Fiction Fragments: Steven Van Patten

Last week on Girl Meets Monster, I chatted with Jessica Guess about her horror novella, Cirque Berserk (2020) and how she created a space for herself in a genre where she felt absent.

This week, I welcome award-winning horror writer, publisher, screenwriter, and TV stage manager Steven Van Patten.

Brooklyn native Steven Van Patten is the author of the critically acclaimed Brookwater’s Curse trilogy, about an 1860s Georgia plantation slave who becomes law enforcement within the vampire community. In contrast, the titular character in his Killer Genius series is a modern day hyper-intelligent black woman who uses high-end technology as a socially conscious serial killer.

SVP’s short fiction includes contributions to nearly a dozen horror anthologies, including the Stoker Award nominated New York State of Fright. A collection of short horror and dark fiction stories entitled Hell At The Way Station, published by his company Laughing Black Vampire Productions and co-authored by acclaimed storyteller, Marc Abbott hit shelves in 2018.

Along with a plethora of other honors and accolades, SVP won three African-African-American Literary Awards in 2019, two for Hell At The Way Station (Best Anthology and Best In Science Fiction) and one for Best Independent Publisher. He’s written about everything from sleep demons to the Harlem Hellfighters of WWI for episodes of the YouTube series’ Extra Credit and Extra Mythology. He’s also a contributor for Viral Vignettes, a charity-driven YouTube comedy series benefitting The Actor’s Fund. He uses his full name on Facebook but goes by @svpthinks on Twitter and Instagram. When he’s not creating macabre literature, he can be found stage managing television shows primarily in New York City and occasionally on the West Coast. Along with being a member of the New York Chapter of The Horror Writer’s Association, he’s also a member of The Director’s Guild of America and professional arts fraternity Gamma Xi Phi. His website is www.laughingblackvampire.com.

Three Questions

GMM: Welcome to Girl Meets Monster, Steven. I am almost ashamed to say that I haven’t read the Brookwater’s Curse trilogy, but it is on my TBR list. I’m interested in reading the trilogy because I love vampires, and I wrote a slave narrative featuring a vampire. Your story is about a male slave who becomes an important part of vampire society, and my story is about a young woman who escapes slavery but still has a lot of obstacles to maneauver while gaining a better understanding of her identity in the context of the antebellum South while traveling with a vampire. My first question is why vampires? And my second question is why slavery? What about these two subjects/characters called to you to tell a story? How does being part of vampire society help or hinder your protagonist? What inspired this trilogy?

SVP: Well, first of all, thank you for having me. I’m thrilled to be talking to a mavin such as yourself. I think I was drawn to vampires because as a kid, I didn’t always see them all as monsters. I mean, I saw Christopher Lee’s Dracula as a monster, but William Marshall’s Blacula was a different case. There were some shades of grey. He tried to end the slave-trade. He was in love. He was misunderstood and in many ways his own worst enemy. And it’s that line from Scream, Blacula, Scream that stuck with me forever. It’s from the scene where he is cornered by two rather stereotypical 1970s pimps after disregarding their hooker. After listening to their nonsense, Blacula said, “You’ve made a slave of your sister and you’re still slaves imitating your slave masters!” Then he proceeds to kill them. But for me, a few things happen there. First, as a kid, I get to see this super dignified brother handle some street mess, but I also get a glimpse of how social ills can get addressed within the horror genre. So the only thing left in my head was, since Blacula, aka Prince Mamuwalde was of direct African descent, I began to wonder what an African-American would experience, feel and say if put in that situation. By the way, in Brookwater’s Curse, I don’t spend a great deal of time on the plantation. In fact, I let him get taken by the supernatural and get himself isolated very quickly. And I let him struggle with a sort of survivor’s guilt, while never losing his soul as a black man. This gets him in trouble more than once, because anytime he develops a relationship with black and brown humans, he ends up going against his marching orders, which are to hunt werewolves and protect the secret society of monsters in general.

GMM: I am intrigued by the concept of a “socially conscious serial killer”. I immediately thought of Dexter Morgan who channeled his drive to murder into a public service by eliminating threats to his community. How is your character different from Dexter?

SVP: Dexter comes up every once in awhile, but the truth is, my Killer Genius series was inspired by Thomas Harris’ Hannibal Lector more than anything else. It occurred to me that if someone were to write a story about a black woman killing a bunch of people, it’s usually over some man being an asshole. Like an elongated episode of ‘Snapped’. I never saw a socially conscious black woman, so I invented Kendra, a black woman who is able to keep ahead of law enforcement by being super smart like a Dexter Morgan or a Hannibal Lector. One of the biggest differences between her and Dexter is that she’s actually more versatile. She can kill up close in a disguise, or she can hack into a military satellite and blast you from space. I’m particularly proud of how I came up with her kill for this one misogynist rapper while he’s performing on a 106 & Park derivative. The other big difference is of course, her agenda. Dexter was like a king snake of serial killers and he in a way, was feeding this horrible disfunction born from childhood trauma. While my Kendra certainly has her own childhood and adolescent demons, she’s more focused. I want to say she has a clearer vision and is more of a zealot, or a crusader literally attacking ignorant white and black people as a way of motivating change in society over all.

