Fuckable Fictional Characters: Will Graham

I’ve mentioned several times before in this series that I have a special place in my heart for the insane – or, at least, the people society deems insane. Some people I have cared deeply about throughout my life suffered or continue to suffer with mental illness and the stigma that comes along with these often-misunderstood medical conditions.

My father made a living as a mental health professional. He cared a lot about his clients, and sometimes developed strong attachments to them. I’m aware that there are ethical issues associated with client/therapist relationships that cross the boundaries established by the profession. Despite his role as therapist and healer, he was only human and felt deep sorrow when one of his clients relapsed and hurt themselves or someone else. More than once, my dad received phone calls about the death of a client at his/her own hands. I remember one client’s suicide very well, because my dad cried when he hung up the phone and slipped into a deep depression that lasted months. He felt responsible for that man’s death. He believed that he had somehow failed. My dad was really good at what he did, but he felt too much to be able to distance himself from the very real struggles his clients faced. He cared too much.

Caring too much sounds absurd to people who don’t understand what that can be like. When you feel things so strongly that you can’t seem to separate yourself from the grief experienced by others around you, people you’ve never met, people who died long before you were born, any form of suffering that you can empathize with creates a sense of the suffering inside you. When therapists who have a strong sense of empathy cross boundaries with their clients, sometimes inappropriate or even dangerous things happen, placing both client and therapist in jeopardy.

An excellent fictional example of this kind of situation is the relationship between Will Graham and Dr. Hannibal Lecter in Bryan Fuller’s television adaptation of Thomas Harris’ novel, Red Dragon, “Hannibal”. Dr. Lecter is a psychiatrist and Will is a profiler for the FBI. Both work under Jack Crawford, the director of the BAU, who investigates serial murders. Will has a unique set of mental quirks (illness) that gives him a nearly supernatural level of empathy, which enables him to place himself in the minds of serial killers and recreate their actions and thoughts while examining grisly crime scenes. Will solves serial murders and puts serial killers behind bars…unless they end up dead. Which happens quite a bit on “Hannibal”. If Will doesn’t kill them, Dr. Lecter will, or they end up killing themselves. Although Jack has asked Dr. Lecter to observe Will to keep track of his fragile mental state as he investigates one horrific murder after another, he never officially becomes Will’s psychiatrist. In fact, they become friends. Well, they become connected by a series of unfortunate events that blur the boundaries and behaviors between them, and a bond of sorts is formed. Friends? Colleagues? Murder husbands? You decide.

Crazy Is As Crazy Does: Will Graham

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However you choose to define the relationship between Will Graham and Hannibal Lecter, it is a cluster fuck of lies, deceit, manipulation, murder-spree fantasies, and some occasional inappropriate touching. From where I’m sitting, I see a lot of sexual tension between two men who are intellectually turned on by each other in a submissive/dominant dance of morally questionable professional encounters that ultimately lead to serious injury – mentally and physically.

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I think I made it abundantly clear how I feel about Dr. Lecter in an earlier post, but now it’s Will’s turn. Thomas Harris wrote him as an exceptionally strong character that rivals the serial-killing monsters in Red Dragon, and Hugh Dancy has taken this character to whole new level of psychosis.

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There is beauty and pain in his gift of empathy, he is gloriously crazy, and his insight and intellect, as well as his extreme awkwardness make him very appealing to this long-time nerd fetishist.

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I often make passes at men who wear glasses.

I don’t know about you, but the smarter a man is, the hotter he becomes in my opinion. Will is a successful criminal profiler, but due to his delicate psychological make-up, it is safer for him to share his wisdom and experience in a classroom rather than in the field.

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Intellectual hotness.

But, Jack Crawford convinces him (against Will’s better judgement and Alana Bloom’s recommendations) to leave the safety of the classroom and return to the field where his expertise can have a positive outcome in solving crimes and catching serial murderers.

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I have a collection of bloody antlers just like this at home.

