consider the practice itself. You take a mug, you choose your tea, you warm the water, you pour the water, then await the allotted time for your tea to steep. The preparation itself is meditative. To make yourself a cup of tea is to close yourself off from the stress around you, be it an obnoxious co-worker or a troublesome spaceship landing outside of your building.

The relaxation does not end with preparation. The act of sipping tea is one of the most relaxing things you can do. Each sip delights the tongue with flavor, steam, and comfort. Picture yourself sipping tea. Notice how the noises around you, like phones ringing or people screaming, just seem to disappear as readily as the tea in your cup.

Once the cup is gone, the sense of ease remains with you, warming your hands like the sun or an errant laser. Tea transports us to worlds we never knew, worlds where we are alone and comfortable, not visited or invaded. To make yourself a cup of tea is to grant you an escape from everything.

Many have shared their wondrous experiences with tea. Consider Martha, an accountant who never missed her morning tea. Each morning after breakfast, no matter what she was doing or who was in her presence, she’d stop and make herself a cup of tea in the company kitchen. She found the ritual conducive to her work. One morning, Martha heard her phone ring and several emails ping in her inbox. But alas, it was 9 o’clock – tea time! She ignored the shouts from her office and went to the kitchen to make her tea. She was not gone for five minutes, yet when she returned with her mug, she found not her office, but a smoldering crater where her desk and wall had been. Had she not held to her morning ritual, she too would have been blown to smithereens! Thankfully her morning tea that day was soothing chamomile, otherwise the sight might have scared her dead.

Tea is much valued for its life-saving properties. Green tea is often seen as the healthiest, with its antioxidant power. But all teas have some sort of health benefit to them. Black tea improves your breath. Peppermint tea aids in digestion. Hibiscus tea seems to frighten off the invaders, seeing how they recoiled in fear from Mrs. Thompson’s hibiscus plants when stomping through her garden. All tea has something special to offer.

But perhaps what is most special about tea is what it can do for you. Even when you are most alone, a cup of tea is there for you, warming your hands as you stare out your window and watch your neighborhood, city, and state burn to ash. The skies have turned red and the ships have grown in number, but your reliable kettle burns on the stove and whistles to you, calling from the rabble and chaos, “Time for tea!”

Do you have a fiction fragment? How about your friends? Would you like to recommend someone to me aside from yourself? Drop me a line at chellane@gmail.com. See you next week!

Guidelines: Submit 500-1000 words of fiction, up to 5 poems, a short bio, and a recent author photo to the e-mail above.

Fiction Fragments: Paul Tremblay

If you missed last week’s Fiction Fragments, you missed a great interview with Linda D. Addison. Linda has been an inspiration to me since I attended my first World Horror Convention back in 2013, but it was her acceptance speech for her Lifetime Achievement Award at StokerCon in 2018 that made me want to be just like her when I grow up. Do yourself a favor and check out last week’s Fiction Fragments with Linda.

This week, I am super excited to welcome award-winning horror writer Paul Tremblay to Girl Meets Monster. I’ve really enjoyed Paul’s work and look forward to reading more. And, hopefully, I’ll get over my social awkwardness enough to talk to him beyond saying “hello” the next time I see him at an event.

Paul Tremblay has won the Bram Stoker, British Fantasy, and Massachusetts Book awards and is the author of Survivor SongGrowing Things, The Cabin at the End of the World, Disappearance at Devil’s Rock, A Head Full of Ghosts, and the crime novels The Little Sleep and No Sleep Till Wonderland. His essays and short fiction have appeared in the Los Angeles Times, Entertainment Weekly online, and numerous year’s-best anthologies. He has a master’s degree in mathematics and lives outside Boston with his family.

twitter and instagram: @paulgtremblay
website: www.paultremblay.net
author photo credit: Allan Amato

Three Questions

GMM: Welcome to Girl Meets Monster, Paul. You’ve had a lot of success with your writing, and that success is well-deserved. Back in March, I interviewed Bracken MacLeod, who has also had some success with his work, and I asked him to talk about the concept of impostor syndrome. For many writers, even after they’ve had their work published and had some success with their writing, they still experience feelings of doubt about their writing. As a writer who has won some prestigious awards, does that kind of recognition make it easier or more difficult to approach your craft? Personally, I suffer from a fear of success, because success often means there are greater expectations for your next effort, and that also means more work on your part. Has success in your writing been helpful or a hindrance?