GMM: I’ve always written about dark subjects and over the years people, especially people with a strong religious background, have asked me “why horror?” As I’m sure you’re aware, there is often a misconception about horror writers being maladjusted people. Have you encountered similar questions about your writing? Have you been accused of being a “bad” person because of what you write? Has your connection to a larger community of horror writers helped you feel more confident about being a horror writer, or have you always felt at ease writing about monsters?

SVP: Here is where I may piss some people off, but since I get pissed off when confronted by the kinds of statements you mentioned, I’m going to just say it. Truth is, I have studied just enough history to see most organized religion as a construct meant to hold certain people in place. I’m not knocking the fellowship, being grateful to the universe, Kirk Franklin, Mahalia Jackson, none of that. But, when our black ancestors were brought here, I can’t say for certain what they all were worshipping, but I’m pretty sure it was not a blonde, blue-eyed Jesus. Unfortunately, a lot of folks can’t get past that, because whatever we had was beaten out of us while something else was beaten into us. Follow that up with Hollywood bastardizing and misrepresenting hoodoo, voodoo, Santeria and Yoruba cultures for white folks to kick up their heels and scream ‘eek’ and now they have us rejecting something we might actually need if we bothered to understand it. At least, those are my thoughts on the subject.

No one has ever come out and called me a bad person, but it’s been insinuated that something is wrong with me. And yes, I have been confronted by the naysayers and I’ve received the shade, particularly if I picked the wrong event to be a part of. But the people looking down their nose at me are often the same people wouldn’t know a decent horror movie if it bit them in the ass AND won’t tell Jermaine that no one cares about his mixed-tape. Because of that, I don’t exactly lose a lot of sleep over those people or their opinions. 

Being a part of the larger community, finding people like yourself is a morale boost. It lets me know I’m not alone in my horror nerdom or my pursuit to write about things that go bump in the night. And it’s funny you should bring it up because growing up around certain kinds of dudes, I only let a handful of friends know I was into this sort of thing. But I’m older now, and not as worried about rejection as I used to be. And yes, I will be comfortable with monsters until the day I die.

Excerpt from “The Patron Saint”

“You’re my motherfucking lawyer! You’re supposed to make this kind of shit go away! As much money as I made the label last year! Y’all got me hiding in this hotel room like some kind of fugitive! This is some bullshit!”

Sitting at the edge of the super king-sized hotel room bed wearing only a bathing suit, Kimberly stared absently at the TV on the wall in front of her. This bore a stark contrast to fully clothed Manuel’s animated pacing back and forth across the room as he screamed into his cellphone. She thought about turning the TV on so she wouldn’t have to listen, but figured in his agitated state that she would only get yelled at or worse.

“Seriously! What the fuck am I paying you for?”

She couldn’t hear the lawyer’s side of the conversation, but could tell that the lawyer was asking uncomfortable questions.

“What? No, she’s fine! She loves me and she loves Vegas. You sound like that punk ass cop that left a message a few minutes ago.”

Another pause.

“What? Her father? I don’t care about him. Fuck him! If he was a real nigga, he’d call me himself. Going to the damn cops like a little bitch!”

No matter what you hear or see, do not turn around. Do not face me, child!

Kimberly’s breath stopped as her mind struggled to process where a disembodied voice could possibly be coming from.

“Sam? Sam! I know this motherfucker didn’t just hang up on me…”

If he hadn’t been in such an angry state, Manuel might have noticed the growing shadow moving behind him as the form of a curvaceous, statuesque woman with undulating hair drifted off the wall and into the room.

Manuel threw the cellphone on the bed, just behind Kimberly. “I’m so fucking mad right now. I need to fuck you again just to calm my ass down. Take them damn clothes off, girl!”

He began to unbuckle his pants.

Kimberly neither moved or gave any indication that she heard him.

“Bitch, perhaps you didn’t hear Daddy! I said…”

Then he heard the hissing. He turned around.

“What the fu—”

The entity grabbed Manuel by the shoulders, accosting him as if he were a small child, with a strength that dwarfed his. The ten snakes in the apparition’s hair lunged forward, each of the mouths burying fangs into his flesh. His chocolate brown skin turned a marble-like grey as the poisons filled his body. He screamed for only a few seconds as the toxins quickly petrified his vocal chords.

Kimberly peripherally caught a split second of Manuel’s agonized last moments before she closed her eyes. The monster must have sensed that Kimberly had peeked because she heard the voice again.

DO NOT LOOK AT ME!

A moment later, Manuel’s lifeless body crashed down to the floor with a ‘thud’ in front of Kimberly. Her eyes drifted down. Whatever had been injected into him was toxic enough to literally melt him. Flesh and muscles bubbled into a jelly. Bones disintegrated to ash trapped inside the jelly. Hours from now, a large black stain on the carpet would be all that remained. She closed her eyes but couldn’t escape the image of the mess on the floor.