Will Graham is an incredibly fuckable fictional character, despite the fact that his friend and colleague, Alana Bloom, thinks a relationship with him is too risky. Initially, when Will shows an interest in becoming more than friends with Alana and she turns him down, I was angry. I mean, if I worked with someone as intellectually creepy and hot as Will Graham, I’d probably be making not-so-subtle hints about my interest in him.

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Seriously. What the hell is she waiting for?

But, in retrospect, I realize that I have more in common with Alana than I’d readily like to admit. Alana spends a lot of time inside her own head. I do too. She tends to overthink things. Ditto. In fact, she thinks herself right out of potentially pleasurable and possibly ideal situations, like entering a romantic relationship with Will Graham. Sure, he’s cute and sweet, but he’s also kind of unstable and may require a lot of care giving in the long run. So, she rejects him. He doesn’t take it well, but respects her decision and doesn’t continue to push the issue. He occasionally makes snide comments, but then acts like an adult and treats their relationship as strictly professional.

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We’ve all made the mistake of choosing the wrong guy before.

Seeking refuge from the pain of unrequited love, Will dives back into his work. Because Will enters the minds of the killers he profiles, the field work begins to take its toll. With each episode, Will gets a little stranger, his bond with Dr. Lecter grows tighter, and heads in a weird direction.

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In Thomas Harris’ novel, Red Dragon, Lecter is behind bars and the relationship between him and Will is mostly speculative. We know that Will worked with Lecter to solve a crime, and later discovered that Lecter himself was a serial killer. Will nearly loses his life at the hands of Lecter, but ultimately is the one who puts him behind bars. In “Hannibal,” we see Bryan Fuller’s vision of their relationship prior to Lecter getting caught. Fuller’s artistic vision creates not only some of the most beautiful murder tableau, food porn, and uncomfortable interpersonal interactions, but also adds a level of competition between Will and Hannibal that slowly becomes a homoerotic murder fantasy man crush. (It’s totally a thing.)

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Before.

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After.

And don’t get me started about the visual references to David Lynch’s body of work (that’s a different conversation for another day).

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Yep. That’s a human ear alright.

While watching the first season, I questioned not only my theories about Fuller’s references to David Lynch’s work, but also the homoerotic nature of Will and Hannibal’s relationship.

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Yeah, I’m just imaging…wait.

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I soon discovered I wasn’t the only one in the Hannibal fandom (Fannibals) who saw what I was seeing. The sexual nature of their relationship became clearer with each episode. Social media (Tumblr, Deviant Art, Pinterest, Twitter and Facebook) provided an outlet for fans who wanted to explore the possibilities of that relationship even further, and coined the term Hannigram. “Hannibal” has some of the most creative, twisted and hilarious fans. If you ever find yourself bored and want to entertain yourself, just Google Hannigram and let the good times roll.

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I know, right?

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Disturbing, yet somehow hilarious.

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This is the humorous side, but there is a darker and more sexually-charged side of the fandom as well.

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As far as fan art goes, the Hannigram inspired work found on social media may cause you to blush or shift in your seat a bit. Given the nature of the fiction it is drawing its inspiration from, this shouldn’t come as a surprise. Neither should it surprise you just how closely violence, eating, and sex are related. But, what might disturb you about that connection is how titillating it can be when presented to us in a gloriously perverse artistic expression through such mediums as film or literature.

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But it is. And so is this.

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And, especially this.

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I mean, that’s like a total effing Romeo & Juliet ending! I know I’m not imaging that. But ironically, it takes Will the longest to catch on to that aspect of his relationship with Hannibal.

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I mean, even the tabloids alluded to the weird and kinky nature of their relationship.

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Any way you look at it, Will Graham is clearly Hannibal’s object of desire. The lines between his murder fantasies and his contracted work with the FBI to observe Will’s behavior blur while the empathetic profiler spirals deeper into mental illness. And while we feel sympathy for Will, the bizarre elements of the fiction lend themselves to even more disturbing humor. Let’s face it, Fannibals are sick, twisted, clever perverts. And I love them dearly.