PT: Thank you for having me here, Michelle.

I never feel like I know what the hell I’m doing in writing, or in life, frankly. The self-doubt, particularly while in the middle of a novel/story, doesn’t go away, and if anything, has intensified, which is more than kind of disheartening/disappointing. While having published books under my belt helps my confidence a little (proof that I have in fact, somehow, finished books before), it only helps a little. I’ve found a more regular writing schedule is more effective at keeping the self-doubts from becoming paralyzing; it’s easier to chalk up a bad day as simply a bad day if there are good or so-so days surrounding it.

Successes (however those might be described, from selling a story to a market or editor you really wanted to work with to signing a book deal) certainly can be a hurdle to the next or new project. For novels, I try to make each one feel different in some way (it could be something as simple as switching up the music I listen to when writing, a new notebook for notes, or even a tweak or change in process or approach) if nothing else to remind me this new book is not the prior one. It is its own thing, for good or bad. When I struggled during the writing of Disappearance at Devil’s Rock, my follow up to A Head Full of Ghosts, I emailed my friend/mentor Stewart O’Nan. In the email I whined that this new book wasn’t coming as easily (the lie of memory; all your completed stories or books were easier to write in your memory than in the moment) and while I felt confident about AHFoG, I feared that this new book wasn’t going to be as good, etc. Expecting a pep talk back from Stewart, he instead sent me exactly what I needed to hear. He wrote, “Eh, not everything you write is going to be great.” He was of course correct, and I laughed, released a lot of my self-imposed pressure with an exhale, and grinded out a book of which I’m very proud.

GMM: I enjoyed your fragment. I assume the title is a parody of Shirley Jackson’s novel, We Have Always Lived in the Castle. Based on what you’ve shared, I get the feeling this story is set in a post-apocalyptic amusement park with a fairy tale theme. I’m not 100 percent sure what’s happening, but our narrator is interesting and seems well-informed about the world around him/her. Without giving away too many spoilers, what is the premise of the story and what can you tell us about the narrator?

PT: Yes, it’s definitely a riff on my favorite Shirley Jackson novel and I’m not 100% sure what’s happening either! Heh.

When my two kids were younger, we took them to a regionally famous amusement called Story Land. The park is really geared for kids younger than 10 years old with each ride and attraction based on a fairy tale. During one visit a thunderstorm cropped up and the four of us (along with some other families) holed up inside a giant pumpkin. Well, it was some form of plastic and mortar (maybe?) pumpkin. And as my mind tends to wander to horror/weird scenarios, I imagined what would happen if we had to live at the park, what would drive us to live at the park? Clearly Cinderella’s castle would be the prime real estate if people were going to divvy up the place. The ‘castle’ in my title references Cinderella’s at Story Land. The narrator of this story is more sinister than Merricat Blackwood, but I tried to make him playfully mischievous. There has been some sort of apocalypse and people are living/surviving at the various rides and attractions within the amusement park. An absurdist premise, but one I hoped would play on people’s post-apocalyptic fantasies: the idea that yes of course *you* would be one of the ones to survive. Maybe not on the Polar Coaster though? Our narrator covets and schemes to take over the best place to live in the park, the castle (because of its size and easily defendable location), though as the story progresses his mental state disintegrates.

GMM: Many writers have been affected by the pandemic and the political climate. Some positively. Some negatively. Have changes to expectations around your course delivery as a teacher had an impact on your time? Has your productivity changed? What projects have you been working on that keep you motivated to stay on track?

PT: It has been difficult to focus on writing/creating, difficult to tear myself away from news, particularly online news, and difficult to not perseverate on worries and real-world fears. I’ve been more forgiving of myself for not being as productive (in terms of words written) as I would like. But I do force myself to write at some point as I do have a novel contractually due in May of 2021. As the calendar turns to fall, I’m not sure how going back to school will impact my writing work, and to be honest, I’m not even sure what school is going to look like, even at this late date.