Go to your grandmother, that she might teach you the ways of your ancestors and not the way of the idolaters that brought your people here in bondage.

“My grandmother? Who are you?”

I am the one who was defiled by one of my gods, made an abomination by another, and rejected and vilified by my own kind. It was only in the underworld that I found the orishas and loa and ascended ones of Africa. Like me, they want actual justice meted out in this world and the next. I am Medusa, The Accursed One! Evil men feared me hundreds of years ago and they shall fear me again!

The shadow drifted back towards the wall from where it had entered and disappeared. Sensing that the gorgon had left, Kimberly opened her eyes and looked again at what was left of Manuel. Recoiled on the bed, she suppressed a scream and cried quietly for a few minutes.

It would take her some time, but she eventually found the strength to get dressed, grab her things, and leave the hotel.

~*~

“This bastard is gonna act all indignant, like he was parent of the decade! Fucking dream-slaying, hating-ass Negro!”

Cathy drove her white BMW M4 Coupé as fast as New York City’s FDR Drive would allow, which during rush hour on a Wednesday wasn’t nearly as fast as she preferred. Before her girlfriend Nicole called, Cathy had been cursing up a storm as she cut off more cautious drivers with signal-free lane changes and flipped them her middle finger whenever they dared honked their horns in protest.

“So he’s blaming you?” Nicole’s voice blared over the car’s speakers. Nicole, like Cathy, was a dedicated party girl, enabler, and equal opportunity narcissist. She was the shoulder to cry on, the friend who took Cathy’s side no matter how horrible she’d acted or how ridiculous her course of action. “Him and his damn cupcakes! Fuck him! Y’all are doing the right thing! Manuel is going to make your baby a star. He told me so!”

“That’s right. And so what if she lost her virginity to him? Shit, that’s Manuel Hightower! The motherfuckers we lost our virginity to wasn’t even close to that stature!”

“Child! I know that’s right!”

Betrayer of women! Betrayer of your own child! You gave your child’s innocence and honor away for nothing!

“Bitch! What you said?”

“I said, ‘child, I know that’s right’. What you thought I said?”

Cathy’s eyes caught a flash of the gorgon’s red gaze in her rearview mirror. The hair snakes’ fangs found Cathy’s ears, neck, and skull. The last thing Cathy saw was her milk chocolate complexion turning green-ish grey as the car swerved out of control, bounced off an Acura RDX, then slammed straight into a guardrail. Despite the damage to the car, Nicole’s voice could still be heard asking if her friend was okay.

Until the gas tank exploded.

Do you have a fiction fragment? How about your friends? Would you like to recommend someone to me aside from yourself? Drop me a line at chellane@gmail.com. See you next week!

Guidelines: Submit 500-1000 words of fiction, up to 5 poems, a short bio, and a recent author photo to the e-mail above.

An Open Letter to Men on Dating Sites

As some of you know, I decided to dip my toes into the dating pool once again back in December. This isn’t my first foray into the wilds of online dating, and given the nature of my experiences, it probably won’t be my last.

In the time I have spent using dating apps to meet new people, I have noticed certain behaviors that either make me laugh, want to cry, or burn down the entire Internet depending on my emotional state.

Feelings

Before I launch into a psychotic tirade about the bizarre mating rituals of human males, I’d like to take a moment to address the men I am dating, have dated, and potentially will date. First, and foremost, thank you for being decent human beings (this is not true for some of you, and you know who you are…if you don’t, it isn’t my responsibility to enlighten you). If I have gone on more than one date with you and continue to maintain contact with you after we are no longer dating, that’s a good sign that you are “one of the good ones.” At some point in time, you have added something positive to my life and I have learned and grown from knowing you. If you are reading this and you haven’t heard from me in quite some time, it’s probably because you are dead to me.

Not Hearing

Now, on with the tirade…

I’ve been thinking about writing this blog post for quite a while and in the process of thinking about what to cover and the tone I should use, I’ve spoken to a few friends who have also tried online dating. A close friend of mine is also currently wading through the dating pool, and on a regular basis we compare notes. This is especially true if the same man is interested in both of us. We laugh about it because our tastes are so different that we’d never need to worry about being in competition for the same dude.

A few months ago, when I began this process of meeting new people, another friend of mine joked about needing a dating resume after I expressed some of my frustrations about how difficult it is to find what I’m looking for in potential partners. At the time, it seemed like an absurd idea but the more I think about it, your dating profile is essentially a resume. And, first dates aren’t that different from job interviews. Except, you don’t usually get drunk during a job interview. And, I’m not suggesting that you should get drunk on a first date, but it happens sometimes.

If, after getting drunk on your first date, you get the chance at a second date, hopefully that person has enough of a sense of humor to accept that you don’t remember everything you talked about at that first meeting. Which will help you decide if you’d like a third date with this person.

Okay, maybe that wasn’t a tirade. But, stick around. I promise one is coming.