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Fuckable Fictional Characters: Francis Dolarhyde

Last weekend I had an interesting conversation with one of my really good friends (don’t worry, Stephanie, those posts we talked about are coming, so stay tuned). We talked about a personality quirk (disorder?) that we share in common. The desire and attraction we feel toward all things that dwell in darkness. No one should have to make apologies for what they find attractive or erotic. We all fall somewhere on the spectrum of sexuality and desire, Honey. I’ll try not to judge you if you don’t judge me, unless you’re hurting people (physically, mentally, or emotionally) without their consent.

Darkness promises mystery, adventure, and fear, an unburdening of the perception that we must always remain on the straight and narrow, and yes, even pain. As counter-intuitive as it sounds, some folks just aren’t happy unless they’re unhappy. I know I’m not alone in this troubling and confusing state of being. I don’t like the fact that I continually seek out inappropriate relationships. At least I don’t climb into cars with strangers anymore. I’m trying to break myself of these self-defeating and potentially life-threatening habits. It’s a work in progress.

I like monsters. A lot. But I don’t want to date them in real life. That still won’t stop me from getting all hot and bothered for them. Vampires? Love ‘em. Werewolves? I’d hit that. Fallen angels? Do you have a few hours to talk over coffee or Bourbon? I’ll admit that my taste in fictional characters might be a little unsettling to some people, but once again, I’m not going to apologize for what turns me on.

February 25: Francis Dolarhyde

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Francis Dolarhyde is a glorious monster. When you talk about Thomas Harris’s work—his novels, the films and TV show they have spawned—most people automatically think of Hannibal Lecter. Actually, most days I find it hard NOT to think about Hannibal Lecter. In the novel Red Dragon, Harris masterfully created a character who, in my opinion, is just as scary as Dr. Lecter. Without a doubt, the monster at the end of this book is the Red Dragon, Francis’ alter ego and the driving force behind his well planned, cleverly executed serial murders.

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At first glance, I didn’t like him very much. Every slight, every dirty look, every unkind word gets tallied up by Francis, as if he’s some maladjusted, compulsive, vengeful bean counter and the rest of humanity are the beans. I hated when he spit on the woman in the convertible simply because his gaze made her uncomfortable, self-conscious. I hoped he wouldn’t end up being just another emotionally crippled misogynistic jerk.

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Do you want WWIII? Because this is how we get WWIII.

Thankfully, as the story unfolded and I learned about Dolarhyde’s unbelievably traumatic childhood I became more interested. And, with every new horrible discovery about his past, I grew to love him more and more. I mean, come on, this serial killer has it all. He is physically deformed at birth, abused and abandoned by his mother and grandmother, sexually repressed, and a voice inside his head tells him to kill families that remind him of the family his mother formed without him. The family he was allowed to visit, but never welcomed to join. He is an outsider that many readers can relate to, and if not empathize with, at least feel some sympathy toward.

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He seemed like such a nice, quiet man.

Dolarhyde’s childhood was wonderfully atrocious, and Harris’s descriptions of his life in Grandma’s house reminded me of several dark Victorian classics. Dolarhyde’s two personalities made me think of Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, especially toward the end of the novel when Francis tries to stop the Dragon and form a relationship with his love interest, Reba. His two sides struggle for dominance as Francis tries to protect the woman he believes he loves. At other times I thought of Mary Shelley’s Frankenstein, with his physical deformities and inability to join “polite” society. Francis is filled with rage and envious of the “normal” people around him. He kills them to ease his pain and take revenge on the people who abused him. The Dragon is essentially the end result of Grandma’s psychological experiments on Francis that further transformed his already damaged psyche.

And then, we have Grandma’s dentures. Quite possibly one of the most disturbing images I have encountered in a novel, the dentures almost have a life of their own, which ramps up the body horror aspects of this tale. Grandma’s choppers allow us to venture down several literary paths. We could go Big Bad Wolf here, “oh Grandma, what big teeth you have.” Or we could take the Gothic Horror path since Dolarhyde makes a pretty convincing Dracula with false teeth filed into sharp points. He literally bites his female victims to death.