After having a difficult time doing so when stay-at-home began, I have been doing a lot of reading, which, for me, is as important as writing to my work as a writer. My two prior novels, The Cabin at the End of the World and Survivor Song purposefully reflect (I hope) the anxieties of living in Trumplandia. And with Survivor Song in particular, it has been strange releasing a virus/pandemic novel. So, I don’t have any interest in writing about *this* pandemic, at least not directly. The project I am currently working on is a novel, one (thankfully) I had the idea hit me in late fall of 2019, so when I am able to write and sink into the book, it has been a welcomed escape from reality. Though I have noticed our now sneaking in and in unexpected places (given the novel starts in 1988).

Fragment from “We Will Never Live in the Castle”

polar coaster

Mr. Matheson lives over in Heidi’s Hill, we confab every three days in the old mist tent between the World Pavilion and my Slipshod Safari Tour, but today he’s late for our date, he scurries and hurries into the tent, something’s up.

Mr. Matheson says, She took over the Polar Coaster, he says, I don’t know if Kurt just up and left or if she chased him off or killed him but he’s gone and now she’s there.

I thought we’d never be rid of that idiot kid, he used to eat grass and then puke it all up.

I say, Who is she, what’s she look like, does she have a crossbow?

He says, She’s your age of course, medium-size, bigger than my goat anyway, and quiet, I didn’t get a great look at her, but I know she’s there, she wears a black cap, she just won’t talk to me.

Why would she say anything to him, I only talk to him out of necessity, necessity is what rules my life, necessity is one of the secrets to survival, I’ll give other secrets later, maybe when we take the tour.

Mr. Matheson and me have a nice symbiosis thing going, he gets to stay alive and enjoy a minimum base of human contact, he keeps an eye on my Slipshod Safari Tour’s rear flank, last year he saw these two bikers trying to ambush me via Ye Olde Mist Tent, Mr. Matheson gave me that goat’s call of his, he is convincing, I took care of the burly thunderdome bikers, they tried to sneak down the tracks and past the plastic giraffe, the one with a crick in its neck and the missing tail, typical stupid new hampshire rednecks, not that there’s a new hampshire anymore, live free or die bitches, their muscles and tattoos didn’t save them, little old me, all one-hundred-thirty-two pounds of me, me and necessity.

Mr. Matheson is clearly disappointed she won’t talk to him, whoever she is, he’s probably taken stupid risks to his own skin, and by proxy mine, trying to get her attention, it’s so lame and predictable, because of the fleeting sight of a mysterious girl the old man would jeopardize my entire operation here, Mr. Matheson is down to his last goat, the house on Heidi’s Hill is a small one room dollhouse with a mini bed mini table mini chair, no future there, it’s a good place for a geezer with a white beard going yellow, straw on his face, getting ready to die, no place for a girl, she needs space, the Polar Coaster is a decent spot, back when Fairy Tale Land was up and running the Polar Coaster was one of the most popular rides, I never got to work it, they kept me over on the Whirling Whales, a toddler ride.

At the Polar Coaster the fiberglass igloo and icebergs are holding up okay, they make good hidey holes, warmth and shelter in the winter, shade in the summer, some reliable food stores, wild blueberry bushes near the perimeter of its northern fence, birds nest in the tracks, free pickings of eggs and young, small duck pond in the middle of it all and with ample opportunity to trap smaller critters, the Polar Coaster might be the third best spot in the park behind my Slipshod Safari Tour and Cinderella’s Castle, of course, third because it’s a little too out in the open for my tastes, everyone who comes to Fairy Tale Land always goes to the Castle and then the Polar Coaster.

I ask, Do you know her name?

Mr. Matheson says, She won’t talk to me, remember.

Yeah, I remember, but sometimes it’s hard when every day is the same.

Do you have a fiction fragment? How about your friends? Would you like to recommend someone to me aside from yourself? Drop me a line at chellane@gmail.com. See you next week!

Guidelines: Submit 500-1000 words of fiction, up to 5 poems, a short bio, and a recent author photo to the e-mail above.