Dear Men on Dating Sites,

Hello! Thank you for your interest. Here are a few things I think you should know about me and why I’m swiping left on your profile.

First, I’m a bit cynical and have a rather dark sense of humor.

Humor

My response to the following question should clue you into these facts about me.

What I’m actually looking for…? A handsome alpha werewolf who owns his own home and business.

Yes. That exact sentence appears on one of my dating profiles. Clearly, this is meant in jest. However, several men have asked me to explain my response and have gone so far as to view the fact that they are not a werewolf as a strike against them. They aren’t wrong. I mean, who doesn’t want to date a handsome werewolf?

When I’m not fantasizing about sexy fictional characters, I’m actually looking for kind people who are able to appreciate my weirdness and hopefully recognize the kindness in me. Along with kindness, I’m looking for intelligent people who have something interesting to talk about. If you are actively pursuing your goals, creating something with your hands or mind (or both), and having a positive influence on the world around you, then even better.

wrongmf

I’m seeking comfortable intimacy. I want to talk about things that matter. I want to be held and kissed. I want to go on dates that become the inspiration for stories I’ll write in the future. I want someone to push my boundaries and encourage me to accomplish my goals. I want someone who will allow me to explore their body and mind without fear or the need to constantly be in control. I am seeking someone who thinks vanilla sex can be nice but doesn’t want it to be the norm.

Before we go any further, I need you to understand that the last statement in the paragraph above is not an open invitation for you to send me pictures of your favorite kink. Nor is it a thumbs up for you to send me dick pics. I’m not opposed to you sharing these educational materials with me, but only if you have my permission.

Thank you. Please continue.

Here’s who I am NOT looking for…

  1. Conservative Christians. Do I really need to explain why I’m not interested in dating a conservative Christian? If you aren’t sure, here’s one of my older blog posts that might help you figure that out. Praise Satan!Satan
  2. Collectors. Ultimately, I am seeking my person. A partner who is committed to building a life with me. Someone who takes a liking to me and decides to stay in my life for the foreseeable future. But, while I’m looking for that person, I’m not opposed to various flavors of non-monogamous relationships. However, if you are dating so many people that you need to refer to a spreadsheet to figure out when you can see me, I’m not interested. I do not wish to be part of your harem, and I am not part of the expansion package for your marriage.Deeply-Nin
  3. Racists. If you include the following statement in your profile, don’t be surprised if women aren’t dying to meet you: Willing to date outside my race. I also recommend avoiding any language that fetishizes women of color. Telling me you’ve always wanted to have sex with a (insert racist comment) isn’t a compliment. We’re now in the realm of microaggressions and straight up racism.Racist
  4. Perverts. If your profile picture resembles a glory hole, you aren’t looking to meet people for meaningful connections. And, I’m not sure if a dating app is really the most appropriate place for you to meet people. I recommend hanging out in the parking lots of truck stops and deserted rest areas.
  5. Serial Killers. I realize this seems like a crazy thing to mention, but some of the profile pictures men choose to share on dating apps leads me to believe they are comfortable with their lifestyle of meeting people, murdering them, and whatever else they do with the corpses before holding a quick roadside funeral. For example, if you pose for a photo while wearing your best suit and holding an assault rifle, after I’m done laughing hysterically, I’m going to swipe left. I understand the need for anonymity at times but if your profile picture is you wearing a clown mask, we won’t be meeting. And, thanks for the nightmares.

    Serial killer

    Actual profile picture from OKCupid.

  6. Hipster Know-It-Alls. If you’re in your 20s or 30s and your list of interests matches mine or possibly my grandfather’s, please don’t presume to know more than me about something we share in common. I mean, you’re cute and your beard is glorious but please don’t attempt to school me on the history of American music and how it influenced the British Invasion. I may not know everything, but I was raised on a steady diet of Patsy Cline, Loretta Lynn, Johnny Cash, the Mersyside Sound, Al Green, Little Richard, Otis Redding, Phil Spector’s Wall of Sound, Robert Gordon, The Stray Cats and the Rockabilly gods that influenced them. I grew up in the 70s listening to radio stations that played entire album sides. On vinyl. I owned a rather extensive collection of music on vinyl that ranged from New Romantics to Punk to Post Modern and proto-Goth, with a healthy dose of British bands popular in the 80s. Please don’t speak to me like I’m stupid.Mansplain
  7. Trophy Hunters. If you have a picture in your profile where you’re wearing camouflage that isn’t government-issued or holding a dead animal, I’m swiping left. There’s only one kind of hunter I’m interested in.Winchesters
  8. The Tragically Boring. If your profile pictures consist of staged shots of you and your bros playing golf, drinking beer, hanging out with skinny white women, running a marathon, or getting pumped at the gym, I’m sorry to say that your profile is no different from the last 20 I swiped left on. Please make yourself sound interesting even if you don’t think you are. Everyone has at least one skill, experience, or goal that makes them stand out from the crowd. Tell me that story.