As I said, Francis Dolarhyde has a lot going for him as a character designed to make us check under the seats before turning the key in the ignition and double deadbolt the doors at night. Thomas Harris created an amazing killing machine that commits unspeakable acts and yet somehow convinced me to cheer for him when he fights against his murderous urges. I hoped he would escape capture at the hands of the FBI and Will Graham.

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This is my design.

There are elements of romance in the novel. Apparently Thomas Harris believes that even serial killers deserve love. Or maybe he’s suggesting that if they received love in the first place they may not have chosen to murder people. Harris elicits even more sympathy for Francis when he meets a woman who is attracted to him. He reciprocates and they begin dating.

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Lucifer offering Eve an apple.

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This is how a grown man reacts to being shown love for the first time.

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He’s never seen anything more beautiful.

They are the perfect fairy tale couple, a blind princess (literally, not just too dumb or unwilling to see the truth) and her prince who is magically transformed into a dragon by an evil wicked witch. Bryan Fuller made all of my dreams come true with the intense  emotional and physical connection between Francis and Reba in season 3 of Hannibal. Their sex scenes were gloriously erotic. I must have rewatched the sex scene at least six times after I watched episode 10. So effing hot. Seriously, when he grabs her, picks her up, and carries her to his bedroom, I was like SPLOOSH!

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I hoped Reba’s affection would be strong enough to rescue and redeem him in the end. His own delusions and lack of impulse control ultimately lead to his demise. Rather than trusting that Reba cares for him, he listens to the Dragon. His immaturity, lack of experience with live women, and delusions prevent him from achieving a normal and healthy life with Reba. Like most of us, our faults and bad habits tend to undo our efforts to improve ourselves no matter how hard we try to overcome them.

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You should probably let someone get to know you a little better before you show them your dark side.

I don’t just like this monster. I am sexually attracted to him and find him totally fuckable. He’s fuckable in the novel and as portrayed by Ralph Finnes (Red Dragon, 2002) and Richard Armitage (Hannibal, 2015) (especially Richard Armitage), but the thoughts I have about him make me a bit uneasy. Why? As I said, I love monsters. I have no problem with the idea of liking Dracula or the Big Bad Wolf. Maybe my feelings of unease come from the fact that I know those monsters are fictional, make-believe, fairy tales, but serial killers are very real. While I’m fascinated by their crimes and their motivations to commit them, I do not idolize real serial killers. I want the police to catch them and punish them to the full extent of the law. Serial killers cause me to waffle about my stance on the death penalty.

Francis Dolarhyde is a fictional character, but Harris breathed so much life into him that he seemed disturbingly real. Serial killers are real. Dracula is not. Monsters that are created to represent the darker aspects of the human psyche or to examine and comment upon questionable societal norms are safe. The aging Goth teen queen inside me craves stories about monsters who prevail despite their physical deformities and emotional immaturity. Weird and horrifying is acceptable as long as it has a message or a purpose. But here is the Red Dragon standing before me, engrossed in his own gloriously terrifying acts of violence against women and their families, and somehow I find beauty there. My adoration of this character gives me pause.

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Even his death is beautiful.

Typically, I would use the excuse of Hollywood’s knack for putting attractive actors in horrifying roles. The Devil is tempting not only because he encourages you to do the sinful things you crave, but also because he shows up as the thing you want most, and probably wearing a nice suit. Even before Bryan Fuller provided us with a visual buffet of horrific beauty on Hannibal, I desired Francis Dolarhyde.

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Sometimes you can’t ignore the voices.

But Bryan Fuller cranked up the voyeurism, spectacle, and the eroticism of evil by making Francis exceptionally desirable and giving him an object of desire that I could relate to. I could imagine myself in her place. Eroticism is subjective, but when erotic images and art mirror your own fantasies, that’s not only psychologically satisfying, it’s magical.

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They make a beautiful couple.