As many of my friends (and people I have dated) can attest, not all of my dating experiences have been bad. I’ve met some interesting people who I genuinely like and care about. But finding them often feels like looking for a needle in a pile of needles. I’m going to keep meeting people until hopefully, I find my person. I’m not sure I believe that there is only one person out there waiting for me to find them, but I’d like to think there are people out there who are interested in building something more meaningful that lasts longer than a few dates.

fuck-off

Eventually, I will add to this list of what I’m NOT looking for as I continue my journey through the realm of unknown expectations and vague statements about personality traits. So, wish me luck. And wish all the weirdos out there on dating apps luck. I’m rooting for them, but I’m not meeting them for drinks.

Demons

Fiction Fragments: R. J. Joseph

Last week, Girl Meets Monster talked with Glenn Rolfe about the challenges of writing Splatterpunk. This week, R. J. Joseph is here to talk about what it means to be a woman of color writing horror.

Author Central PicR. J. Joseph is a Texas based writer and professor who must exorcise the demons of her imagination so they don’t haunt her being. A life-long horror fan and writer of many things, she has finally discovered the joys of writing creatively and academically about two important aspects of her life: horror and black femininity.

When R. J. isn’t writing, teaching, or reading voraciously, she can usually be found wrangling one or six of various sprouts and sproutlings from her blended family of 11…which also includes one husband and two furry babies.

R. J. can be found lurking (and occasionally even peeking out) on social media:
Twitter: @rjacksonjoseph
Facebook: facebook.com/rhonda.jacksonjoseph
Facebook official: fb.me/rhondajacksonjosephwriter
Instagram: @rjacksonjoseph
Blog: https://rjjoseph.wordpress.com/
Email: horrorblackademic@gmail.com
Amazon Author Page: amazon.com/author/rjjoseph

Three Questions

GMM: As a woman of color writing about black and queer characters, what obstacles have your faced when writing within the horror genre? When did you decide you were a horror writer? What influenced or inspired you to write horror stories about women of color?

RJJ: I’ve been a lifelong horror fan. I was a small child devouring horror comics, Twilight Zone, and Stephen King novels, well before I could understand any of the themes these stories presented. The horror genre appeals to my naturally dark nature, which was apparent and already well entrenched by the time I was 6 or 7 years old. I always questioned why the folks in the genre I loved so much didn’t look like me, from the writers to the actors to the characters in the books. I wanted to be the monster. I figured creating the monsters was the next best thing, so I had to write them. I started then, even though I didn’t always embrace that part of my writing persona. I couldn’t imagine not writing about the world I inhabited and navigated, a black female experiencing life through this lens. I wasn’t seeing these stories and I had to fill the void.

I wanted to be the monster.

I appreciate that you frame this question in a way that shows you know we have obstacles. They aren’t a figment of our imagination or a quest for race-baiting and creating issues. One of the biggest problems I have is in always wondering why stories are accepted or rejected. I know my writing isn’t perfect and I still have so much growth to experience within my craft, but sometimes I get rejections that just don’t offer any clarity, not even the blanket forms where the spaces between the words don’t reek of any additional interpretation. Sometimes, though, what isn’t said speaks volumes. I get that editors don’t have time to give personalized rejections all the time. But I always go back and read the publications I submit to so I can see which stories made the cut. Reading what was ultimately accepted can be excruciating. So many times, I wish the editors would have just said, “We don’t know what to do with you, blackity black woman, or your blackity black characters with their blackity black fears”. That would make me feel so much better.

I once had an editor explain to me at a book launch for an anthology one of my stories appeared in that he didn’t want me to feel as if my story was a token acceptance because I’m a black woman. He made it a point to let me know he had read some of my previous work and thought my story for the anthology was great. I had to be professional and put on my Appreciative Writerly face, but I really wanted to hug him and cry. That meant so much to me, especially coming from a white male professional in the field. Unless the project is strictly for writers of color, I’m always wondering if the acceptance was just a diversity checkmark or really based on my story.

GMM: I wrote a supernatural slave narrative as my thesis novel at Seton Hill University, and I struggled with figuring out where it fit within a genre. The novel is due to be released sometime next year and I still struggle with that idea of where it belongs. What makes it a horror novel? The violence of slavery? The fact that my narrator is a witch and that her companion is a vampire?

How do you define your chosen genre or genres when you begin with characters that may not typically appear in those genres? Is there an absence of women of color in horror?

RJJ: First, I gotta read your novel! I need to know when pre-orders open. I absolutely love historical horror. That it has people of color and witches? Super plus. My answer to what makes this horror really loops back to another obstacle I try to navigate and that is not knowing where our work fits; really, not knowing where we fit. I would say your novel is an all-around horror novel because it’s rooted in the abject terror of slavery and there is a vampire. I don’t think all witches are necessarily monsters, though, so that’s debatable. Even without the supernatural characters, slavery is horror. Yet, there’s a clear hesitance to categorize this experience in this way because that would require owning up to the facts that 1. Slavery really happened; 2. There was nothing good about it; and 3. The repercussions are still felt today. Stuffing these topics into other corners like literary fiction (the way Beloved was first categorized) or creating a whole new category like urban fiction takes some of that responsibility away. If it isn’t called horror, then the events cannot be deemed horrible. So then when serial killer novels fill the horror shelves, I’m left to wonder why lynchings or slavery aren’t considered serial killings, too…

Black women horror writers have always been around, but there hasn’t always been a willingness of the industry to see us. I think we’ve just had our writing either flat out ignored or placed in different genres because we’re women. I’ve seen industry leaders say publicly that readers only want a certain kind of horror, or that every story/book acceptance is based solely on merit. Both of these prevailing responses mean gatekeepers are fine with keeping certain stories and writers out of the genre. The only thing that might help increase visibility is more gatekeepers of color and black female writers continuing to kick the doors in and create anyway. It’s astounding that the first black female horror anthology wasn’t published until 2017. A second followed this year. How is it that both books managed to locate numerous black female horror writers and yet other anthologies/magazines/publishers can hardly ever find any? What is not genuinely sought will never be found.

GMM: When I write about monsters, I have a habit of turning the relationships between monsters and my main female characters into romantic interests even though I write about dark subjects. Is there a connection between horror and romance in your mind? Do your characters fall in love with monsters? Why, or why not?

RJJ: I envy that you can blend romance and horror so effectively! My thesis at Seton Hill was a romance novel, and while I write in both genres, I’ve not yet mastered blending the two. I do think romance and horror exist on the same continuum, in that both genres evoke such extreme feelings in readers. My favorite series ever is the Vampire Huntress series by L. A. Banks. She intertwined horror and romance so expertly that I’ve never seen anything else quite like it. I make attempts. But I tried to submit a romance short story to a major market once and the editor replied that the story was well written but it was too dark. The monsters in my stories tend to be those created through no act of their own, so they are sort of tragic creatures for whom at least one other character has an affection and some sympathy. Full on romance, though…I still aspire to that.

Left Hand Torment (excerpt), by R. J. Joseph

RJJ Book CoverI was on door duty that evening, although we found we did not really need a protector. Most passersby tended not to notice our nondescript entryway in the worn down building. Even those who did notice it were deterred by the dark cloak of misery in our eyes. Despite my queerness and my race, those doorways to my soul that broadcast unspeakable rot allowed me kinship with the men inside. Her eyes held the same blackness, despite their light gray color, and it announced her as kindred, served as her password into the club. I let her in and followed her up the stairs, as my shift was done.

There was more to her life story than her eyes, apparently. The foulness of whatever tortured her spirit bubbled just underneath the surface of her being. Her dusky colored skin shone with determination and…fury. She glided ahead of me up the stairway and into the parlor, removing long white gloves as we walked. Severe burns covered both hands, the puckered skin reflecting in the lantern lights.

Even Whitson, the resident playboy, did not set his flirtations upon her. He simply asked her what she was drinking, the same as he did the rest of us. He often told us that he did not seek companionship with fellow sufferers. He said their beds were already too full with them and their demons.

“Bourbon, please.” The rich tones slid from her throat and escaped into the quiet murmur of the fifteen of us. She accepted her glass gracefully and settled herself into a chair close to the fireplace.

Not forgetting our Texas manners, we quieted down and allowed the lady the floor. I watched her take a sip from her glass.

“Merci.” She accented the appreciation with a brisk nod to the side. When she gazed back at us, the flames from the fire flickered around the shadows resting beneath the smoky orbs of her haunted eyes. She pulled her bonnet off and placed it on the table next to the chair. Kinky curly strands spilled down to her shoulders and the room gave a collective gasp as the flames caught the sandy tresses. This was the only acknowledgement we gave to her beauty that night.

Without preamble, she spoke, in accented tones. “My name is Dominique Aimee Beaulieu and I was born and reared in New Orleans. I had an ordinary childhood, if that as the daughter of a placee` on Rampart street could be called such. Papa and Maman loved me very much and I was a rather spoiled child. They loved each other, as well. I know Papa loved her more than he loved his wife. But he could not stay with us all the time. I once asked Maman why he had to leave and stay away so often and she explained to me that we could not be selfish and keep him all to ourselves. He had another family with whom he had to stay most of the time, but he was always thinking of us.

“Maman had a picture of a beautiful woman with blond hair and she often gazed wistfully at it when she thought Papa and I weren’t looking. I would ask her about the woman, whose features I saw staring back at me in the mirror, albeit through darker skin. Maman would evade the answer until I turned sixteen. When I finally got my answer, I also got the explanation for our way of life.

“‘This is my sister, your aunt. Papa’s other wife. He met me as he courted her and wanted me for his left hand wife. She knows about us but cannot acknowledge us publicly. But she must accept our existence. You are of courting age now. Papa will arrange for you to attend The Quadroon Ball next year, to find you a wealthy, white husband. Do not waste yourself frivolously on any colored man. Even if he has money, he can’t elevate your status or guarantee that your children will be free men.’

“She grabbed my hand. ‘Just take care to always respect your husband and do his bidding. Love and honor him despite the feelings of jealousy that will come when he takes another to wife. We are the wives they choose, when their other will be chosen for them through making familial alliances. These arrangements are our only way to freedom.’

“I didn’t understand why she beseeched me so dramatically on these points. Our system of placage was shocking enough to discover without her telling me I had to accept it, that I had few other choices. I knew nothing of love between a man and woman, but I could see the love between Maman and Papa. If it meant she had to share him with her sister, did that make it of any less value? Did that make me, the product of their left hand union, any less valuable? Of course, I would love my husband, legally bound or not, because of all the things I did not understand, there was one thing I knew and never wanted to change: my freedom.

She paused her story here, seeming to look at us for the first time. She turned her fierce gaze on each of us, one at a time, her fellow beasts of demonic burdens. She settled her gaze finally on me, the lone other woman in the group. I did not know how I understood that she knew my secret. My fellow club members knew and did not care. “You understand when I say fighting for one’s freedom is a frantic battle when losing means losing your personhood and often, your very life.”

I nodded in acquiescence. I did know what a constant fight for freedom to simply exist required. Dying was preferable to giving in to bondage of any kind, hence my membership there. These, my brothers in terror, did not make anything big over my masculine clothes and obviously feminine body. My haunted heart bore witness to more important things to them. The rest of the world did have problems with me, as soon as my “charade” was discovered. Explaining that this was who I am did nothing but result in a trail of bodies. Thus far, my own body did not increase those numbers.

Do you have a fragment of fiction you’re dying to share? Send it my way at chellane@gmail.com. See you soon!

Fuckable Fictional Characters: Francis Dolarhyde

Last weekend I had an interesting conversation with one of my really good friends (don’t worry, Stephanie, those posts we talked about are coming, so stay tuned). We talked about a personality quirk (disorder?) that we share in common. The desire and attraction we feel toward all things that dwell in darkness. No one should have to make apologies for what they find attractive or erotic. We all fall somewhere on the spectrum of sexuality and desire, Honey. I’ll try not to judge you if you don’t judge me, unless you’re hurting people (physically, mentally, or emotionally) without their consent.

Darkness promises mystery, adventure, and fear, an unburdening of the perception that we must always remain on the straight and narrow, and yes, even pain. As counter-intuitive as it sounds, some folks just aren’t happy unless they’re unhappy. I know I’m not alone in this troubling and confusing state of being. I don’t like the fact that I continually seek out inappropriate relationships. At least I don’t climb into cars with strangers anymore. I’m trying to break myself of these self-defeating and potentially life-threatening habits. It’s a work in progress.

I like monsters. A lot. But I don’t want to date them in real life. That still won’t stop me from getting all hot and bothered for them. Vampires? Love ‘em. Werewolves? I’d hit that. Fallen angels? Do you have a few hours to talk over coffee or Bourbon? I’ll admit that my taste in fictional characters might be a little unsettling to some people, but once again, I’m not going to apologize for what turns me on.

February 25: Francis Dolarhyde

tumblr_nvt75vOMgA1s1oat1o1_1280

Francis Dolarhyde is a glorious monster. When you talk about Thomas Harris’s work—his novels, the films and TV show they have spawned—most people automatically think of Hannibal Lecter. Actually, most days I find it hard NOT to think about Hannibal Lecter. In the novel Red Dragon, Harris masterfully created a character who, in my opinion, is just as scary as Dr. Lecter. Without a doubt, the monster at the end of this book is the Red Dragon, Francis’ alter ego and the driving force behind his well planned, cleverly executed serial murders.

big_1437842122_image

At first glance, I didn’t like him very much. Every slight, every dirty look, every unkind word gets tallied up by Francis, as if he’s some maladjusted, compulsive, vengeful bean counter and the rest of humanity are the beans. I hated when he spit on the woman in the convertible simply because his gaze made her uncomfortable, self-conscious. I hoped he wouldn’t end up being just another emotionally crippled misogynistic jerk.

US-VOTE-REPUBLICANS-DEBATE

Do you want WWIII? Because this is how we get WWIII.

Thankfully, as the story unfolded and I learned about Dolarhyde’s unbelievably traumatic childhood I became more interested. And, with every new horrible discovery about his past, I grew to love him more and more. I mean, come on, this serial killer has it all. He is physically deformed at birth, abused and abandoned by his mother and grandmother, sexually repressed, and a voice inside his head tells him to kill families that remind him of the family his mother formed without him. The family he was allowed to visit, but never welcomed to join. He is an outsider that many readers can relate to, and if not empathize with, at least feel some sympathy toward.

Hannibal - Season 3

He seemed like such a nice, quiet man.

Dolarhyde’s childhood was wonderfully atrocious, and Harris’s descriptions of his life in Grandma’s house reminded me of several dark Victorian classics. Dolarhyde’s two personalities made me think of Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, especially toward the end of the novel when Francis tries to stop the Dragon and form a relationship with his love interest, Reba. His two sides struggle for dominance as Francis tries to protect the woman he believes he loves. At other times I thought of Mary Shelley’s Frankenstein, with his physical deformities and inability to join “polite” society. Francis is filled with rage and envious of the “normal” people around him. He kills them to ease his pain and take revenge on the people who abused him. The Dragon is essentially the end result of Grandma’s psychological experiments on Francis that further transformed his already damaged psyche.

And then, we have Grandma’s dentures. Quite possibly one of the most disturbing images I have encountered in a novel, the dentures almost have a life of their own, which ramps up the body horror aspects of this tale. Grandma’s choppers allow us to venture down several literary paths. We could go Big Bad Wolf here, “oh Grandma, what big teeth you have.” Or we could take the Gothic Horror path since Dolarhyde makes a pretty convincing Dracula with false teeth filed into sharp points. He literally bites his female victims to death.

As I said, Francis Dolarhyde has a lot going for him as a character designed to make us check under the seats before turning the key in the ignition and double deadbolt the doors at night. Thomas Harris created an amazing killing machine that commits unspeakable acts and yet somehow convinced me to cheer for him when he fights against his murderous urges. I hoped he would escape capture at the hands of the FBI and Will Graham.

308-This-Is-My-Design

This is my design.

There are elements of romance in the novel. Apparently Thomas Harris believes that even serial killers deserve love. Or maybe he’s suggesting that if they received love in the first place they may not have chosen to murder people. Harris elicits even more sympathy for Francis when he meets a woman who is attracted to him. He reciprocates and they begin dating.

NUP_166296_0052

Lucifer offering Eve an apple.

Hannibal - Season 3

This is how a grown man reacts to being shown love for the first time.

Hannibal-Reba-Francis-and-tiger

He’s never seen anything more beautiful.

They are the perfect fairy tale couple, a blind princess (literally, not just too dumb or unwilling to see the truth) and her prince who is magically transformed into a dragon by an evil wicked witch. Bryan Fuller made all of my dreams come true with the intense  emotional and physical connection between Francis and Reba in season 3 of Hannibal. Their sex scenes were gloriously erotic. I must have rewatched the sex scene at least six times after I watched episode 10. So effing hot. Seriously, when he grabs her, picks her up, and carries her to his bedroom, I was like SPLOOSH!

This slideshow requires JavaScript.

I hoped Reba’s affection would be strong enough to rescue and redeem him in the end. His own delusions and lack of impulse control ultimately lead to his demise. Rather than trusting that Reba cares for him, he listens to the Dragon. His immaturity, lack of experience with live women, and delusions prevent him from achieving a normal and healthy life with Reba. Like most of us, our faults and bad habits tend to undo our efforts to improve ourselves no matter how hard we try to overcome them.

dragon-reba4

You should probably let someone get to know you a little better before you show them your dark side.

I don’t just like this monster. I am sexually attracted to him and find him totally fuckable. He’s fuckable in the novel and as portrayed by Ralph Finnes (Red Dragon, 2002) and Richard Armitage (Hannibal, 2015) (especially Richard Armitage), but the thoughts I have about him make me a bit uneasy. Why? As I said, I love monsters. I have no problem with the idea of liking Dracula or the Big Bad Wolf. Maybe my feelings of unease come from the fact that I know those monsters are fictional, make-believe, fairy tales, but serial killers are very real. While I’m fascinated by their crimes and their motivations to commit them, I do not idolize real serial killers. I want the police to catch them and punish them to the full extent of the law. Serial killers cause me to waffle about my stance on the death penalty.

Francis Dolarhyde is a fictional character, but Harris breathed so much life into him that he seemed disturbingly real. Serial killers are real. Dracula is not. Monsters that are created to represent the darker aspects of the human psyche or to examine and comment upon questionable societal norms are safe. The aging Goth teen queen inside me craves stories about monsters who prevail despite their physical deformities and emotional immaturity. Weird and horrifying is acceptable as long as it has a message or a purpose. But here is the Red Dragon standing before me, engrossed in his own gloriously terrifying acts of violence against women and their families, and somehow I find beauty there. My adoration of this character gives me pause.

hannibal-3.13-TGRD-dies

Even his death is beautiful.

Typically, I would use the excuse of Hollywood’s knack for putting attractive actors in horrifying roles. The Devil is tempting not only because he encourages you to do the sinful things you crave, but also because he shows up as the thing you want most, and probably wearing a nice suit. Even before Bryan Fuller provided us with a visual buffet of horrific beauty on Hannibal, I desired Francis Dolarhyde.

Hannibal-Armitage-812x522

Sometimes you can’t ignore the voices.

But Bryan Fuller cranked up the voyeurism, spectacle, and the eroticism of evil by making Francis exceptionally desirable and giving him an object of desire that I could relate to. I could imagine myself in her place. Eroticism is subjective, but when erotic images and art mirror your own fantasies, that’s not only psychologically satisfying, it’s magical.

Hannibal-season-3-episode-11-reba-dolarhyde

They make a beautiful couple.